Bates, Sonya. Inheritance of Secrets. November 2021. 432p. HarperCollins.
After her mother left when Juliet was nine, she grew up with her German grandparents, Karl and Grete. The three are close, and she’s devastated when they’re murdered. Even more upsetting, investigators claim that Karl was a long-pursued Nazi war criminal. That present-day story, set in Australia, alternates with the wartime romance tale of Karl and Grete, who love their country but are kind to Jewish neighbors, and who promise to reunite after Karl returns from the front. Most of this earlier tale takes place before and after the war, leaving what Karl did during the conflict a mystery that Juliet is desperate to unravel. This is not a story of Nazi redemption; rather, it’s a thoughtful, immersive look at pre-and postwar life in a destroyed Europe and an examination of the scars left for succeeding generations. Canadian author Bates drops readers right into this family’s heartache and struggle for togetherness. This is Bates’s first novel for adults, and readers will want more; in the meantime, steer them toward Anna Lee Huber’s Verity Kent series, which also features WWII melancholy-tinged romance.
Historical
In 1911, Vincenzo Peruggia pulled off one of the greatest art heists of all time: the theft of the Mona Lisa. The painting was missing for two years before it was recovered, and the crime spawned innumerable conspiracy theories, with some suggesting that forgeries were made during its hiatus, including the painting now hanging in the Louvre. Flip to the present, when we meet Luke Perrone, an artist obsessed with Peruggia for good reason: Peruggia is his great-grandfather. When Perrone gets word that great-grandad’s diary has surfaced, he hightails it to Florence with the hope of learning more about his ancestor and the theft. Except Perrone isn’t alone in his quest, and he is soon being trailed by an INTERPOL agent, an updated femme fatale, and worse. It’s a pleasure to explore Florence and its art through Perrone’s eyes, and the shifts between 1911 and the present make for a compelling read. Santlofer, also a painter, creates a real sense of authenticity. Fans of Iain Pears and Barbara Shapiro are sure to love this novel.
Christie fans, rejoice! This fall will see the publication of not one but two novels set in Christie’s Devon country home. Cambridge’s Murder at Mallowan Hall is a near-perfect traditional mystery—the first body is found in the library, stabbed in the neck by a fountain pen—set during a house party in the early 1930s. But Cambridge flips the paradigm and instead of focusing on the posh guests, tells the story from the perspective of the help, most notably Phyllida Bright, housekeeper extraordinaire. Bright, a friend of Christie as well as an employee, models her investigation on Poirot, right down to the classic denouement delivered by Bright in the library. Gender roles, sexual harassment, and same-sex love are key elements, but Cambridge succeeds in keeping the novel squarely in its era. Two words describe this book: absolutely delicious. Greenway was the real name of Christie’s Devon estate, and Rader-Day’s Death at Greenway is painstakingly realistic. The book opens in London during the Blitz—which is wonderfully described—and we meet Bridey Kelly, a nurse trainee who has made a fatal mistake and is banished to the countryside with 10 young children escaping the bombing. Their destination is Greenway, which Christie and her husband have given over to the evacuees. But the Devon countryside offers little solace, with standoffish residents, a coast too close to the war, and the corpse of someone who was clearly murdered. Deeply suspenseful, this novel brilliantly captures the horrors of the war years and how individuals managed to survive through hardships both physical and emotional.