In his ninth outing, Commissaire Georges Dupin is reluctantly attending a team-building police seminar with his officious boss in the Breton port city of Saint-Malo, in France’s northwest. The packed four-day schedule, however, offers the consolation of a restaurant visit every evening, and Dupin uses his lunch hour to explore “the culinary heart of Brittany.” As he samples cheeses and sausages in the market hall of Saint Servain, bloodcurdling screams capture his attention. A woman has been stabbed to death in one of the stalls. Dupin quickly gives chase to the fleeing culprit, even “borrowing” a car from a local resident before losing the object of his pursuit. When he returns to the police station, Dupin learns that both the victim and the murderer have been identified: Blanche Trouin, a well-known chef and owner of a Michelin-starred restaurant, was killed by her younger sister, Lucille, also a successful chef. The two had engaged in a sibling rivalry that could outshine the famous Joan Fontaine-Olivia de Havilland feud in its vicious bitterness. When Lucille is quickly arrested, she refuses to confess or discuss a motive. Although Dupin’s colleagues back in Concarneau advise him to stay out of the case, the murder of Blanche’s husband indicates a second killer is at work, and the seminar participants are quickly organized into investigative teams. As Dupin probes with his teammates, the caffeine-addicted sleuth makes time to enjoy petit cafés and savor the beauty of the Emerald Coast. Once again Bannalec (the pen name of German-born Jörg Bong) has written an intriguing and tasty mystery with surprising twists in a beautiful, charming setting that will appeal to Louise Penny fans. It is also a good starter for readers new to the series. Do not read the mouthwatering descriptions of Breton delicacies on an empty stomach!
International
A high-energy, rambunctious tale that shares much with Sherlock Holmes—the Guy Ritchie versions, that is—as well as traditional Chinese gong’an crime fiction, in which government magistrates solve criminal cases. It’s London, 1924 and Judge Dee Ren Jie, known as Judge Dee, has just arrived in the country to investigate the murder of a colleague whom he knew during World War I, when both served with the Chinese Labour Corps. No less a personage than Bertrand Russell introduces the Judge to Lao She, a retiring London academic who quickly becomes Dee’s sidekick—they are introduced in a prison breakout, it’s complicated—and the two set off to locate the victim’s family. One murder soon becomes two, then more, all performed with the distinctive butterfly sword, putting yet more pressure on Judge Dee to find the perpetrator before he or she tries to murder him. The authors do a wonderful job of depicting the bustling London of the ‘20s, the Chinese community and the relentless racism and stereotypes it is a victim of, and absolutely fabulous displays of martial arts. There’s word that Dr. Dee may be returning to solve another case; here’s hoping he does!
It’s 1869 in the newly renamed capital of Tokyo, a year after the political revolution known as the Meiji Restoration overthrew the ruling Tokugawa shogunate that kept Japan in feudal isolation for over 200 years. It’s a time of rapid social change and political turmoil; not everyone is happy with the new government’s policy of Western modernization. Law enforcement, such as it is, is represented by five corrupt rasotsu (police officers) who are more interested in lining their pockets than in protecting the public. But they are reluctantly enlisted into the services of two chief inspectors from the Imperial Prosecuting Office as they investigate government corruption and a string of impossible-seeming murders. One inspector is the elegant and handsome Keisherō Kazuki, who cuts an odd figure in his old-fashioned clothes that make him look like “a courtier who had stepped out of the Heian period.” He is also obsessed with making the new government a just one and has imported a French guillotine as a more humane means of execution. His older colleague,Toshiyoshi Kawaij, is more down to earth, but he too is an outsider. The two men share a friendly rivalry as they probe several gruesome, supernatural-like killings. They are aided by Esmeralda, a beautiful Frenchwoman who followed Kazuki back to Japan (much to the dismay of Kazuki’s fiancée and her father) and who now is studying to become a miko, a Shinto shrine maiden with shamanistic powers that enable her to speak for the dead. How these crimes connect to the book’s title is resolved surprisingly and cleverly in the final section. Although the plethora of Japanese names can at first be confusing (a glossary of Japanese terms would also have been helpful), Karetnyk’s stylish and witty translation (there’s a lot of humor in this dark, bloody tale) quickly draws readers into Yamada’s atmospheric world. And Kazuki and Kawaij (a historical figure considered the father of the modern Japanese police force) make for a memorable sleuthing duo. Noted for his ninja novels, Yamada has written an engrossing, twisty tale that will appeal to fans of well-designed puzzle mysteries and international crime fiction with a fascinating historical setting.
It’s April 2020, the third week of a pandemic lockdown in an eerily quiet and empty Edinburgh. Detective Chief Inspector Karen Pirie of Police Scotland’s Historic Cases Unit has hunkered down with Detective Sergeant Daisy Mortimer in a “quarantine bubble” in her boyfriend Hamish’s spacious New Town apartment while he isolates up in the Highlands. There are no active cold cases to occupy the two officers, and Karen is languishing while longing for something meaningful to investigate. She fights her restlessness with her daily one-hour walks, the maximum allowed under tight restrictions. But when DC Jason Murray receives a call from a contact at the National Library about an unfinished manuscript in the archives of a recently deceased crime novelist, the team may have stumbled upon a connection to the cold case of a young woman who disappeared a year earlier. But how do they investigate a crime while trying to stay within COVID protocols? A determined Karen finds herself “making mincemeat” of the regulations, but as she tells a colleague, “I have to be out on the streets doing what I do. Because I want the world to still be a decent place when we come out on the other side.” In her seventh atmospheric series thriller, McDermid skillfully combines a twisty plot of murder and vengeance with the personal dramas of her detectives, set against the dramatic backdrop of a global pandemic. By the novel’s end, no one has been left unscathed by this traumatic time. In her acknowledgments, McDermid notes that she penned this novel only in 2023, needing the distance of time to write about those frightening early days. I suspect her book is the first of many crime novels that will explore the impact of COVID on the human psyche.
It’s winter when a fire destroys a farmhouse in rural Sweden, burning it to the ground. With the parents out for the night, the only victim was the twenty-something daughter of the house. But she wasn’t killed by the fire; her autopsy reveals that she was murdered by blows to the head. Who would have wanted to kill Lovisa, who was loved by everyone? While the murderer is quickly identified, tried, and jailed, this story continues to expand in multiple directions, exploring the impact of a murder on a community, the families, even Edvard, the perpetrator. It’s also a coming-of-age novel as we follow Edvard’s nephew, who grows up in the shadow of his uncle’s acts, worrying that he too has a propensity for violence. But at its heart, this is the tale of Vidar Jörgensson, a young police officer who was one of the first officers at the fire and helped to solve it, but then spent years ruminating over the case. This is no less than a brilliant crime novel. Carlsson combines his deep knowledge of criminal motivations and trauma—he has a doctorate in criminology—with rich, compelling storytelling. Fans of the TV series Broadchurch and the works of Ann Cleeves will enjoy the deep community focus. Sure to be one of the big books of early 2024.
Every flight headed to Italy should have on board a few dozen copies of Trinchieri’s mysteries—they are the perfect warm up to an Italian vacation, full of wry humor, eccentric characters, a gentle murder or two, plenty of excellent wine, and best of all a whole lot of Tuscan cooking. Ex-NYPD detective Nico Doyle moved to the small town of Gravigna after the death of his wife, a native, and he’s been embraced by the residents, even helping out in the kitchen of his in-laws’ ristorante (and getting great reviews). But he can’t leave his law enforcement years completely behind him, and he’s regularly summoned by Perillo, one of the local carabinieri, to help out on a case. Here, in the fourth installment, the murder victim is an older woman—owner of the handsome Villa Salviati—whose murder produces a bevy of possible suspects, including lovers, friends, and a couple of mean-spirited daughters. Will Nico and Perillo ever be able to return Gravigna back to more tranquil days? A delight from start to finish.
A deep, dark descent into one of Italy’s most disturbing true crimes, drawing on actual documents, news reports, and interviews to tell the story. Billed by the publisher as a “spellbinding literary thriller”—it’s certainly spellbinding, but no one’s definition of a thriller—this is a slow, methodical, layered journey into the murder of 23-year-old Luca Varani. The method? Torture. The perpetrators? Manuel Foffo, who confesses to his father, while driving to a family funeral, that he killed someone—three, four, five days ago?—he’s too drugged out to know. And Marco Prato, also from a “good family,” a nightclub promoter, gay and considering transitioning. Manuel and Marco barely know each other, although after several drug-and-alcohol fueled days holed up in Manuel’s apartment they develop an intimacy that’s somewhat sexual but more a twisted sort of friendship. “So-called psychic contagion, like a racing engine, brought the two young men close to the point of fusion.” What do they share, besides a love of drugs and alcohol? For starters, an inability to mature, jealousy of the rich, and complete irresponsibility. Lagioia intertwines the descent of Manuel and Marco with the descent of Rome itself—drug filled, rat-infested, garbage strewn, home to wild animals, yet ultimately, he claims, freeing. This story begs for comparison with the Nathan Leopold and Richard Loeb murder of Bobby Franks in 1924 Chicago. Brilliantly translated.
This is the final book in Tuti’s stunning and disturbing trilogy starring police detective Teresa Battaglia and set in the Dolomite mountains of northern Italy. Teresa has always been an extraordinary character, a woman who fought her way up the police ladder—while suffering the ridicule of her male peers—and at the same time found herself caught in an abusive marriage that nearly killed her. Now in her early sixties, she has slowly acknowledged that she has Alzheimer’s, and in this book we see it beginning to dominate her life. But just as she is about to retire, Teresa is brought back to work on a case featuring Giacomo Mainardi, a serial killer she confronted 27 years ago, whose mind she has come to understand and whose soul she has come to respect. While very much the tale of a serial killer, this final volume finds Teresa finally accepting the love and support of her colleagues, putting aside the “thick and steely…armor she wore every day,” and acknowledging that she has paved “the way for all the other women who would follow, and for anybody—regardless of their sex—who might be vulnerable to being victimized by people in position of power.” Best to read this brilliant series in order, beginning with Flowers over the Inferno.
Keigo Higashino makes the unbelievable become credible in this expansive novel that takes an extremely personal turn. After leaving her husband and son behind a decade ago, the mother of Tokyo Police Detective Kyoichiro Kaga lived out a quiet life in remote Sendai. Kaga only learned of her location after her death, and while sorting through her meager possessions and interviewing her one friend, he gains no answers to the many questions he has about his mother’s disappearance and life. Today, sixteen years later, Kaga is investigating the murder of Michiko Oshitani, a resident of Sendai who is found strangled to death in Tokyo—a place where she has no known connections. Why was Oshitani in Tokyo? With the help of his cousin, also a police detective, Kaga follows a series of twists and turns to finally arrive at a connection between Oshitani’s murder and the death of his mother that is absolutely staggering. Beautifully written and superbly translated, this is the concluding volume to a brilliant four-part series, and the plunge into Kaga’s personal life makes this title especially satisfying.
This strange, beautiful tale wedges readers into the crowded boats and alleys of Venice while whisking them along on a three-day romance with a Roman princess and the down-at-heel tour guide she falls for. The two seem to float above the city’s watery fray even before meeting. After meeting, they withdraw completely into their own emotional realm, “literally liquefied” by their fascination and passion for each other. Time is immaterial, they agree, as they find themselves “precariously suspended between being and non-being,” contemplate “intimate perplexities on who is who, where the I ends and the you begins,” and eat “a variety of little inventions.” The love story, which as the translator’s note explains, features more robustly in the book than the crime tale related to the princess’s work as an art dealer, soon provokes questions in the reader. Where is the tour guide from? Why must he leave Venice despite his grief over losing the love he has just stumbled upon? The answer to the mystery is startling and brings up many questions about the nature of life and how the past, and past injustices, can resonate today. Try this after Danielle Trussoni’s The Puzzle Master; you’ll come back to Earth eventually