We’re in 1936 London and Lena Aldridge has had her share of troubles. Alfie, her beloved father and only parent, has recently died. Alfie was a gifted musician, and Lena has followed in his footsteps, eking out a living as a nightclub singer. Until a gig in a worn down Soho nightclub, when her best friend’s husband, also the club owner, is poisoned and dies right in front of her. Time to get out of town! Fortuitously, Lena has been approached by a stranger, who claims to represent an old friend of Alfie’s, with a remarkable offer: come to New York and headline in a Broadway musical. With nothing to lose, days later Lena’s traveling first class on the Queen Mary. But she hasn’t left all her troubles behind. As a mixed-race woman (Alfie was African American, unknown Mom was white) who passes as white, Lena is anxious about her reception in the U.S., and when there’s another murder on the boat that’s all too similar to the nightclub homicide, her anxiety really ramps up. Hare does a wonderful job of depicting the era, including the big themes—like the rise of Nazism and the pervasiveness of institutionalized racism—as well as the small details, like Lena’s wardrobe. And in Lena, she has created a compelling and empathetic hero whom I would love to follow as she disembarks in NYC. Readers of female-led, historical mysteries from Rhys Bowen, Victoria Thompson, and Mariah Fredericks will be pleased to meet Lena Aldridge.
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