This is one wild, suspense-driven tale, equally rich in characterization and plot. Breanna is on a mini-vacation with her new boyfriend, Ty, staying in a beautiful brownstone in Jersey City while touring Manhattan. Ty’s thought of everything, and the long weekend is 95 percent perfect, except for that five percent when Ty won’t stop with the work calls. But when Bree wakes up on their final morning, she can’t find Ty anywhere. What she does discover, strewn in the foyer, is the bloody corpse of a young woman that turns out to be Janelle, who has been missing for days. From here, things really take off, with Bree’s best friend—they’ve been estranged since college—arriving on the scene (she’s a take-charge criminal attorney), while Billie, a super-successful makeup influencer, rallies her thousands of followers into seeking #Justice4Janelle. Garrett does a great job of tracking the racism Bree experiences, from the neighbors’ microaggressions to the stereotypes purported about Ty to the national frenzy that only a white woman’s disappearance could generate (and thus the book’s title). A great cast, a wide-reaching narrative, and a resolution that will leave readers ruminating for days. Can’t wait to introduce this to a book group
African American & Black
This new title from Delia Pitts—author of the Ross Agency series—offers everything that fans of detective fiction are looking for. Vandy Myrick, a former cop—she joined the force to impress her cop dad—is now a detective in Queenstown, New Jersey, her hometown, where she sets up a firm with BFF and trial lawyer Elissa. They’re two Black women in a town where racism, “casual like flip flops down the Jersey shore,” is always bubbling right under the surface. Vandy’s work is mainly divorce cases, and when she gets a call from the Mayor’s nephew—Queenstown royalty—asking her to track his wife, she just assumes that one more “Q-Town” marriage has hit the rocks. Except this gig quickly spins out of control when Vandy walks in on a double homicide, one that the powers that be are all too eager to shut down. Pitts has written a strong narrative that ricochets from Vandy’s tragic past to her gutsy present, keeping readers totally engaged to the very last page…and eager for more. Fans of Robyn Gigl’s thrillers will enjoy visiting New Jersey with Vandy.
Pulitzer Prize-winner Whitehead’s second Ray Carney book begins in the 1970s, when Ray’s Harlem furniture shop is firmly established. But, given the chaos that it engendered in Harlem Shuffle, his stolen-goods—sorry, “previously owned merchandise”—sideline is no longer. Readers of the previous book will find the setup turned inside out: instead of conquering Harlem, Ray has been ground down by it. He now sits precariously atop his small empire, the relentless engine that is the city seeming to churn the ground beneath his feet. Also different: this time Ray endures the relentlessness of several decades of upheaval compared to the relatively short and, in retrospect, gentle, time when he was a striving young man in the ‘60s. The neighborhood doesn’t want to let him retire his fenced-goods work and the Black Panthers and Black Liberation Army are competing for dominance, a fight Ray wants to sidestep. A crackdown on police corruption sees him dragged into worse and worse actions as his former associates get desperate. Ray’s troubles and determination mirror the fighting spirit of his neighborhood; his saga is New York City’s, with the shocking and sad tale displaying moments of hilarity alongside heartbreaking lows. Whitehead’s writing is fantastically evocative as usual, and his rebuilding of recent decades of New York City life, and of the unforgettable Ray Carney, is a treat to read.
I eagerly await the books in the Odessa Jones series, and the latest offering is better than ever. Odessa (Dessa) is a realtor/caterer in suburban New Jersey. Life is going well—housing sales are way up—until one of her realtor colleagues, Anna Lee, is killed in a hit and run while out jogging. Could it have been murder? Dessa can’t help but become involved. She goes deep into her colleague’s life, uncovering a surprising past and a present in which Anna was being stalked. But why would anyone threaten this young woman? In a brilliant move on the author’s part, Dessa ends up discovering her connection to Anna, one that extends back decades to Dessa’s first fiancé, when she was barely in her twenties. Part of the delight of this series, which is set in a diverse community, is the recurring characters, from Dessa’s family-like colleagues to restaurateur Lennox Royal—a possible love interest?—to Aunt Phoenix. Dessa’s second sight—she sometimes has the ability to see aura-like glimmers over people, among other paranormal skills—is a gift she has along with her aunts. It’s introduced deftly in the book, and even skeptics will find the protagonist’s gift wholly credible–at least while they’re wrapped up in the plot. This is billed as a cozy—there is a cat and plenty of tea—but Wesley pushes a bit beyond the genre’s traditions. Dive in with this volume, but if you have the time, start with volume one, A Glimmer of Death. You won’t be disappointed.
A school shooting in fictional Charon County, VA, reveals horror and catalyzes reckoning in S.A. Cosby’s eagerly awaited follow-up to Razorblade Tears. This is, unsurprisingly, a masterpiece of Southern noir, but that’s selling it short: it’s a fantastic novel, period. The first responders to the shooting are led by Sherriff Titus Crown, a Black man who won a contentious, racist battle for his seat and who now safeguards Klan members and kind neighbors alike. Titus is able for them all, alternating deep kindness with cutting, politically savvy one-liners that put racists in their place. (Appropriate, given his lack of fondness for “stand[ing] there like an extra in Gone with the Wind.”) But even he is thrown when the investigation into the school shooter—a Black man killed at the scene by white cops—uncovers a grisly secret. Join Titus and his meticulously drawn, flawed family, colleagues, and townsfolk for a deep introspection on how evil begets evil and good begets good. And watch for the gripping movie that’s sure to spring from Cosby’s pages.
A brilliant and moving telling of a Black American family’s struggle to survive despite traumas both old and new. It’s 1981 Detroit, and the Armstead family is celebrating Ozro’s 37th birthday. Treated to lunch by his brother, with a large celebration planned for that night, Ozro heads back to work. Except he never gets there. Ozro disappears, leaving his briefcase and suit coat in his office, abandoning his wife Deborah, his young daughter Trinity, his family and friends. Shifting between the perspectives of Ozro, Deborah, and Trinity, Gray reaches back to Orzo’s time as part of the Great Migration, traveling from the south to Detroit in the 1970s; to his early courtship with Deborah, an aspiring singer; and to Trinity growing up in a world that’s been shattered. Ozro’s disappearance is like the sun, with the other characters as moons, forever circling around it. “I wondered about him all the time because absence was not the same as death,” says Trinity. “It was worse, given all the not knowing.” But it turns out that the mystery of Ozro’s vanishing is only one in a series of traumas that extend from his childhood to his death. Beautifully executed and tremendously poignant, this book is absolutely perfect for reading groups.
In the introduction by Williams (The Wife Before, The Perfect Ruin), readers are forewarned, that child abuse and sexual assault feature in this novel; they should still be prepared for whiplash when this turns from a “girl’s night in” kind of story to something much, much darker. Black couple Adira and Gabriel are living the high life—at first appearance. Adira’s an entrepreneur, the successful owner of a luxury clothing brand, Lovely Silk. Gabriel isn’t as successful—Adira’s keeping them afloat—but she doesn’t mind. She’s crazy about her husband and is shattered to see an email pop up on his phone that makes it clear he’s seeing another woman, Jocelyn. Actually, make that two women, Jocelyn and Julianna, with the former woman, when confronted by Adira, offering to join ranks with the wronged wife to make Gabriel pay. Thus starts the darkness, with stalking, lies, and desperation taking turns with another story, of two little girls, one of whom is being sexually abused by her mother’s boyfriend. Williams ramps up the tension and the mystery from the first page so that as the stories converge and a terrible truth is revealed, readers will be both enthralled and aghast. One for all those who’ve done what they had to do and lived to tell the tale.
Ready for something completely different? This brilliantly odd and unexpected tale sees striving corporate lawyer Aretha go on—finally!—a great date, one that doesn’t end with her crawling out the bar’s bathroom window to escape (yes, she has) or wondering mid date if she’s already dead. Aaron does arrive in the bar looking like he “[chops] wood for a living right there in the middle of Brooklyn,” but that’s not so unusual for the area. What is unusual is that he’s part of the “dead parents club.” His mom died of cancer while Aretha’s were gored by deer, but her past dates have made her less choosy. This might be why Aretha tries to chalk it down to individuality when she finds that Aaron and his housemates have built a bunker in their garden to keep safe when the world is destroyed, eat only optimized protein soy bars, and own guns (not just a few). As Aretha drops further into this bizarro world, into crime, and away from Aaron, the sadness underneath the spectacle shows itself: this tale is about the rot that sets in when you sell something that doesn’t belong to you. Plagiarism features, with housemate James a perpetrator and Aretha, in a separate event, a victim, but even worse is Aretha and Aaron selling versions of themselves that can never be. A must-read debut.
This novel should come with a warning label: start this book at your own risk. It’s that suspenseful, that seductive. We meet our hero, Morgan Faraday, running through the NYC subway to escape from Sebastian, her ex-fiancé, and two armed rent-a-cops. How does love go so wrong? We then jump to ten months ago for the backstory that answers this question. Morgan—who identifies as Black, she has North African heritage via Moorish Spain, but is often assumed to be white—escaped from a poor Pennsylvania town for NYC and art school. A textile artist, she’s struggling when she meets billionaire Sebastian Reid, the CEO of one of the world’s largest energy companies. The answer to all of Morgan’s problems? Perhaps, but sleeping with a man you don’t love and barely find attractive is still work, and even with best friend Dashawna’s how-to-marry-a-millionaire advice, Morgan remains conflicted. Marrying white men for financial security, while necessary, was never a good decision for the women in her family. Worse, once she moves in with Sebastian, she discovers that his claim that his company is going green is just a façade, and he’s still responsible for several ecological disasters, with communities of color the most adversely affected. Encouraged by an oh-so-hunky environmental activist, Morgan begins to spy on Sebastian, recording his calls and filming his meetings. It’s incredibly anxiety-producing, and readers will be madly racing to the book’s surprising conclusion. Social commentary, feminism, racism, family history, courtroom drama, plenty of suspense, and a very hot love affair all come together for one powerful read.
Liz Rocher hasn’t been to her hometown of Johnstown, PA, in 14 years, but now her childhood best friend is getting married and it’s time. She’s got her bridesmaid dress and one other outfit, just enough to attend the event and then get the hell out. Liz faces s two main problems back home: her strict Haitian mother, who doesn’t hide her disappointment about her daughter’s single lifestyle, and the woods behind the wedding venue, where a little girl vanished years ago. While the wedding is in full swing, history seems to repeat itself, and soon Liz is fighting Johnstown’s racism-tinged apathy as she discovers that many of the area’s Black girls have gone missing over the years, each one vanishing on the summer solstice. Haitian American Adams’s thoughtful language first drops us into the private phobia of a damaged young woman and slowly pulls back to reveal wider horrors: the sudden taking of the girls and the lingering physical and social markers of the infamous Johnstown flood, which largely killed poor Black families in the valley while white residents lived in the hills. Adams’s exciting conclusion finds us in the grip of supernatural terror that makes this debut novel a great recommendation for horror fans who like a side of mystery.