Remember We Need to Talk about Kevin, Lionel Shriver’s dark novel about a mother’s fraught efforts to understand her violent son? Here, neighbors believe Valerie Jacobs has set up her own version of Shriver’s book: her son, Hudson, suspected years ago of a violent crime, is back home and seems eager to live off mom. Valerie’s daughter, Kendra, is against the arrangement. Valerie has always spoiled Hudson, Kendra says between snapping at her mother’s attempts to be a new grandma and pushing miracle cures for Valerie’s seemingly encroaching Alzheimer’s disease. Then a shock crashes into the setup: a young woman is found murdered in the neighborhood and Valerie’s neighbors immediately point the finger at her home. Even Valerie herself suspects Hudson, except when she’s suspecting herself and her memory gaps. Garza (When I Was You) excels at making our heads spin as facts emerge, some from the present and others the past, adding to both the murkiness and the drama. This tale is constructed on a scaffold of slights, family grudges, deceit, and quiet love, all of which build to an out-of-the-blue reveal. This isn’t—thankfully!—as dark as We Need to Talk about Kevin, but it’s every bit as gripping.
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