Four strangers—two men, two women, all twenty-somethings—are sharing a table in the grand reading room of the Boston Public Library when a woman screams. They have no idea who she is, where she is, or why she screamed, but it does break down the barriers among the four, and by the time they leave the library, they are fast becoming friends. The crew includes a novelist; a law student; a psychology grad student; and our protagonist, Winifred, known as Freddie, a novelist who hails from Australia. It turns out a woman was murdered in the library, and the fab four take it upon themselves to investigate. But when one of the four is attacked, they begin to realize that there may be a connection between them and the murdered woman. And that one of them may be the murderer. Meanwhile, each chapter ends with correspondence to the author of The Woman in the Library, who lives in Australia, from a Boston-based friend who’s helping her with language and locale—until his communiques take a sinister turn. Readers who enjoy a playfulness in their fiction will be delighted by this book-within-a-book. For fans of Anthony Horowitz.
Women Sleuths
University College London, just after the Great War, is where bright young Saffron Everleigh pursues her botany studies and, as an assistant researcher, is the only female employee in her department. While Saffron’s beyond enthusiastic about her field and a gifted botanist, she endures sexist put-downs and even a lewd attack by a professor who has retired in place and lives on pipe smoke and sexual harassment. The botany department’s men are gearing up for a research expedition to the Amazon (the gentlemen never mention seeking input from any Brazilians as to local flora, adding to the musty flavor of the academic setting). Before they leave, disaster strikes: a professor’s wife collapses at a department party, perhaps a victim of poisoning. This series debut, also the author’s first foray into historical fiction, sees Saffron and her love interest, Alexander Ashton, sleuthing their way through department politics, botanical facts, and the sadder aspects of human nature as they figure out whodunit and learn more about their field along the way. Readers will learn more too, but unobtrusively while they cheer for Saffron and Alexander to for God’s sake have that kiss. Especially recommended for fans of Sujata Massey’s Perveen Mistry series, which stars another pioneer, the only female lawyer in 1920s Bombay.
The Mitford sisters, six eccentric socialites and political renegades in the interwar years in England, encountered a frightful number of murders in their day, at least as told in Fellowes’s glamorous historical series, now in its fifth installment. This time, Decca, second-youngest daughter of patriarchal Lord Redesdale and his long-suffering wife, Sydney Bowles, is missing. The family suspects that the 18-year-old has run off with her second cousin, Churchill’s nephew Esmond Romilly, to marry him and fight on the side of the anti-facists in the Spanish Civil War (which Decca and Esmond did in real life). Enter the Mitfords’ former maid Louisa and her husband, Guy, proprietors of the Cannon & Sullivan detective agency. Hired to look for Decca, Louisa nervously embraces the fledgling rights of women in 1937, using her maiden name for work and leaving the couple’s baby with sitters. Indeed, she’s far more advanced than the Mitford “girls,” whose blithely colonial ways color their every move. Fellowes’s at times very sad, often funny story stands out for its unusual, Spanish Civil War backdrop; it also offers pleasingly scathing treatment of Nazi sympathizers, exciting chases from England to Spain and back (repeatedly!), and an extraordinarily tense closing scene. While this works as a standalone, go back to the earlier books for a treat.
Á la Anna Lee Huber’s Verity Kent and Stephanie Graves’ Olive Bright, Electra (Ellie) McDonnell has taken on a “man’s job” while much of the male workforce is away fighting World War II. Ellie is a heroine with a difference, though: she’s a former thief, from a London family that has called its safe-cracking ways to a halt. They’re now working as locksmiths and, in Ellie’s case, using those skills to aid the war effort. Ellie’s government handler, posh Major Ramsey, comes calling again in this second in the series (after A Peculiar Combination, 2021) when a young woman is found dead wearing an unusual, locked bracelet. Locksmithing again comes into play when a key turns up as part of the case, but it soon takes a back seat to Ellie’s other skills. This memorable, tough sleuth continues her investigation into the young woman’s death and her own mother’s long-ago imprisonment as the Blitz starts and a cousin at the warfront hasn’t been heard from. Happily, romance enters the picture, with Ellie pursued by both the major and a more down-to-earth family friend, Felix Lacey. The mysteries, danger, and emotional hills and valleys that are life in wartime will keep readers rapt here and wanting more from this almost-honest woman and her loving, protective circle.
A mystery with all the right ingredients, in all the right proportions: compelling crime, eccentric characters, dishy police chief, fascinating location, and above all else, Lana Lewis, a quirky, smart, witty, and sarcastic protagonist. After getting laid off from her job as a journalist in Miami, Lana moved back to her hometown of Devil’s Beach, a barrier island north of the city, and opened Perkatory, a happening coffee shop. When Raina—who owns the hot yoga studio next door—goes missing, Lana dusts off her journalism creds and heads into the contentious, and gossip-ridden, world of yoga to cover the story for the local paper. But finding Raina takes a village, and Lana gets help from a wonderful cast, including her yoga-loving, hippie Dad—whose medical marijuana prescription is always filled—and Noah Garcia, the aforementioned police chief. Lana and Noah’s burgeoning relationship, despite plenty of professional conflict, is a strong element in the novel. But at the book’s heart is Lana, a complex character who’s recovering from a divorce, wary of romance, and uncertain about her career, yet with a great sense of humor. If I can’t spend the afternoon hanging out with Lana in Perkatory, then please get me the next volume in this series ASAP.
From the outside, Desiree Pierce had it all. Famous hip-hop producer father, starring role on a rich-kid reality show, a huge audience following her every diamond-studded move on Instagram. But her sister, Melina, or Lena, has waited years for the phone call saying that drugs have finally killed Desiree, and that moment is here. Fed up as she is with donning her metaphorical Super Black Woman cape, Lena drags it on, again, to start picking up the pieces. But the background to Desiree’s supposedly accidental death starts to look off. For starters, she was terrified of needles and never would have injected heroin like the police say. And what was she doing in Lena’s residential Bronx neighborhood, miles from her glitzy lifestyle? Lena’s fast-paced investigation of what she believes to be a murder takes her back to painful episodes with her family, a clan tight-knit enough to care deeply about one another but that at the same time can get exasperated to the point of estrangement. Twists combine with deft writing and compelling characters—especially the relatable Lena—to create a memorable novel that’s perfect for those who like tales of flawed love and strong women.
Yes, another cover featuring a woman in a period outfit with her back turned towards us—except this time the book is a rollicking good mystery. It’s World War II, the U.S. has just entered the war, and Irene Ingram’s fiancé and father have both enlisted, leaving Irene to step into her father’s shoes as editor-in-chief of the Progress Herald, the local paper. Young—she’s in her early twenties—and female, Irene has to continually prove herself, whether it’s to her mother who doesn’t believe women belong in the workforce or to the newspaper staff who bridle under a woman’s leadership. When her star reporter, Moe Bauer, is discovered dead at the bottom of a flight of stairs, Irene has more pressing matters to attend to than the grousing among her staff, all the more so when she figures out that Moe was likely murdered. Then Sam Markowicz, owner of the local hardware store, becomes the victim of anti-Semitic harassment, and another man, also Jewish, is attacked in a local factory. Irene puts aside features about victory gardens and the like and dives into a criminal investigation. The setting—small time life during World War II—is a brilliant choice, and the language and references are pitch perfect. Fans of Jacqueline Winspear’s Maisie Dobbs, Rhys Bowen’s Molly Murphy, and Mariah Frederick’s Jane Prescott will enjoy meeting Irene Ingram.
Apart from the previous title in this series, Finlay Donovan is Killing It, Cosimano’s writes for young adults, and the fun-packed absurdity she brings to that table works just as well for grownups. Honestly, the plot here is kind of ridiculous, but it doesn’t matter at all, because readers will be swept up in this wacky heroine’s attempts to just make it through her mishap-filled life and have a little romance along the way (dishy law student! Dishy cop!). In the previous book, Finlay was mistaken for a contract killer (it could happen!) and was forced to kill a man (O.K., that happened twice…bear with me here). The shenanigans continue in this title when she stumbles across a plot to kill her ex-husband, and she fears being the first suspect if he’s killed. Finlay’s puzzling out of who’s behind the plan involves help from her equally bizarre-scenario-prone nanny and, sometimes, trips to dispose of body parts (not her husband’s body and not the bodies from the first book…look, it’s complicated). A fun romp for bookclubs and for anyone who enjoys slapstick mysteries. Finlay is coming soon to the big screen, according to Cosimano’s author’s note, but read the book first!
In this striking, character-driven debut, Annie McIntyre is back in her stifling—temperature-wise and socially—Texas hometown, Garnett, where football is a religion and prom queen a lifetime appointment. Smart, introspective Annie escaped and went to college, but now she’s waiting tables while student-loan repayments loom. When a hit-and-run death and the strangling of Annie’s coworker happen within days of each other, it seems like Garnett’s dirt and buildings as much as its people heave a resigned sigh at another thing to deal with. Annie’s former-sheriff grandfather now has a private investigation business, but it falls mostly to his granddaughter to care enough to solve the cases. The language of Annie’s inner thoughts is the kind of writing that makes you too stunned to read on for a bit. Her anguish at a teenage attack is “a morsel of pain under my tongue” and her lingering bedtime thoughts are “ghosts pressed and curled against my back.” Allen already won the Tony Hillerman Prize for Best First Mystery Set in the Southwest for this book, and no wonder. While waiting for this, try Wiley Cash’s also-stunning A Land More Kind Than Home, which Allen’s writing brings to mind.
Alexa Glock’s latest adventure (the third in a trilogy, after Molten Mud Murder and The Bones Remember) is reminiscent of the recent crop of books in which people are thrown together, or reunited, often on vacation, with a killer in their midst. But this book stands out from its plot-mates due to its unusual location and forensic-science focus. The setting is New Zealand’s (very) remote Milford Track, a real hiking trail that dispels all images of the country as hobbit-filled and quaint. Fiordland, where the Track is located, is treacherous, and the travelers face additional peril from rain-caused landslides and creeks that now have rapids. Alexa, an American who lives in New Zealand, realizes that there’s even more to fear when she finds a skeleton hidden on the trail; then a hiker is found dead and suddenly everyone looks suspicious. Vacationing with Alexa is her brother, Charlie. Their childhood misunderstandings and pain persist and are echoed in troubles revealed in the other hikers’ lives. This makes for a compelling thriller but also a thought-provoking look at how to move past hurt and find what’s important. A bonus: Johnson unobtrusively shares many details about Maori culture, New Zealand’s volcanic landscapes, and forensic science, especially involving Alexa’s fascinating specialty: dead people’s teeth.