Might this book be a cozy mystery? Let’s run it through my cozy-meter and find out. One, do we have much empathy for the lead character? Absolutely. Daphne Brewster, a Black woman—in fact, the only person of color as far as the eye can see—has moved her husband and family out of south London to a Norfolk town called Pudding Corner to escape urban woes. She’s become so successful at selling antiques that she’s now known as the vintage lady. Still, it turns out that things are as complex in Pudding as they are in London. Two, isn’t the book too slow? No. If you want faster, go find James Patterson. The characters in this town are so absolutely delightful as they roam about the town that I would happily spend another day or two with them. Again, the name: Pudding Corner. Might that be a hint as to what we can expect? Three, is it sexy and violent? Much more yearning than sexy. And if there had been any sex, it was years ago. As to the violence, it is offstage, involving a corpse that keels over in his allotment patch—a little garden the size of a postage stamp where Brits go and plant rutabaga on the weekends. Four, is this book a stand-alone? We hope that the publisher is sensible and Ms. Sutton will be back to delight us again with Daphne and Book Two.
Amateur Sleuth
An utterly heartfelt, entertaining, and beguiling sophomore effort from Dukess, author of The Last Book Party (2019). Cath is finally going through the possessions of her recently deceased mother. Cath was raised by her grandmother, and her relationship with her hippy mom consisted of intermittent and impulsive visits throughout her Buffalo childhood, with mom disappearing nearly as fast as she would arrive. So it’s a shock when Cath finds among her mother’s possessions the tickets for “murder week,” in which a quaint British town is staging a fake murder to bolster tourism, with all the locals taking on a role. But even more remarkable is that Cath’s mother—who as far as Cath knows never left the U.S.—planned for them to go together. What was she thinking? Nevertheless, Cath can’t quite shake the idea of murder week, and in several weeks time, she finds herself in England’s Peak District, sharing a cottage with Wyatt, who back in the States works in his husband’s birding store, and Amity, a divorced romance novelist who is suffering from writer’s block. Dukess deftly handles multiple narratives: the search for clues to the hamlet’s fake murder; the unearthing of shocking revelations about Cath’s family; and a slow-moving, present-day romance. A joy for Anglophiles and chock-a-block full of humor, this coziest of cozies will delight fans of Vera Wong, Finlay Donovan, and The Thursday Murder Club.
Shelby is returning home, not by choice. Her career managing a graphic-arts company is over as the company was sold, taking with it her hopes for romance with her boss. She’s had a pretty soft landing, though. Her parents are taking a month-long road trip, leaving her to manage the family needlework shop with the free apartment above. Why isn’t she happier? She feels the judgment of nearly everyone around her, from her practically perfect older sister to her old high school mate Kat who has been vying to take over the shop herself. Kat runs her own business, sharpening knives and scissors and designing and selling needlepoint canvases and high-end scissors. The first weekend that Shelby will be in charge, the shop will hold a trunk show of Kat’s merchandise. When Kat doesn’t show up to help prepare, Shelby goes looking for her, finding her in her mobile sharpening van with a knife in her chest. The police and all others rule this a terrible accident, but not our Shelby. Her unauthorized sleuthing isn’t the only tension in the story. She needs to run the business, maintain the proper position in the community and deal with her sister’s tacit criticism of whatever she does. To assist her, Shelby starts building a community of needlepointers of her own age group, men included, and of course adopts a stray cat. The charming town, Shelby’s renewed love of needlework, and her growing group of friends will have readers eagerly awaiting the next installment. Just as many cozy mysteries include recipes, this one ends with needlepoint patterns.
We are taken back to the roaring ’20s, to speakeasys and the Ziegfeld Follies, in this gritty noir with Ginny Dugan as our main character and sleuth. She and her dancer sister have come to New York from Kansas. Dottie, the sister, dances for the Follies, and is engaged to Charlie, a financial guy from home; Ginny writes an advice column for Photoplay, though keeps angling for real, hard-nosed reporting. Ginny is out partying at a speakeasy when she’s a witness to the kidnapping of Josephine, a headliner who is Black, but her story is not believed. People are dying of heart attacks in Harlem dance clubs, and dancers are reporting ghosts in the dressing rooms of the Follies, young women who have been murdered. There are drug stashes and secret crime bosses. Ginny partners with Jack, a detective, but it is Gloria, a Follies star, who calls to her heart. The level and complexity of the crime speaks to a mastermind: the Eagle, whose identity is unknown until the end. This debut turns back the clock with authentic detail and sharply drawn characters and a strong sense of violence and lawlessness. A challenging book.
Expat Tabitha King—formerly of suburban Detroit—is living, as the kids would say, her best life. She’s upped and moved to post-war Paris—she’s bilingual thanks to her mother and French grandmother—and this third, and best, in the mesmerizing “American in Paris” series finds Tabitha hanging out with her chum Julia Child, from whom she picks up some much-needed cooking tips. She’s also settling disputes between her Grand-père and his partner, Oncle Rafe (they are reopening a restaurant, thus the agida) and dipping her toe in the heady world of haute couture, with Christian Dior, who makes a cameo appearance, leading the way with his “New Look.” But when Tabitha discovers a body in one of the exclusive fashion ateliers, all the frothy fun comes to a halt, or at least a sputter, as Tabitha, with the sometime help of the all-too-handsome Inspecteur Merveille, throws herself into the search for the murderer. It’s a search that takes Tabitha back to Paris during the Occupation and the work of the Resistance against the Nazis and the French Vichy government, as well as those whose role was less clearly defined. Rich in history, full of the value of friendship and family, and with a very, very slow-growing romance (we want more, Colleen!) this is certain to be one of the best mysteries of 2025.
Amanda Flower’s Emily Dickinson series just keeps getting better and better. It’s 1857 and Amherst, Massachusetts is experiencing one of the worst winters anyone can remember. Along with the freezing cold is the fear of chimney fires, and indeed an out-of-control blaze in Kelley Square, the Irish section of town, kills a young family, with the eight-year-old daughter, Nora Rose, the sole survivor. But the blaze has suspicious origins, and Emily and her maid Willa take it upon themselves to investigate. There is a lot going on in this novel, but it is all handled with great deft. Emily’s ongoing reliance upon Willa sets the maid apart from the other household staff, fostering jealousy. The marriage of Emily’s brother, Austin, and his wife,, Susan, continues to deteriorate. Women’s role in society, especially in marriage, is a source of ongoing debate. The future of the now-orphaned Nora Rose, an Irish Catholic girl in a largely Protestant town, and with no relatives, upsets the Dickinson household. Meanwhile, Willa’s own love life takes a dramatic turn. A great choice for book groups, which will appreciate both the book’s breadth and depth. Readers who enjoy this title may also like Mariah Fredericks’s The Wharton Plot and Kate Khavari’s A Botanist’s Guide to Parties and Poisons.
This marvelous tale of marriages that go awry and of friendships that save the day is certain to be one of the funniest crime stories of 2025. Four couples—close friends for 30 years—look forward to their retirement in Florida, their days idle and carefree. To guarantee even more money, the husbands, working off a tip, draw down their life savings and invest them in funds that quickly disappear—leaving them broke and their marriages even more miserable. But when one of the husbands dies, the wives are shocked to discover he left behind a life-insurance policy worth a whopping seven figures. In fact, the wives discover, all their husbands have identical policies. But what’s the use of life insurance when the men could live another 20 years? So the women decide to take matters in their own hands, or at least the hands of an accomplished hitman. But will the husbands be able to outplay their wives? Full of great characters who bring their own fun to the party, this book is perfect for readers who have enjoyed Everyone in My Family Has Killed Someone, The Author’s Guide to Murder, and A Serial Killers’ Guide to Marriage
In this latest visit to the lighthouse library on the outer banks of North Carolina, locals await a YA book festival featuring a recently local and very popular author of a fantasy series. Our librarian and amateur sleuth, Lucy MacNeil, is surprised to find this gentleman on her doorstep wanting to talk. She escorts him to the deck, goes to retrieve refreshments, and returns to find him dead of an arrow shot. To say that chaos ensues is an understatement. The new widow has political ambitions and intends to use this to launch her campaign, local teen ultrafans of the author set up a shrine invading Lucy and her husband’s privacy, and two lesser local authors battle it out for the now vacant top spot on the festival program. The clever policing by the local force is, of course vital, but, as usual, the little details that our research-minded librarian provides begin to tie things together, though the culprit may come as a surprise. The local color and community spirit shine, and the quirky personalities are never more so. While this is certainly a cozy, it is never dull. The ending leaves clues promising changes, so readers will look forward eagerly to the next installment.
Bregman takes the history of Alexander Hamilton and his legacy, mixes it with a modern-day conspiracy, and delivers a fun and engaging read. Elizabeth Walker is the last heir of the Hamilton family line, and when she passes away, that’s it. During research, Elizabeth uncovers a key created during Hamilton’s life. On her way home after, she’s followed, and in the New York subway, rather than have the key taken, Elizabeth texts her best friend, Sarah Brockman, to contact Elizabeth’s husband, Ralph. Then she jumps in front of an oncoming train. Sarah, devastated by Elizabeth’s death, receives a box of documents her friend sent over before her death. Working with Ralph, they are shocked to learn that a secret society established by Hamilton still exists today. The bedrock of this society has kept the United States strong all these years. Still, sinister forces want to destroy the States, and they have plans to use Hamilton’s legacy to cause economic chaos by eliminating the foundation of the American dollar. Bregman has crafted a page-turning thriller of history and the financial world that will have readers wondering if any of the story could be real. Steve Berry and Dan Brown fans will want to add this to their reading list.
Kristen and Valerie, long a couple, are in Hawaii on vacation, partly to help Valerie come to terms with her brother’s death. They are staying with Isaac, who’s a surfer buddy of Leslie’s, a high-school science teacher, and a lifelong resident of the islands. During an early morning excursion to see the glowing lava rolling down the landscape, Valerie sees a boot in the lava and realizes that there is a leg attached. It is quickly consumed by the lava, and as she is the only witness, all doubt the truth of what she has seen. The police report goes nowhere, so Valerie takes on the task of finding the identity of both the victim and the killer herself. With the luck and determination of the amateur, and the friendly and open nature of Hawaiians, allowing for a few glitches, she succeeds. This is a Hawaii we seldom see in TV police dramas. The locals speak a pidgin dialect, the importance of which is carefully explained by Isaac, and the customs and practices date back centuries. The landscape is of course dramatic and beautiful and the descriptions of food and produce mouthwatering. There are recipes for some of the dishes at the end, and a glossary of words and phrases. This is billed as the first in a series, so expect more to come from our interesting characters.