Here’s a conundrum. Series readers love returning to the familiar: the nosy next-door neighbor, the long-term fiancé, the super intelligent dachshund, and, above all else, our detective. At the same time, readers expect the newest book to shake things up, presenting our hero with changes and challenges. Authors looking to pull this off would do well to consult Jane Austen’s Lost Letters—the 14th book in the Josie Prescott series—a textbook on how to balance the old and the new. Josie, an extremely successful antiques dealer, meets an elegant older woman who presents her with a box, then disappears. The box, from Josie’s father, dead these twenty years, contains two of Jane Austen’s letters. The missives set off a series of events that pulls us into the worlds of academia, rare manuscripts, television production, historical-autograph authentication, and Josie’s relationship with her dad. At a point, the book shifts, and Josie is no longer just investigating, she’s fighting for her life. A traditional mystery with a soupçon of the thriller, this book will appeal to a large swath of mystery readers. And despite the many previous volumes, it works beautifully as a stand-alone
Review
At first it seems some well-worn police procedural tropes will dominate the latest novel by bestselling Schaffhausen (Ellery Hathaway series). Our protagonist, a detective, is determined to find the serial killer that eluded her cop father, while wondering if she’ll ever find love in this relationship-destroying career. But some twists make the author’s turbulent latest different. The detective in question, Annalisa Vega, dated the son of one of the victims as a teen; the connection to her first heartbreak drives Vega to uncover the truth—and sometimes to go too far. Adding intrigue is that one of the killer’s last victims, Grace Harper, is an avid, insightful member of an amateur cold-case investigation club, the Grave Diggers, which at the time of Harper’s death was focusing on her killer. “Grace Notes,” journal entries on her investigative findings, will give readers the feeling of turning the case around in their hands as the narrative shifts back and forth in time and between Harper and Vega’s differing knowledge and motivations. Schaffhausen’s writing brings readers right into shadowy Chicago streets and family secrets from page one. This first in a new series is a must for readers of innovative police procedurals as well as fans of true crime shows.
Molly Gray struggles to decipher social cues. Her speech is formal and old-fashioned. She’s obsessed with cleaning—a real advantage in her job as a maid in a grand old hotel. Gran, who always helped her navigate the world, recently died, leaving 25-year-old Molly an orphan. Readers may be quick to diagnose Molly as being on the autism spectrum, but Prose wisely avoids such language, forcing us to make sense of Molly on her own terms. Then comes the day when the maid goes to clean the room of the wealthy and loathsome Charles Black, only to find him dead, likely the victim of murder. Molly’s world is turned upside down as she finds herself the lead suspect. Suddenly, she has to do the unthinkable: reach out to others for help in saving herself. The Maid is a lovely, uplifting exploration of friendship and the power of difference. As Gran would say, “We are the same in different ways.”
Since Claudia Vera’s mom died, it’s just Claudia and her four-year-old son, Henry. She struggles to pay for the cheapest daycare in her Illinois town and is overjoyed when the exclusive Hawthorne School gives Henry a full scholarship, asking the awestruck mom only to volunteer at Hawthorne in return. Things soon turn decidedly odd. Claudia never sees any other parents, and the principal is increasingly insistent on Hawthorne’s unorthodox ways and on Claudia spending hours at the school doing unnecessary tasks. Oddness soon turns to a frightening effort to control—as the publisher’s discussion questions note, this book can be read as an allegory on narcissistic abuse—and Claudia finds herself in the most confusing and terrifying situation of her life. Scary, gothic schools are often found in mysteries, but this one differs in only featuring psychological horror (author Perry is a psychologist), no ghostly terrors. It also differs in presenting a Latinx mom and the use of Spanish (which you don’t need to understand to read the book) to both propel the narrative and help the protagonist. Perry excels in getting inside the head of an unsure mom and has written one of the most unusual and best mysteries of 2021. Fans of psychological mysteries and of the movie Get Out are the audience for this.
A midsize Catskill resort in the 1950s provides a rich setting for Delany’s latest series. Elizabeth Grady manages the resort, while her mother, Olivia—a retired theater and film star who inherited the venue—loafs about, deigning to occasionally show up at cocktail hour to dazzle the guests. Keeping the Haggerman’s Resort profitable is serious work, and Grady doesn’t think things can get any busier, when the body of one of the guests—loner Harold Westenham, a former college professor—is found floating in the lake. If that doesn’t cause enough of a ruckus, the police find a copy of The Communist Manifesto in Westenham’s cabin, bringing in the FBI and fueling a red scare among the guests. Faced with a hostile police force, Grady ends up taking on the investigation herself. While the detective work is low-key, and the resolution falls pretty much in Elizabeth’s lap, the real pleasures of this book lie in its setting, period, and characters, all of which are wonderfully realized. Cozy readers will be happy to return to Haggerman’s Catskill Resort any time.
Subtle and nuanced, this novel is the prolific Cleeves at the top of her game. Detective Matthew Venn is called to a sort of artist commune, where a body has been found in one of the studios with a large shard of glass protruding from its neck. The victim, Dr. Nigel Yeo, is the loving father of Eve, a glassmaker who lives and works in the commune. This sets in motion an investigation that gains urgency as the days pass and the bodies begin to stack up. Cleeves takes on some tough issues here—including suicide—and it’s one of her darker books. But as always with this author, the murder narrative is delightfully punctuated with insights into the lives of Venn—still recovering from his evangelical upraising—his husband Jonathan, fellow detectives, and even several of the suspects. Cleeves is the author of the hugely popular Vera and Shetland series, the latter now finished. Broadchurch viewers should appreciate Cleeves’ wide-angle lens and focus on community.
Bates, Sonya. Inheritance of Secrets. November 2021. 432p. HarperCollins.
After her mother left when Juliet was nine, she grew up with her German grandparents, Karl and Grete. The three are close, and she’s devastated when they’re murdered. Even more upsetting, investigators claim that Karl was a long-pursued Nazi war criminal. That present-day story, set in Australia, alternates with the wartime romance tale of Karl and Grete, who love their country but are kind to Jewish neighbors, and who promise to reunite after Karl returns from the front. Most of this earlier tale takes place before and after the war, leaving what Karl did during the conflict a mystery that Juliet is desperate to unravel. This is not a story of Nazi redemption; rather, it’s a thoughtful, immersive look at pre-and postwar life in a destroyed Europe and an examination of the scars left for succeeding generations. Canadian author Bates drops readers right into this family’s heartache and struggle for togetherness. This is Bates’s first novel for adults, and readers will want more; in the meantime, steer them toward Anna Lee Huber’s Verity Kent series, which also features WWII melancholy-tinged romance.
Journalist Sofie Morse is puzzled when U.S. First Lady Lara Caine, who at first appears to resemble Melania Trump—Eastern-European former model, cold demeanor, revolting husband—asks Sofie to write her biography. Sofie grows more bemused when interviews for the book reveal intimate details of Lara’s shocking history, a backstory that the president’s devotees won’t like at all. The tale woven by the First Lady is both a romance and a political drama that takes readers from Moscow to Paris and then New York, as Lara grows from dutiful Russian child to rebellious teenager, becoming forever changed by powerful love with a Soviet resistor while the regime he loathes crumbles. In the present day, Sofie and her husband are dragged into peril themselves as the interviews play out, with Lara’s family in the past and Sofie’s in the present embodying Churchill’s description of Russia as “a riddle, wrapped in a mystery, inside an enigma.” After Pitoniak’s (Necessary People, 2019) absorbing, immersive thriller, readers who enjoyed the romantic side of the work should try Paullina Simons’s The Girl in Times Square, while those who liked the dysfunctional Russian family aspect should be steered toward Zhanna Slor’s At the End of the World, Turn Left.
With two Pulitzer prizes for fiction under his belt, it’s not surprising when Colson Whitehead writes a character for the ages, but beleaguered everyman Ray Carney is a standout even for Whitehead. “Living taught you that you didn’t have to live the way you’d been taught to live,” says Carney, a young Black man who’s barely making ends meet in his Harlem furniture store while dreaming of more. The pressure’s on, too: his parents-in-law think their daughter could have done better, and Carney longs to be admitted to his father in law’s “paper-bag club,” but with skin darker than said brown bag, he’s not allowed. Loyalty to his own family leads Ray to help his cousin Freddy; always sketchy, Freddy convinces Carney to help him in a can’t-go-wrong robbery scheme that, yes, goes wrong, starting Carney on a heartbreaking trajectory. This character’s relentless efforts to make good in a world that expects and revels in his failure will remind readers of Jean Valjean in Les Miserables. Shadowing Colson’s terrific crime tale are the final throes of Jim Crow and the claw-your-way-up culture of early 1960s Harlem, but most of all, Carney will grab readers’ hearts and stay with them.
In 1911, Vincenzo Peruggia pulled off one of the greatest art heists of all time: the theft of the Mona Lisa. The painting was missing for two years before it was recovered, and the crime spawned innumerable conspiracy theories, with some suggesting that forgeries were made during its hiatus, including the painting now hanging in the Louvre. Flip to the present, when we meet Luke Perrone, an artist obsessed with Peruggia for good reason: Peruggia is his great-grandfather. When Perrone gets word that great-grandad’s diary has surfaced, he hightails it to Florence with the hope of learning more about his ancestor and the theft. Except Perrone isn’t alone in his quest, and he is soon being trailed by an INTERPOL agent, an updated femme fatale, and worse. It’s a pleasure to explore Florence and its art through Perrone’s eyes, and the shifts between 1911 and the present make for a compelling read. Santlofer, also a painter, creates a real sense of authenticity. Fans of Iain Pears and Barbara Shapiro are sure to love this novel.