The third volume in Rosen’s Evander Mills series is the most powerful to date, going deeper into the community “Andy” Mills has created for himself while taking on the power of secrecy in post-World War II San Francisco. Former cop, currently a PI—without the documentation—Andy is called upon in this book to locate Howard Salzberger, a queer bookseller who has a little brown book that documents all of his customers, and who has loose ties to Andy. Howard has a book he is planning to sell—perhaps about the Mafia?—when he suddenly disappears. While this is historical fiction, set in the ’50s, readers of Rough Pages will surely reflect on the harassment and persecution of librarians, teachers, and students who seek or make available LGBTQ content in present-day America.
Private Investigators
It’s tempting with some books to say “just read it,” and the second in Copperman’s Fran and Ken Stein (get it?) series is that type of book: quite unbelievable but totally seductive. Twins Fran and Ken were created by two scientists who played around with the twins’ genetics; they’re super tall, super strong, and a bit superhero-like. Their parents had to skip town when the two were babies, leaving them in the hands of a trusted friend. Today, the twins are all grown up and run their own Manhattan detective agency; in this episode, they are hired to track down a young trans woman, Eliza, who has disappeared, and who very much may not want to be found. The search for Eliza takes the duo through most of the City’s boroughs, entangles them in a handful of characters, and presents a plot that keeps growing more and more complex. But it’s the personal lives of the siblings that interest me the most, such as Fran’s on-again, off-again relationship with an NYPD detective and the rare communication she has with their parents. Will they ever be reunited?
Sports agent and former attorney Myron Bolitar works closely with his best friend, Win, in a lavish office in New York City. FBI agents visit one day and demand answers. One of Myron’s former clients, Greg Downing, is the prime suspect in a couple of murders, as his DNA was found under a victim’s fingernails. The only problem? Greg died three years ago, and Myron last saw him at his funeral. Myron and Greg had a history, and being curious how a dead man could murder someone, Myron asks Win for help, and they start digging for answers. Mobsters, false identities, and a string of murders committed by innocent people are only the tip of the iceberg in Coben’s latest. Myron and Win’s stories are personal favorites, and their relationship, banter, and puzzle-solving skills make for a great series. Think Twice is a classic story with a favorite duo and another great Coben thriller full of surprises and misdirection. Here’s hoping we meet these partners in action again soon.
Washington, DC homicide detective Alex Blum is an in-between sort of cop. He’s not jaded, but he’s used to the horror he sees on the job. He knows that, unsexy as it is, procedure gets things done, although he can cut corners when it suits. But after he’s called to a murder scene and finds that the dead man, Chris Doyle, knew one of Blum’s informants, Artie Holland, Blum throws procedure and even personal beliefs to the wind. The informant is missing—in his world as a drug dealer, probably dead, but we’ll see—but his girlfriend, Celeste, is still in his home. She and Blum take up a dangerous relationship, one that must be hidden from both his job and Artie’s cohort, who wouldn’t like a cop taking Artie’s place. Swinson’s dialog is a highlight here. The characters, from the medical examiner and cops to desperate Celeste and the dancers at a topless bar—one of Artie’s haunts—all talk us through seedy and horrible events while the rumored Y2K disaster looms and Blum edges further toward his own destruction. Swinson’s unusual ending tops the surprises in this rough, realistic noir.
George Pelecanos is such a wonderful writer—word by word, sentence by sentence, paragraph by paragraph—that you can finish any of these stories only to wonder: how did I get here so fast? In these four novellas, Pelecanos mines familiar territory—Washington D.C. and Baltimore—areas he has explored in his 20-plus novels and as a film and television producer and writer who has worked on the HBO series The Wire, Treme, and more. In the first story, “The Amusement Machine,” two men—one white, Ira; and one Black, Jerrod—meet at a book group in jail and form a tentative friendship that extends beyond prison. Until a foolhardy act on Ira’s part, which nearly implicates Jerrod, seemingly destroys whatever relationship they might have. In “The No-Knock,” a family’s home is invaded by the police operating under a no-knock warrant, which allows the cops to force entry without identifying themselves. They are seeking one of the teenage sons, Vince, who eventually turns himself in, guilty of robbing a marijuana dealer. But while the son never again engages in criminal activities, the violence and disruption of the home invasion is something the father can never get past, with it haunting him for the rest of his life. Novellas are great for book groups, especially today when people are often intimidated by a 300-page novel, but crime fiction offers few novella choices. This collection is one of the very best.
This new title from Delia Pitts—author of the Ross Agency series—offers everything that fans of detective fiction are looking for. Vandy Myrick, a former cop—she joined the force to impress her cop dad—is now a detective in Queenstown, New Jersey, her hometown, where she sets up a firm with BFF and trial lawyer Elissa. They’re two Black women in a town where racism, “casual like flip flops down the Jersey shore,” is always bubbling right under the surface. Vandy’s work is mainly divorce cases, and when she gets a call from the Mayor’s nephew—Queenstown royalty—asking her to track his wife, she just assumes that one more “Q-Town” marriage has hit the rocks. Except this gig quickly spins out of control when Vandy walks in on a double homicide, one that the powers that be are all too eager to shut down. Pitts has written a strong narrative that ricochets from Vandy’s tragic past to her gutsy present, keeping readers totally engaged to the very last page…and eager for more. Fans of Robyn Gigl’s thrillers will enjoy visiting New Jersey with Vandy.
What the world needs now is a great, queer detective, and Rosen is well on his way to creating him. The second in the series—the first was fun but also a bit idiosyncratic—this has the makings of a classic detective novel with a strong supporting cast. It’s San Francisco in 1952, and we’re back with struggling detective Andy Mills, whose home and office are above Ruby, a gay bar. Ex-navy and an ex-cop, Mills is still struggling to gain acceptance from the queer community. But along comes a case that may help him turn around his image. First one, then several people, it turns out, are being blackmailed—sex photos taken in a hotel, holes drilled through the wall—and Mills is on the case. But as with any good crime novel, the story isn’t what you first expect, and soon Andy is reunited with his Navy flame who disappeared seven years ago. Set against the queer bars of the city, the continual raids orchestrated by the police, and the foggy bay itself, this book is powerfully atmospheric. It ends leaving Andy free from the past and ready for the future. Exactly what most readers will be waiting for.
You could call it a meta-mystery. Or you could just call it a whole lot of fun. Gerald Ford is president, the Concorde is dominating the news, while Neil Sedaka is on the turntable. Detective Adam McAnnis accompanies a college chum to the West Heart Club, sort of an Adirondack hunting club set in the northern New York wilderness, crawling with tipsy uber-WASPS. This place is so old and insular the residents speak their own sort of slangy English. What brings a New York City detective to this rarefied compound? Hard to say, but it’s clear he’s got a motive. Comparisons to the Blades Out series are inevitable, but McDorman’s novel is a whole lot more sophisticated and a good deal more humorous. Reading this book is a bit like driving behind a school bus and a garbage truck; the narrative leaps ahead, only to pause while we’re treated to an essay on the rules of the mystery, or the nature of locked-room stories. Then we move ahead a bit, only to stop and be regaled by the disappearance of Agatha Christie, Auden on the Whodunit, and any number of references to mystery’s grand tradition. Confused at where we are? Fear not. There are narrators ready to jump into the fray and remind us we are in a detective story, and what to believe—and what not. It’s a thrill to come across a book that is at once so playful and so erudite.
It’s no wonder Harry Duncan’s ex-wife, Ellen, a U.S. Attorney, calls him when her cases need some extrajudicial help. Former cop Harry is an expert at getting himself into trouble—just the kind that suits his investigations—and getting back out, with each leg of the journey equally satisfying. His current murder book, or record of a crime investigation, opens when Ellen asks him to hit the road on her behalf to look into what might be a new criminal organization setting itself up in Indiana. Arriving in Parkman’s Elbow, a town identified as one focus of the possible gang, Harry stops for lunch, the action finds him immediately, and his combination MacGyver/James Bond maneuvers are decidedly ON. The investigation often takes a back seat as readers get lost in Harry’s vigilante moves—defeating bumbling bad guys in ways that ridicule them, saving a woman the gang is trying to extort—and his smart evasion and tracking methods. But the case is almost beside the point when such exciting chases and devastating put-downs of criminals are on the menu. Would the police really ignore the wild things Harry does? Probably not, but you won’t care. One for a late-night binge.
A sequel of sorts to the devious The Kind Worth Killing, this novel also features PI Henry Kimball, one of the more low-key but wry detectives in the business. Central to this story is Joan, one of Henry’s students from the one year he taught high school. She pops up in his life wanting him to prove that her husband is cheating on her—a bread-and-butter job for any detective—except Henry can’t quite shake the feeling that there’s more to the story than Joan is telling. As it turns out, Joan, helped out by her buddy Richard, has been a murderer since high school–it’s the only thing that really brings the friends to life–and Swanson takes us through each of the perfect murders the team has executed. By the time we get back to the present, it’s clear that there’s a whole lot more in store for Henry than he would ever have imagined. Swanson is such an adroit novelist, moving us smoothly from present to past and back again, building up the tension, stoking the anxiety, all while interjecting some perverse humor through the characters and their observations. And kudos for such a surefire depiction of the Boston suburbs. Reading the earlier book first would be slightly helpful, but this still works as a standalone. Wickedly delicious!