A medical receptionist by day, Shea Collins operates a popular true-crime website that specializes in cold cases. Single, a loner, and herself a victim—she was abducted as a child—Shea reserves her passions for her blog. Until the day that Beth Greer comes to Shea’s office. Back in 1977, Greer was tried and acquitted in the Lady Killer Murders, in which two men were killed, seemingly for the fun of it, by a female serial killer. Since then, the beautiful, sophisticated, and super-rich Beth has spoken to nearly no one—making it all the more remarkable that she agrees to be interviewed by Shea. Beth slowly opens up to the interviewer—inviting her into her super creepy mansion and deeply introspective life—as Shea struggles to put together the fragments Beth shares. This novel is beautifully written and perfectly paced. It creates a powerful sense of place in its depiction of an Oregon coastal community, and doesn’t shy away from tackling larger social issues, such as the sexism Beth experienced throughout her trial. Finally, its use of the paranormal—something I typically shy away from—is as terrifying as it is credible
Women
From the outside, Desiree Pierce had it all. Famous hip-hop producer father, starring role on a rich-kid reality show, a huge audience following her every diamond-studded move on Instagram. But her sister, Melina, or Lena, has waited years for the phone call saying that drugs have finally killed Desiree, and that moment is here. Fed up as she is with donning her metaphorical Super Black Woman cape, Lena drags it on, again, to start picking up the pieces. But the background to Desiree’s supposedly accidental death starts to look off. For starters, she was terrified of needles and never would have injected heroin like the police say. And what was she doing in Lena’s residential Bronx neighborhood, miles from her glitzy lifestyle? Lena’s fast-paced investigation of what she believes to be a murder takes her back to painful episodes with her family, a clan tight-knit enough to care deeply about one another but that at the same time can get exasperated to the point of estrangement. Twists combine with deft writing and compelling characters—especially the relatable Lena—to create a memorable novel that’s perfect for those who like tales of flawed love and strong women.
After college and a stint in Chicago, Micah Wilkes returns to her hometown of Calvary, PA. She ends up settling down with Ryan, a former high-school classmate, and opens Stomping Grounds, a coffee shop. All is well, except Micah can’t quite get past the murder of Emily, her best friend back in high school, especially since the murderer was Alex, Micah’s boyfriend, who’s now in jail. Then Micah receives a threatening text—“It should have been you, not Emily”—which propels her into the past, and slowly her well-constructed world starts to crack. She gets drawn into true-crime blogs and forums that rehash the murder and speculate about Micah’s motives. Her house is broken into, and remnants of Emily’s diary are left behind. Ryan, it turns out, has been in touch with Alex this whole time, visiting him in jail. No matter which way she turns, something or someone pops up, forcing her to question the night Emily was murdered, her own role in the crime, and who could have murdered her friend. In the end, Micah—totally unhinged—heads off to confront the one person who can help her understand that night ten years ago. A real slow burn, this book will please readers who appreciate deep character development, little violence, and plenty of suspense.
This is one of those books that makes you want to befriend the characters, or at least get annual updates on how it’s all going. It’s a family story with two couples as focal points: Desiree (Desi) and Peter, whose marriage seems to be ending, due in part to a mysterious past event; and their daughter Jules and her boyfriend Will, crazy-in-love teenagers. While the young couple’s romance is just starting, it also seems doomed, as Jules is a rich, summertime-only visitor to Will’s rural North Carolina town and is leaving soon for college while less-well-off Will stays put. Both relationships are tested by tragedies and bring each character’s most extreme emotions to the forefront, feelings that are poignantly described by Frey (Until I Find You, 2020). Desi is a particular highlight, with her flawed parenting lending a rawness and realness to the book; the strain induced by tragedy brings her to drop a bombshell revelation that shocks family and readers alike. After this, you may feel like no other characters can measure up and head straight to the TV; once that has passed, try a book I’ve recommended in First Clue before, but I’m doing it again! Paullina Simons’s The Girl in Times Square; those characters almost ruined me for other books.
Lily Atwood has the titular perfect life. She’s an Emmy-winning journalist, the kind who wants to be hard-hitting but mostly presents human-interest stories from the comfort of a studio. Every evening, Lily gets to return to her designer Boston home to spend time with her daughter, Rowen, the center of her single-mom existence. Some of Lily’s stories, the juicer ones, are fed to the journalist and her behind-the-scenes right-hand, Greer, by a man calling himself Mr. Smith. They’re sure it’s a pseudonym, but are content to idly wonder about Smith’s identity and motives as long as the tips keep coming. Then he starts getting sinister—at least, Lily thinks it’s Smith who’s behind anonymous flower deliveries to her home, though she’s never given him her address. He also seems overly familiar with events at her daughter’s school. Lily is afraid that he may reveal private details that could finish her career, but she soon has far more to fear. An author’s note reveals that Ryan wrote this during COVID, and the feeling of being trapped and at the same time wanting to hide away permeates the novel. The surprises keep coming, and the tightly woven storytelling closes with a deft, satisfying twist. Fans of the author should add this to their library hold lists as it’s not going to sit on shelves. While waiting, they can try Belinda Bauer’s The Beautiful Dead, which also features a journalist in peril.
Lux McAllister is eager to get out there and explore the world. She’s lost her lousy job cleaning hotel rooms in Hawaii, is still mourning her mother’s death, and fears that her boyfriend, Nico, is getting too comfortable to leave. So when Brittany and Amy, best friends from college, hire Nico to sail them to an incredibly remote island in the South Pacific, she’s game. After all, what could go wrong? Pretty much everything, it turns out. After surviving a horrific storm, they finally get to Meroe Island, and are indeed dazzled by its beauty. But they’re also surprised to discover another ship anchored off the beach, with two occupants, Jake and Eliza, who are rich, friendly, and more than willing to share their wine cellar. The six of them live out their Robinson Crusoe fantasies until things begin to fray. And Meroe Island, famous for its history of shipwrecks and murder, begins to live up to its reputation. Reckless Girls builds slowly while we are treated to lots of backstory, but that’s OK. The characters are compelling, the set up is worth it, and once the suspense starts we are 100 percent in. For fans of Ruth Ware and Lisa Jewell.
When struggling artist Kelly enters an art gallery bathroom on her birthday, she turns into a different version of herself. In this life she’s no longer single, but is married to Eric, who is waiting outside for her. Her tattoos have vanished, and she never went to art school. Bewildered as to which existence is real, she plays along. Memories from this life’s past suddenly appear, along with a returning, comfortable attraction toward Eric, who, in the other life, she turned down when he asked her out in high school. Over time, odd moments tell Kelly that the new life might be no more stable than the old—her tattoos flash back onto her skin at times, for example—and she discovers that some in her new life might know what’s going on. A stellar choice for book groups and classes on ethics, this debut brings up a wealth of questions about possibilities other than the linear progression of life that we take for granted, and about the wisdom of trying to start over. Kelly and Eric’s insta-relationship is a mind-bender of its own, the does-he-know and does-he-know-that-I-knows perhaps reminding readers of the mysteries in any partnership. Sure to be a hot title this fall.
Fans of the Pretty Little Liars book and TV series and Shepard’s multiple other novels will come to this work looking for a mean girl to hate, and they’ll find it in Piper, the director of the preschool that serves the right kids in a moneyed California town. Andrea, Lauren, and Ronnie stick out like Target shoppers at Tiffany & Co. when they show up with their kids on the first day. They gravitate towards one another to survive the haughty sniffs from the vegan mac ‘n cheese set. Andrea is transgender and is hiding that she was suspected of pedophilia years ago; Ronnie works as a topless maid, which is the least of her secrets; and new-mom Lauren is struggling through what she has been told is postpartum rage. When Piper is attacked, the police focus on Andrea, Lauren, and Ronnie as culprits, and the women even begin to suspect one another. Shepard offers another insightful foray into the lives of privileged women, once more uncovering secrets, betrayals, and unexpected grace along the way. HBO is sure to come knocking again, but don’t wait–this is a perfect beach read, and ideal for readers who enjoyed Janelle Brown’s Pretty Things.
Avery Chambers is one wonderful narrator. A therapist who has developed a controversial methodology that promises to cure clients in just 10 sessions—and who has lost her license because of it—she’s selective in whom she takes on. But Marissa and Mathew Bishop, well-heeled and in their late 30s, are a quick yes. Marissa has cheated on her husband and is hoping that Avery can help patch things up. But that singular betrayal unlocks one secret after another, and the creepiness factor gets stronger and stronger, until we reach that sweet spot where we don’t know whom to believe or whom to fear. Unlike most domestic thrillers, Greer and Pekkanen’s work summons a wide range of suspects, all with their own nasty secrets. Fortunately, we have Avery, who guides us through the narrative and sub-narratives, and despite her wacko practice, lends the novel a great deal of credibility. This is the best book yet from the Hendricks/Pekkanen duo, and fans of B. A. Paris, Gillian Flynn, and Paula Hawkins are sure to devour it.