Novelist Grady Greene can’t wait to share his good news with his wife, Abby: he’s just made the New York Times bestseller list. He calls her, she’s driving home and not far from their house, only to hear her slam on the brakes, telling him that someone is lying on the road. Then silence. Grady heads out to find her and discovers that the car is empty, the door wide open, her cellphone abandoned, and Abby gone. So begins Grady’s year of mourning for his disappeared wife. To break his melancholia, and kick-start his work on his next book, his agent offers a little cabin on a barely habited Scottish isle. Grady takes her up on the offer, only to discover that there is, you guessed it, no way off the island—what ferry schedule?—and the two dozen or so female-only residents are a bit beyond odd. But oddest of all? The quick glimpses he has of a woman who is the spitting image of his wife. The creepiness, the occasional bursts of humor, the horrendous history, and of course the inevitable twists, all of which layer over one another, make for one terrifying ride.
Family Life
I love the kind of us-and-them stories set in places like the Hamptons, and the latest by DeCarolis (The Guilty Husband, Deadly Little Lies) is packed with twists. Alex and Maddie Walker are sisters who look so alike and are so close in age that people think they’re twins. Their mother referred to them that way, a glimpse of love amid her boozy, selfish ways. Now Mom’s long gone, and the sisters, who are now in their twenties, are distant after an argument that followed her funeral. But when Alex doesn’t hear from Maddie, who has been in the Hamptons for the summer, she heads to that tony town to get to the bottom of things. What she finds is very strange—Maddie had been living at one of the swankiest houses in the area, Blackwell Manor. Alex stays with the Blackwells herself, keeping a safe distance from their rich but miserable lives—until things take a turn when another young woman goes missing. As Alex becomes a thorn in the police’s side, she uncovers secrets about the present and the distant past. Dark sexual themes feature amid the absorbing suburban suspense that’s told from multiple, tantalizing viewpoints.
If you like a jaw-dropping twist, this is the book for you, and I mean the reaction literally: at one point in this great domestic drama, one character whispers a closing remark to another that literally made my mouth hang open. And that wasn’t the last surprise. The drama concerns a missing child, Laika Martenwood, whose English family’s treatment by the media after she’s gone will remind readers of the real-life McCann family, dragged through the tabloids after their daughter was snatched. The Martenwoods are more dysfunctional than even the tabloids say, though. The father is one of the most loathsome characters to come along in a while; his wife is so psychologically abused that she can’t leave and can’t protect her children from him; and daughters Willa and Laika are relentlessly mocked and bullied by the horrible man. As the book opens, we find Willa as an adult, barely hanging onto the life she’s cobbled together while agonizing over whether her sister is still alive, where she could be, and what happened to her all those years ago. Moving back and forth in time, Collins puts the media and family ties under a magnifying glass, in the process reminding readers that just as things don’t break on their own, they don’t have to stay broken.
A delightful satire—fun, fast, and furious—of the high-flying tech industry. Every year adtech start-up Aurora brings together its top executives for a weekend retreat (think PowerPoint presentations and Jet Skis), this year, it’s in Miami Beach. It’s quite a cast of characters: for starters, the CEO models himself on Churchill. In the hands of other novelists, the cast could become a messy menagerie. But each character here is so well-defined, beginning with the company’s latest hire, Caitlin Levy, Head of Events (curious since Aurora has never sponsored an event). But just when the second day has started and everyone is beginning to sober up, there’s the announcement that the company has been sold, and suddenly everyone is if not very, very rich, then quite rich. It would be time to celebrate, except that one of the high-level executives has disappeared. And the entire retreat is under surveillance by the tech media, who can sniff a good story. Like Rosenblum’s first novel, Bad Summer People, this novel delights in exploring what lies under the surface. The adtech folks would call that a deep dive.
“Some families are haunted. The stuff of the past, the traumas and the ghosts—they just go on and on,” thinks Caleb “Cale” Casey, a successful real-estate broker in Hawaii who has been estranged for almost 30 years from his brother Ambrose, who runs a construction company back in their small Connecticut hometown. Both are tormented by a terrible secret that they buried as teenagers in Gibbs Pond. When a real-estate developer announces plans to dredge the pond in preparation for further development, Cale reluctantly returns home. Unbeknownst to the brothers, Lily Rowe, the contractor in charge of the dredging, also suffers from a dark family history, a childhood of abuse and neglect, shared with her troubled sibling Ray, that led to a shocking act of violence. How these well-drawn traumatized characters and their secrets collide in the present day, permanently changing the course of their lives, is the theme of Flaherty’s beautifully written debut. His Connecticut is not the monied suburbia of Rick Moody and John Cheever, but a rural working-class community more reminiscent of Daniel Woodrell’s Ozark mountain towns. After a strong buildup, the conclusion felt a bit anticlimactic. Still, this sad novel about the corrosive effects of family trauma and pain will linger in readers’ minds.
At first, this novel seems to be a predictable, mildly entertaining thriller. Erin and Will take themselves off to marriage counseling because something has gone wrong, at least for Erin, who is suddenly putting her husband at arm’s length. But what’s the source of the problem? Even their counselor, Maggie, becomes consumed trying to understand what has gone awry in their marriage, especially when Will is, annoyingly, nearly the perfect man. Then, out of nowhere, Perks drops a clue that made my head spin, cranks up the narrative’s pace, and pulls us deeper into the disturbing past of Erin and Maggie. Since this is from multiple perspectives, and jumps skillfully around the narrative time-line, readers will have fun trying to put this complex, fractured and totally compelling story together. A perfect read for fans of Lisa Jewell and B.A. Paris.
Prepare to fall hard for Lenny Marks, the awkward, overthinking, lonely character in Mayne’s emotional debut mystery. Helena, or Lenny, is an Australian primary-school teacher. She’s fine in the classroom, as her self-discipline means she sticks religiously to lesson plans. She also gets along well with kids, but the same can’t be said for her interactions with colleagues, whom she mostly ignores, except for Ashleigh and Amy. These are the women whom Lenny has decided will be her friends—social workers and a kind former foster-mom having long encouraged her to speak to others and get out more. (Meanwhile, Asheigh and Amy say things to Lenny like, “I love that you don’t care what you look like”). But she’s trudging along mostly fine until the letter. It arrives at the school from the state parole board and sets Lenny into a spin while Mayne, tantalizingly, lets us into the full, shocking story of Lenny’s early life. Be ready for some very sad moments, including scenes of domestic violence toward children. I just adore this character and this book and will be thinking of Lenny for years (once I finish crying). Mayne’s captivating work might bring you back to an old Oprah’s Book Club favorite, Wally Lamb’s She’s Come Undone.
Judith and Katherine, or as they prefer, Jude and Kat, are mirror-image identical twins (they have the same features on opposite sides of their bodies, such as the same birthmark on opposite shoulders). But there is one big difference. Jude can remember all of their 22 years, but Kat has recently survived a terrible car accident that has left her with amnesia. Experiencing everything “again for the very first time,” she relies on Jude to tell her their life story, because, Jude says, their mother is dead and their father took off years ago. Some things seem puzzling, such as why the photos of their before-the-accident European trip don’t show the sisters at all, only landmarks. Readers learn why in those sections of the book that look at life before the crash, when the girls and their mother left mainstream society to live with the controlling King Bash, whose mantra was “What you think, is.” The pressure to will happiness and satisfaction into being, and the child abuse led by Bash, brews a toxic storm that Jude tries to keep in their past. But the past threatens to explode when a mysterious figure starts turning up at random places in the present. Kahler has a quietly compelling way of revealing secrets and of portraying a close sibling bond, creating an unusual debut novel (as Karen Abbott, Kahler is an Edgar Award nominee for Best Fact Crime for The Ghosts of Eden Park) that will be a hit with those who enjoyed the recent religious-cult documentaries Shiny Happy People and Keep Sweet: Pray and Obey
The scene: Hurricane Harvey hitting affluent Sugar Land, TX, in 2017. Readers will fear the worst, knowing how bad the storm became, but Jia Shah feels she’ll be safe at her sister Seema’s sprawling, ostentatious house. Her brother-in-law, who luckily knows everything, assures all that nothing can happen to his house. Misogyny’R’Us mother-in-law and overbearing sister notwithstanding, Jia believes that once she and her son ride out the storm—and her family’s endless comments about her dire fate as a divorcee—they can get back to life as they knew it. Then Jia notices that the neighborhood seems curiously empty. Except, that is, for a neighbor who stares in the window. Soon things become far more than just creepy as the bodies start to pile up. Debut author Parekh builds tension wonderfully as the storms outside and inside the house threaten to wipe out everything Jia holds dear; she also excels at provoking exasperation at the backbiting family’s antics while crammed into an inescapable nightmare. For those who like locked-room and closed-circle dramas.
Theodora, or Teddy, Angstrom’s father, died by suicide at the 10-year anniversary of her older sister, Angie’s, disappearance as a teenager. Her mother is now to be found lying on the floor with her ancient dog, “Two commas facing one another, small nothing between them.” It’s up to Teddy to make arrangements, exhausted though she is with her teaching job on top of this unwanted task. While doing so, she discovers that her father was on a relentless quest to find Angie, and his failure seems to have been the last straw. Learning that Angie’s disappearance is a hot topic on the message-board site Reddit, where Teddy also finds details about another young woman who disappeared and was found to have run away from her abusive family, sparks curiosity in Teddy. It soon turns to obsession as the amateur sleuth meets a strange, needy young woman who was helping Teddy’s father with his detective work and starts getting messages from a stranger who might know more about Angie’s fate, if she can only find him. As the twisting tale unwinds, unsavory details about fans of true crime, and of message boards where vicious and glib voyeurs can anonymously post intimate questions and tacky rumors about crime victims, will open readers’ eyes to survivors’ reality. A gritty, realistically ambivalent look at how insiders and outsiders experience crime, with a realistic main character to boot.
