What starts out as a simple story of marital discord grows into something so much richer and more terrifying. Emma and her husband are in a bad way. They’re broke—he’s lost his job, a fact he has been hiding from her—and she’s pregnant, although he’s pressuring her to have an abortion. The one asset Emma has is her share in the family home. But neither Emma nor her two sisters, whom she is estranged from, have stepped foot in the house in 14 years. And for a good reason: their parents were murdered there, leaving behind a horrible, bloody mess and years of psychological damage. But Emma’s husband insists that moving back in is their only option, despite Emma’s belief that their taking up residence in the house will unseal secrets that have been kept buried for years. The story moves artfully between the past, especially the night of the murders, and the present, when Emma’s sisters show up on the scene, and law enforcement reinforces the 14-year-old belief that Emma was the murderer. We end far from where we started, in a novel that is both tremendously complex and wonderfully readable. A remarkable achievement.
Suspense
This book just picks you up and catapults you into five or so hours of unrelenting suspense and anxiety. British-born Charlie came to New York City to attend a prestigious journalism school—much like Columbia’s—and just months into the program, she witnessed a horrific mass murder, quickly dubbed “Scarlet Christmas.” Since then, Charlie has built a life that largely leaves those nightmarish events behind her. Today, she’s engaged to a super-rich scion of a publishing house and is herself editor in chief of a leading magazine. But she still struggles in wanting to know her past, although even intensive work with a therapist won’t unlock the events of that fateful Christmas eve and what her role in them may have been. Then Charlie learns that a documentary film is in development—it’s the tenth anniversary of the murders—that promises to tell the whole truth. But what is the truth? Whatever it might be, Charlie is terrified of the revelations that might come tumbling out and fears that her oh-so-perfect Manhattan life will collapse on itself like a house of cards. How far will Charlie go to keep the lid on the pressure cooker? A brilliant debut that isn’t promising—it completely delivers.—
A bus ride becomes a nightmare when John Reiff wakes up to see the bus plunge into a freezing river, and he and several others are trapped. But that is not the end for him. He then wakes up in what appears to his confused mind to be a mix of a hospital and a laboratory. The doctors there tell him that he was cryogenically frozen due to the accident conditions, and with the experimental equipment on site, they could revive him. As John gathers his strength, he realizes that the doctors are not as forthcoming with him as they should be. He has secrets of his own, as he begins to have terrifying visions of flames mixed in with the pain from his resurrection. The truth and its ramifications will jeopardize the lives of John and the doctors who brought him back to life. Robin Cook meets Blake Crouch in this intense thriller that will appeal to fans of mysteries that feature paranoid conspiracies and a hint of science fiction. While not a cliffhanger, the ending will still have readers demanding the next book right away.
A superb novel of suspense that alternates between the terrifying present and the complex past that led up to this moment. A woman, sleeping near her two young children in a Colonial home in Massachusetts town, hears what she thinks are footsteps. Could there be anything scarier? Except this is an old house, always creaking. Perhaps it’s her imagination. Then, thanks to the nightlight, she sees a man, a huge man, slowly climbing the stairs, as “his fingers wrap the banister like white spider legs.” What should she do? A blizzard rages outside, making escape impossible. Then she remembers that the house has a tiny, hidden room, and she hustles the children and herself into it, while still worrying how they will be able to survive. Sierra keeps the adrenaline pumping, but takes breaks from the primary narrative to explore the woman’s life, from a less than happy marriage to an abusive relationship with her father-in-law to a patriarchal society that refuses to believe her. This unique, thinking-person’s thriller would be great for a book discussion, there’s so much here to unpack.
The usually solid Evan Smoak, a former government assassin in the Orphan program, is not at the top of his game. His sharp senses and training are gone, and to get back into shape and help those with nowhere else to turn, Evan agrees to find a missing dog. A mission not worthy of his skills quickly becomes deadly when he stumbles upon a dead body and is almost shot by a female assassin, The Wolf. She is formidable and focused on completing her assignment with training similar to his own, even if that means eliminating Evan and everyone he cares about and feels responsible for keeping safe. It’s jarring seeing Evan be “ordinary” at first, but his journey back to being himself is both intense and satisfying. The series has always been a blend of Batman, the Equalizer, and Vince Flynn’s Mitch Rapp, and Lone Wolf reinforces why it continues to be great nine novels in. Newcomers to Evan’s adventures should feel fine starting here before diving into the others.
Gardiner shakes up the serial-killer genre with her latest thriller. FBI profiler Caitlin Hendrix visits serial killer Efrem Judah Goode in prison. He shows her detailed drawings of the women he has killed, but none of them are the victims he’s incarcerated for killing. He claims innocence for those women’s murders but is not innocent of being a murderer. There is a copycat called the Broken Heart Killer, and somehow Goode and this UNSUB are connected. Caitlin dives into the case and will once again put her career and life on the line for justice, while bringing closure to the families of the women Goode killed. What she uncovers will surprise even the most jaded reader. Gardiner has a gift for tackling gruesome and uncomfortable topics and giving the prose a literary spin. While other authors might wallow in the ugly, Gardiner makes it beautiful. Fans of true crime and the television show Criminal Minds should make Gardiner mandatory reading.
Kudos to Edwin Hill for a book so sophisticated, suspenseful, and shocking. It’s set in Monreith, a small, coastal suburb south of Boston where everyone knows, and oftentimes loathes, everyone else. It’s also where restaurateur Laurel Thibodeau is brutally murdered and her husband—it’s always the spouse, right?—is the prime suspect. Especially when his massive gambling debts, the type that need an insurance policy to offset, become public. But while Laurel’s murder sets things in motion, the novel is really centered on six friends whose lives are intertwined in the most disturbing of ways. This includes super-wealthy shrink Farley Drake, who loves to blur the friend/client line. Georgia Fitzhugh, a Unitarian minister, also privy to many personal lives, and whose husband, Ritchie, has moved out and is now living with Farley. And Max Barbosa, the handsome chief of police, Ritchie’s childhood best friend, who leaks information like the proverbial sieve while lusting after Georgia. And that’s just for starters! The novel takes place in one late summer day, culminating in a birthday dinner for one of the six that yields yet more tragedy. Hill takes some big risks here—he moves the narration among the group, playing with time as well—and we often get to see the same scene from different points of view. But what could have been a bore works wonderfully, thanks to the tightness of the prose, the tension of the story, and the credibility of the characters. Mute that cell phone and curl up for several hours of great suspenseful reading.
In his acknowledgements, Rosson calls this “a wild fever dream of a novel,” and he nailed it. Where to start with this feral read? Since it’s a horror/suspense novel, the first gory moment seems apt: when a crime boss’s enforcers threaten a man with a drug addiction who owes a payment and the man asks, “What’re you gonna do? Knock my teeth out?” He then goes on to do the job himself, with his own filthy fingers. The enforcers find a severed hand during their work, one that causes those nearby to feel the need to do tremendous violence, the urge “[slithering] in. It floats on a dark wave.” The gore gets more sophisticated—“make me a necklace from the heads of your children…make me a red veil from their latticed veins”—only adding to the supernatural head-spinning. At the same time, we follow the life…if he or it is alive…of a being called Saint Michael, a secret captive of the U.S. government. Saint Michael can sometimes see visions of future events, especially when periodically “encouraged” by the agonizing process of government agents trimming his wings. In counterpoint to the government actions we meet a musician, Katherine Moriarty, who was very successful in her day but now is agoraphobic, her closed-in life perhaps related to the bizarre goings-on elsewhere in the novel. All converge in a terrifying episode in Portland, Oregon, that will surely be a highlight of the movie that is already being made of this terrific novel. Every word here is crafted to impart just the right level of revulsion, fear, and, at times, wonder. Get ready for awards nods for this work as well as comparisons to the works of Cormac McCarthy and Justin Cronin.
Judith and Katherine, or as they prefer, Jude and Kat, are mirror-image identical twins (they have the same features on opposite sides of their bodies, such as the same birthmark on opposite shoulders). But there is one big difference. Jude can remember all of their 22 years, but Kat has recently survived a terrible car accident that has left her with amnesia. Experiencing everything “again for the very first time,” she relies on Jude to tell her their life story, because, Jude says, their mother is dead and their father took off years ago. Some things seem puzzling, such as why the photos of their before-the-accident European trip don’t show the sisters at all, only landmarks. Readers learn why in those sections of the book that look at life before the crash, when the girls and their mother left mainstream society to live with the controlling King Bash, whose mantra was “What you think, is.” The pressure to will happiness and satisfaction into being, and the child abuse led by Bash, brews a toxic storm that Jude tries to keep in their past. But the past threatens to explode when a mysterious figure starts turning up at random places in the present. Kahler has a quietly compelling way of revealing secrets and of portraying a close sibling bond, creating an unusual debut novel (as Karen Abbott, Kahler is an Edgar Award nominee for Best Fact Crime for The Ghosts of Eden Park) that will be a hit with those who enjoyed the recent religious-cult documentaries Shiny Happy People and Keep Sweet: Pray and Obey
Isaka’s third book in this semi-series—the first, Bullet Train, was made into a popular film featuring Brad Pitt and Sandra Bullock—takes a bit of a departure. Yes, we’re focused on a genius hit man, in this case Kabuto. He’s beholden to the Doctor, an actual doctor who hilariously uses medical terminology as code to describe the hits. They’re oftentimes bizarre, wildly creative, or just plain funny. But Kabuto is over it. He wants out, except the Doctor isn’t ready to lose such talent and forces Kabuko to pay his way out, taking down some other professional assassins as his swan song. But for all the time we spend in Tokyo’s criminal underground, this book is more grounded in Kabuko’s life as a family man with a teen son and a wife, who are convinced his work is in office supplies! Kabuto’s relationship with his wife is uniquely fraught; he keeps a journal of phrases useful to appease her, while his son is remarkably loving towards his browbeaten dad. Featuring a professional killer who cringes because he ate the last of his wife’s favorite pudding, this book is poignant, sweet, and full of surprises. No need to read the earlier novels to appreciate this title.