When young Swedish woman Eleanor finds her manipulative, angry grandmother Vivianne dying of a stab wound, she’s more depressed and bewildered than sad. Vivianne raised Eleanor on a steady diet of scorching belittlement after the girl was left an orphan. Eleanor’s now working to overcome the hurt while learning to cope with prosopagnosia, or face blindness (she can’t recognize faces, even her own in the mirror). The story quickly moves to Solhöga, Vivianne’s country mansion, where Eleanor, her boyfriend and aunt, and Vivianne’s lawyer aim to inventory the contents. The chore becomes a terrifying ordeal when various members of the party come to mysterious harm; the somber house and sad diary entries detailing the lonely days of a long-ago maid at Solhöga add to the forbidding atmosphere. Sten’s character-driven, psychologically immersive puzzle will keep readers guessing until the end about who killed Vivianne and what’s behind the mysteries at the house. Eleanor’s face blindness adds an interesting and thankfully not overused element to the tale; an apt complement to this is Sarah Strohmeyer’s Do I Know You? (Harper, November), which features a “super-recognizer” who remembers for years the faces of people she sees even once in a crowd.
Review
As well as offering a peculiar and captivating story, this winner of France’s Prix Goncourt prize, for the “”best and most imaginative prose work of the year,” stands out as wonderfully French. Le Tellier describes his characters in gutting detail while maintaining a distant nonchalance, inviting readers to share in his weariness at how emotionally finished these people are. Among them is Victor Meisel, who resembles “a healthy Kafka who made it past forty” and is writing a book called The Anomaly; André, an architect who’s desperate to hold onto the love of his much-younger girlfriend, and Lucie, that girlfriend, who’s drifting away; David, who’s facing a deadly illness; and Slimboy, a famous singer who spends all his energy maintaining the facade that he’s straight. Their shredded emotions are on display in the lead up to a Paris-New York trip, with each then depicted as one of a handful of strangers on, and the pilot of, a flight that experiences near-lethal turbulence with a bizarre aftermath. Emotions are just one of the problems faced by the survivors, who find themselves captive in a situation that involves not only the CIA and FBI but even the President of the United States (“a fat grouper with a blond wig”). Viewers of Netflix’s hit series Manifest will recognize some elements of this story, but the book and the show are unrelated and the aftermath of the flight is different enough to enthrall fans of the show and to keep them reading to the end.
Ten years ago, Lydia was kidnapped, then spent the subsequent decade locked in a hunting cabin, subjected to torture and abuse. Miraculously, she managed to escape—feigning death—and after several months of homelessness made it to the coastal town where her husband, Luca, and Merritt, his second wife, live. At first glance, Luca and Merritt, who married a couple of years after Lydia disappeared and was declared dead, have it all: homes, cars, several restaurants that they own, a beautiful child, another on its way. How will Lydia’s resurrection rock Luca and Merritt’s world? With chapters alternating between Lydia and Merritt’s points of view, we watch the tentative relationship between the two women grow. Merritt tries to help Lydia while Lydia charts her own course, deciding how she wants to be helped. Kent does a terrific job of creating suspense—we know a bomb is about to go off, just not which one—and when it does, we’re totally spun about. But the book doesn’t end there, as two more revelations upturn everything we know. Credible? You’ll be too terrified to care.
Heads up! A smart, witty amateur detective has entered the crime fiction galaxy, and you won’t want to miss her. Twenty-five-year-old Claudia Lin, from a Taiwanese-American family, doesn’t live up to anyone’s model-minority expectations. She visits her mother in Queens monthly (not weekly), dates girls (not nice Chinese boys), and has a job (not a career). But her position at Veracity, a sort of detective agency that can suss out the truthfulness of one’s online dates, turns out to be tailor made for her. So much so that when Iris, one of her clients, suddenly disappears, Caroline falls down the rabbit hole in pursuit of her, unearthing shocking information both about online dating companies and the fate of Iris. While solving the mystery is central to the novel, Claudia’s complicated relationships with her mom, Harvard-educated brother, and beautiful, vain sister provide wonderful distractions. For readers who enjoy quirky characters, strong female leads, and love/hate family relationships.
Simon, prolific author of the Witch Cats of Cambridge series, here mines her past as a rock critic. The tale looks at former rockers visiting their own past when they reunite for a benefit after former bandmate Aimee dies. During the concert, Gal Raver, frontwoman of the band and of the book, sees a familiar face in the crowd. It’s TK, the band’s old roadie, who’s later found dead in an alleyway behind the club. Walter, Aimee’s husband, is charged with murdering TK and seems curiously apathetic when Gal tries to help him fight the accusation. Finding out what happened involves numerous murky flashbacks to Gal’s past as a messy, angry drug and alcohol addict, and her behavior and the battle for fleeting success give the book a feeling of darkness. Simon’s evocative writing puts readers inside sweaty clubs that stink of beer and vomit (so much vomit!), and reaches its first height when describing the moment the fledgling band finally gels onstage. The music fades in the last part of the novel, which explores hard truths and the differing ways they can be remembered, with Simon’s depiction of Gal’s slowly unfurling memories a second high point. Note that rape is described here in some detail. For readers who enjoy dark stories and fans of music-themed mysteries.
Here’s the premise: two teens, a boy and a girl, break into Emmett Burr’s house in search of opiates. The house is remote, set on Sandy Lake in northern Minnesota, and the kids just assume that Emmett, old and immensely obese, will be passed out. But everything that can go wrong, does go wrong. Emmett shoots and kills the boy, while the girl, Jenny, is chained and left in a cell in the basement. It’s clear that she’s just the latest in a series of girls who’ve been locked up, abused, and eventually murdered. Fortunately, Jenny’s mother is quick to notice that her daughter is missing; she calls Sheriff’s Deputy Ben Packard, and the search is on. Ben, who recently moved from Minneapolis, spent his childhood summers on the lake; in fact, he’s related to Jenny. Packard’s search takes him to the dark underbelly of Sandy Lake, where alcoholism and drug abuse and violence and crime rule. Low-key Packard, who has his own secrets—he’s gay and just inching out of the closet—is as compelling and potentially as complex a cop as Louise Penny’s Armand Gamache. This is a remarkable debut—sharp, suspenseful, and emotionally powerful—sure to appeal to readers of Karin Slaughter and Lisa Gardner.
A mystery with all the right ingredients, in all the right proportions: compelling crime, eccentric characters, dishy police chief, fascinating location, and above all else, Lana Lewis, a quirky, smart, witty, and sarcastic protagonist. After getting laid off from her job as a journalist in Miami, Lana moved back to her hometown of Devil’s Beach, a barrier island north of the city, and opened Perkatory, a happening coffee shop. When Raina—who owns the hot yoga studio next door—goes missing, Lana dusts off her journalism creds and heads into the contentious, and gossip-ridden, world of yoga to cover the story for the local paper. But finding Raina takes a village, and Lana gets help from a wonderful cast, including her yoga-loving, hippie Dad—whose medical marijuana prescription is always filled—and Noah Garcia, the aforementioned police chief. Lana and Noah’s burgeoning relationship, despite plenty of professional conflict, is a strong element in the novel. But at the book’s heart is Lana, a complex character who’s recovering from a divorce, wary of romance, and uncertain about her career, yet with a great sense of humor. If I can’t spend the afternoon hanging out with Lana in Perkatory, then please get me the next volume in this series ASAP.
Hope Miller, as she’s known these days, is stuck in a legal no-man’s land. After she was found injured in a car crash, she never regained her memory, doesn’t know who she is, and has continued to live, for years, as a kind of foster daughter of a whole New Jersey town. Police pretend not to notice that she’s driving without a license. She works cash jobs. And her best friend, defense lawyer Lindsay Kelly, who found Hope in the wreck of her car all those years ago, carefully tends to her friend’s safety. Lindsay tries to understand when Hope moves to the Hamptons and asks for no contact for a while, but she’s frantic when the vulnerable woman disappears from the Hamptons home. Looking for Hope, and trying to remain loyal to her while uncovering disturbing truths, has Lindsay examining the case of an already-captured serial killer who stalked women a thousand miles from New York decades before. She’s assisted in the investigation by gutsy NYPD detective Ellie Hatcher, whom readers will know from the previous five books in this series. Also familiar will be Burke’s talent at gripping storytelling, creating thought-provoking characters that make readers squirm with ambivalence, and oh-so-clever endings. There’s no need to read the other books to follow this one, but you’ll want to.
A gripping thriller that is begging to be made into a motion picture. Ethan Lockhart, serving time in a Nevada jail for armed robbery, is released on a 48 hour furlough to attend the funeral of his younger sister, Abby. Ethan is devastated—he and Abby were super tight—but he’s also suspicious: his sister Abby was clearly assaulted in her home, but her body was never found. Ethan suspects Shark, his former boss, a one-time minor loan shark who’s now a major Reno crime boss. Ethan teams up with Abby’s best friend, Whitney—sparks fly!—and they descend into the criminal underground he had hoped to have left behind. The plot never wavers, and the few subplots all add to the story. Bourelle really cranks up the pace—the book just flies—and each chapter is ingeniously named after how many hours are left before Ethan needs to turn himself in. Netflix, please get on this!
Every few weeks I get a hankering to visit the scariest place on earth: A British country village. And this standalone from Caroline Mitchell—the author of several series, including DI Amy Winters—more than does the trick. Naomi, a London journalist, is making the move to the rural village of Nighbrook along with her new husband, Ed, a filmmaker; and Ed’s daughter Morgan, the teenager from hell. Except Naomi has a secret. She’s long been obsessed with the story of the infamous Harper family, the members of which mysteriously disappeared from their Nighbrook cottage a decade ago, leaving the TV on, the stove ready for a batch of cookies, and no sign of a struggle. Now, not only is Naomi moving her family to Nighbrook but she’s bought Ivy Cottage, the Harper family’s old home, which has been empty this past decade. No one in her family knows its background, but what, after all, can go wrong? Let’s start with the villagers, who could teach a master class in glaring and whispering, and are united in withholding all information. Add to this the police who are in cahoots with the villagers, creeps from the Internet, a dangerous snowstorm, and so much more. Naomi will be lucky if she can get her family out alive, while readers will be happy to read this book in one, terrified, sitting.