When struggling artist Kelly enters an art gallery bathroom on her birthday, she turns into a different version of herself. In this life she’s no longer single, but is married to Eric, who is waiting outside for her. Her tattoos have vanished, and she never went to art school. Bewildered as to which existence is real, she plays along. Memories from this life’s past suddenly appear, along with a returning, comfortable attraction toward Eric, who, in the other life, she turned down when he asked her out in high school. Over time, odd moments tell Kelly that the new life might be no more stable than the old—her tattoos flash back onto her skin at times, for example—and she discovers that some in her new life might know what’s going on. A stellar choice for book groups and classes on ethics, this debut brings up a wealth of questions about possibilities other than the linear progression of life that we take for granted, and about the wisdom of trying to start over. Kelly and Eric’s insta-relationship is a mind-bender of its own, the does-he-know and does-he-know-that-I-knows perhaps reminding readers of the mysteries in any partnership. Sure to be a hot title this fall.
Women
Fans of the Pretty Little Liars book and TV series and Shepard’s multiple other novels will come to this work looking for a mean girl to hate, and they’ll find it in Piper, the director of the preschool that serves the right kids in a moneyed California town. Andrea, Lauren, and Ronnie stick out like Target shoppers at Tiffany & Co. when they show up with their kids on the first day. They gravitate towards one another to survive the haughty sniffs from the vegan mac ‘n cheese set. Andrea is transgender and is hiding that she was suspected of pedophilia years ago; Ronnie works as a topless maid, which is the least of her secrets; and new-mom Lauren is struggling through what she has been told is postpartum rage. When Piper is attacked, the police focus on Andrea, Lauren, and Ronnie as culprits, and the women even begin to suspect one another. Shepard offers another insightful foray into the lives of privileged women, once more uncovering secrets, betrayals, and unexpected grace along the way. HBO is sure to come knocking again, but don’t wait–this is a perfect beach read, and ideal for readers who enjoyed Janelle Brown’s Pretty Things.
Avery Chambers is one wonderful narrator. A therapist who has developed a controversial methodology that promises to cure clients in just 10 sessions—and who has lost her license because of it—she’s selective in whom she takes on. But Marissa and Mathew Bishop, well-heeled and in their late 30s, are a quick yes. Marissa has cheated on her husband and is hoping that Avery can help patch things up. But that singular betrayal unlocks one secret after another, and the creepiness factor gets stronger and stronger, until we reach that sweet spot where we don’t know whom to believe or whom to fear. Unlike most domestic thrillers, Greer and Pekkanen’s work summons a wide range of suspects, all with their own nasty secrets. Fortunately, we have Avery, who guides us through the narrative and sub-narratives, and despite her wacko practice, lends the novel a great deal of credibility. This is the best book yet from the Hendricks/Pekkanen duo, and fans of B. A. Paris, Gillian Flynn, and Paula Hawkins are sure to devour it.
The latest by the enormously successful author of The Girl on the Train and Into the Water portrays destruction continuing after long-ago catastrophes. On one side we see successful (and smarmy) London author Theo and his family reeling after an accident that leaves Theo longing for someone to blame. Nearby geographically, but worlds away in life choices, lives Laura, the victim of a hit-and-run that has left her physically and mentally unstable, and who was, shall we say, known to a young man who has been found stabbed to death. As in The Girl on the Train and the many unreliable-narrator novels it inspired, readers will be left wondering until the very end whom to trust and what exactly happened on one fateful day. Hawkins is a top-notch storyteller, and her vividly drawn characters will evoke strong emotions in readers. Enjoyable too are the author’s frequent wry nods towards today’s trends in fiction and the difficulty in following up on a blockbuster novel. As well as Hawkins’ many fans, this is one for Kate Atkinson’s readers and all who enjoy a disparate cast of characters slowly revealing their connections.