Four strangers—two men, two women, all twenty-somethings—are sharing a table in the grand reading room of the Boston Public Library when a woman screams. They have no idea who she is, where she is, or why she screamed, but it does break down the barriers among the four, and by the time they leave the library, they are fast becoming friends. The crew includes a novelist; a law student; a psychology grad student; and our protagonist, Winifred, known as Freddie, a novelist who hails from Australia. It turns out a woman was murdered in the library, and the fab four take it upon themselves to investigate. But when one of the four is attacked, they begin to realize that there may be a connection between them and the murdered woman. And that one of them may be the murderer. Meanwhile, each chapter ends with correspondence to the author of The Woman in the Library, who lives in Australia, from a Boston-based friend who’s helping her with language and locale—until his communiques take a sinister turn. Readers who enjoy a playfulness in their fiction will be delighted by this book-within-a-book. For fans of Anthony Horowitz.
Mystery & Detective
In too many historical mysteries and science fiction novels, other times and places are strangely devoid of anyone who’s not straight and white. Not so the science-fiction-tinged Victorian era envisaged by prolific author Armstrong (A Stitch in Time series). The book opens in 2019, with Vancouver, BC detective Mallory Atkinson visiting Scotland to tend to her dying grandmother. Hearing a woman cry out for help in an alley, she intervenes in what turns out to be an apparition of an attack, only to enter the vision and wake up in 1869 as a teenage housemaid. She lands in the Edinburgh home of undertaker Dr. Duncan Gray, who’s using his trade to become an early forensic scientist. Gray and his widowed sister, Isla, are somewhat cut off from society, Gray because he was born from an affair his father had with a woman whom the family believed to be Indian—it was all kept hush-hush—and his sister because she’s a Victorian woman of means, expected to stay home. Readers will enjoy watching Mallory as she struggles to fit in and help Gray find the man—a serial killer, though that term is unknown—who’s posing bodies in sensational ways around the city. For those who enjoy Julie McElwain’s Kendra Donovan series, in which an FBI agent time travels to 1816 London.
University College London, just after the Great War, is where bright young Saffron Everleigh pursues her botany studies and, as an assistant researcher, is the only female employee in her department. While Saffron’s beyond enthusiastic about her field and a gifted botanist, she endures sexist put-downs and even a lewd attack by a professor who has retired in place and lives on pipe smoke and sexual harassment. The botany department’s men are gearing up for a research expedition to the Amazon (the gentlemen never mention seeking input from any Brazilians as to local flora, adding to the musty flavor of the academic setting). Before they leave, disaster strikes: a professor’s wife collapses at a department party, perhaps a victim of poisoning. This series debut, also the author’s first foray into historical fiction, sees Saffron and her love interest, Alexander Ashton, sleuthing their way through department politics, botanical facts, and the sadder aspects of human nature as they figure out whodunit and learn more about their field along the way. Readers will learn more too, but unobtrusively while they cheer for Saffron and Alexander to for God’s sake have that kiss. Especially recommended for fans of Sujata Massey’s Perveen Mistry series, which stars another pioneer, the only female lawyer in 1920s Bombay.
With its nine volumes, the acclaimed Detective Louise Rick series can be off-putting. But the newest title, A Harmless Lie, is actually a good entrance point. Sure, you’re missing plenty of backstory, but Blaedel is careful in not assuming too much knowledge on the reader’s part. Here, Louise is in Thailand, on sabbatical before returning home and taking the position of Copenhagen’s Head of Homicide, when she gets a call informing her that her brother Mikkel has been hospitalized after attempting suicide and that his wife, Trine, abandoned him and their children just days before. Louise heads off to her claustrophobic home town of Osted, only to confront a withdrawn Mikkel, her anxious parents, and the gradual realization that her brother is being investigated for Trine’s murder. Concurrently, her good friend Camilla, a journalist, is looking into the decades-old disappearance of a teen girl whose body has just been discovered, a girl who happened to be a classmate of Trine. While crawling with cops, this book is hardly a police procedural. It’s a deeply emotional dive into family, community, and the power of secrets.
We have cozies. We have thrillers. But what about mensch mysteries? Because Amos Parisman, AKA the oldest living Jewish PI in Los Angeles, is the definition of a real mensch. In this third book in the series, Amos comes out of retirement—a retirement he doesn’t want—to help the police investigate the murder of a homeless woman, whose corpse he discovers in the bottom of a garbage bin. Soon enough, that murder is followed by others, until it becomes clear that Amos and his sidekick, Omar, have a serial killer on their hands. While the search for the killer provides the underpinning of the novel, there’s always a lot more happening in an Amos Parisman mystery than just the crimes. Here, Amos does a lot of research into the homeless—so often invisible—and the discomfort they provoke in much of society. Also prominent in this volume is Amos’s poignant relationship with his wife, Loretta, who’s now living in a nursing home as she has advanced dementia, and his growing relationship with Mara, whose husband also lives in the home. A wonderful voice, great storytelling, and a completely unique character.
The Mitford sisters, six eccentric socialites and political renegades in the interwar years in England, encountered a frightful number of murders in their day, at least as told in Fellowes’s glamorous historical series, now in its fifth installment. This time, Decca, second-youngest daughter of patriarchal Lord Redesdale and his long-suffering wife, Sydney Bowles, is missing. The family suspects that the 18-year-old has run off with her second cousin, Churchill’s nephew Esmond Romilly, to marry him and fight on the side of the anti-facists in the Spanish Civil War (which Decca and Esmond did in real life). Enter the Mitfords’ former maid Louisa and her husband, Guy, proprietors of the Cannon & Sullivan detective agency. Hired to look for Decca, Louisa nervously embraces the fledgling rights of women in 1937, using her maiden name for work and leaving the couple’s baby with sitters. Indeed, she’s far more advanced than the Mitford “girls,” whose blithely colonial ways color their every move. Fellowes’s at times very sad, often funny story stands out for its unusual, Spanish Civil War backdrop; it also offers pleasingly scathing treatment of Nazi sympathizers, exciting chases from England to Spain and back (repeatedly!), and an extraordinarily tense closing scene. While this works as a standalone, go back to the earlier books for a treat.
Anyone who’s worked in publishing will recognize the low pay, deadline whirlwind, and scramble for recognition facing Carmen Valdez, a Miami transplant in New York. Worse, she’s a secretary trying to advance in a man’s world within a man’s world—comics publishing in 1975. Male colleagues sometimes show up drunk and their work is barely passable. Still, Carmen’s boss, whose father started the company, reminds her that “in the real world, we grant jobs based on experience and merit” when she gives him her comics scripts. Then her smoking buddy at work, Harvey, proposes to help by submitting a project by the two of them, but mainly by her, as his, and to reveal her authorship once it’s a success. Things don’t go according to plan, with not only Carmen’s professional future but also her safety jeopardized by a killer targeting her circle. Complementing this puzzling whodunit is a major plus for comics and graphic novel readers: Segura’s insider view of the comics industry and its history, as well as his spot-on chronicling of the too-frequent backstabbing among striving artists. For fans of Zakiya Dalila Harris’s The Other Black Girl, another look at a young woman trying to make it in publishing
Á la Anna Lee Huber’s Verity Kent and Stephanie Graves’ Olive Bright, Electra (Ellie) McDonnell has taken on a “man’s job” while much of the male workforce is away fighting World War II. Ellie is a heroine with a difference, though: she’s a former thief, from a London family that has called its safe-cracking ways to a halt. They’re now working as locksmiths and, in Ellie’s case, using those skills to aid the war effort. Ellie’s government handler, posh Major Ramsey, comes calling again in this second in the series (after A Peculiar Combination, 2021) when a young woman is found dead wearing an unusual, locked bracelet. Locksmithing again comes into play when a key turns up as part of the case, but it soon takes a back seat to Ellie’s other skills. This memorable, tough sleuth continues her investigation into the young woman’s death and her own mother’s long-ago imprisonment as the Blitz starts and a cousin at the warfront hasn’t been heard from. Happily, romance enters the picture, with Ellie pursued by both the major and a more down-to-earth family friend, Felix Lacey. The mysteries, danger, and emotional hills and valleys that are life in wartime will keep readers rapt here and wanting more from this almost-honest woman and her loving, protective circle.
One of the most fascinating detectives to have come along in years, Tully Jarsdel isn’t your typical cop. He abandoned a doctoral program to attend the police academy. He was raised by two dads, one of whom escaped Iran as a refugee. And he’s a brainiac—with so much trivial knowledge that his partner, detective Oscar Morales, calls him Rain Man. But he’s perfectly suited to investigate the death of Dean Burken, who was violently murdered in his own home. Burken, it turns out, was a registrar at The Huntington, a museum, library, and garden. Registrars can be powerful people, and Tully is quick to realize that Burken was abusing his position—in a big way. From deep inside The Huntington to Catalina Island, off the coast of Los Angeles, Tully and Jarsdel pursue a narrative of fraud, corruption, and greed. Fortunately, the detective work is offset with family issues, as one of Tully’s parents has a serious health crisis and the other struggles to deal with his past in the Iranian revolution. Throughout, Tully remains introspective, elusive, and unsettled—making the prospect of a fourth book all the more compelling.
Perhaps inspired by the real-life disappearance of Northern Ireland mother Jean McConville, Dempsey invites us inside two crimes. The first is a murderous attack on five roommates, and then there’s the cold case resurrected by the message scrawled on their wall: Who Took Eden Mulligan? Eden’s children, now adults, have been adamant in the decades since her disappearance that she wouldn’t leave them, but the woman was an enigmatic outsider in “a pit of savagery and subterfuge.” A Protestant living in a Catholic area of Belfast, she looked a mite too good for neighbors to care about her fate. Detective Danny Stowe has lots to lose in his inquiries—he’s on thin ice after smashing a perpetrator’s head against a wall and needs this win. For that, and more personal reasons, he persuades his best friend from college, a forensic psychologist who’s enduring her own issues, to join the investigation. The old and new cases, and the broken families involved, bring forth the weariness of living in sectarian strife, a mundanity that’s broken by moments of horror. Dempsey excels in portraying the anger that emerges when the dreamy veil of struggle lifts to reveal political violence as “a cover for psychopaths.” Read this for both a satisfying puzzle and an inside look at a culture turned sour.