This is one of the best-plotted thrillers I’ve read in ages; it’s also a great portrayal of why women experiencing domestic violence are stuck. We meet Leah Dawson during her carefully choreographed routine of visiting a different liquor store every day. She hides the booze from her violent husband, Liam, a lawyer who has coercive control down to an artform. Leah’s legal career came to an end recently because her husband didn’t like her reading a work email at dinner, and took action. At the liquor store, something compels Leah to follow a fellow shopper, pediatrician McKenna Hawkins. Soon Leah’s routinely watching the woman, who’s also needlessly unemployed, from the street outside McKenna’s clinically clean home. The reason Leah felt drawn to McKenna is quickly apparent: McKenna is just like Leah, or rather McKenna’s husband, Zach, is just like Leah’s Liam. Both have ego to spare, enjoy speaking slowly to their wives to make them feel stupid, and are financially abusive. These guys have it all, until they don’t. No spoilers here, but get this book for the very original storyline, true-to-life characters, and a searing look at the pain and mind games endured behind too many closed doors. For more on why “she can leave any time” is ridiculous and insulting, read the afterword by Murphy, an attorney who’s represented survivors of intimate partner violence.
Thrillers
A medical receptionist by day, Shea Collins operates a popular true-crime website that specializes in cold cases. Single, a loner, and herself a victim—she was abducted as a child—Shea reserves her passions for her blog. Until the day that Beth Greer comes to Shea’s office. Back in 1977, Greer was tried and acquitted in the Lady Killer Murders, in which two men were killed, seemingly for the fun of it, by a female serial killer. Since then, the beautiful, sophisticated, and super-rich Beth has spoken to nearly no one—making it all the more remarkable that she agrees to be interviewed by Shea. Beth slowly opens up to the interviewer—inviting her into her super creepy mansion and deeply introspective life—as Shea struggles to put together the fragments Beth shares. This novel is beautifully written and perfectly paced. It creates a powerful sense of place in its depiction of an Oregon coastal community, and doesn’t shy away from tackling larger social issues, such as the sexism Beth experienced throughout her trial. Finally, its use of the paranormal—something I typically shy away from—is as terrifying as it is credible
Anyone who’s worked in publishing will recognize the low pay, deadline whirlwind, and scramble for recognition facing Carmen Valdez, a Miami transplant in New York. Worse, she’s a secretary trying to advance in a man’s world within a man’s world—comics publishing in 1975. Male colleagues sometimes show up drunk and their work is barely passable. Still, Carmen’s boss, whose father started the company, reminds her that “in the real world, we grant jobs based on experience and merit” when she gives him her comics scripts. Then her smoking buddy at work, Harvey, proposes to help by submitting a project by the two of them, but mainly by her, as his, and to reveal her authorship once it’s a success. Things don’t go according to plan, with not only Carmen’s professional future but also her safety jeopardized by a killer targeting her circle. Complementing this puzzling whodunit is a major plus for comics and graphic novel readers: Segura’s insider view of the comics industry and its history, as well as his spot-on chronicling of the too-frequent backstabbing among striving artists. For fans of Zakiya Dalila Harris’s The Other Black Girl, another look at a young woman trying to make it in publishing
A bold, ambitious novel with a big, multigenerational story line, a busload of characters, and a smart balance between mystery and suspense. Natalie Cavanaugh and Glenn Abbott are sisters, but not the least alike. Natalie is a tough-as-nails Boston cop, while Glenn is a food blogger and now a book author. What they have in common is what they never talk about: the murder of their father, who was bludgeoned to death in the woods behind their house. But through a series of incidents in Glenn’s life today, the women are drawn back into their shared past, and the story line opens up to include Glenn’s husband, her tween daughter, Natalie’s colleagues on the police force, and many more. It’s remarkable that Hill can keep so many subplots afloat while at the same time creating such a level of suspense that the reader feels as though they are being catapulted to the knock-out conclusion. Hill is the author of the more cozy-ish Hester Thursby series, and librarian Hester makes a few delightful cameos in this book. For fans of Robert Bryndza and Karin Slaughter.
Get ready to care far more than you thought you could about fictional strangers. The three in question are Jade, the busy, pampered wife of Atlanta celebrity chef Cam Lasky; and her children, Beatrix and Baxter. This book wastes no time on background, and we get to know these characters as they enter a domestic horror scene. Arriving home from violin-prodigy Beatrix’s music lesson, they are met in the garage by a masked gunman who takes them hostage for a day of psychological terror. He wants $734,296, an odd demand that Jade gives her flashy husband when she can get a word in over the phone, starting him on a desperate quest. The overextended, secretly broke businessman, who’s not the most sympathetic character, is brought to his knees while his family’s love and strength are pushed to the limit. Each character is meticulously drawn, and presented from multiple angles, as the story plays out from the alternating viewpoints of Jade, Cam, and for a short time, the kidnapper. In a clever device, much of Cam’s narrative involves him answering questions in a post-event sensationalist TV interview, which allows Belle (Dear Wife, The Marriage Lie) to parcel out information bit by tantalizing bit. Read something mellow after this, you’ll need it.
One of the most fascinating detectives to have come along in years, Tully Jarsdel isn’t your typical cop. He abandoned a doctoral program to attend the police academy. He was raised by two dads, one of whom escaped Iran as a refugee. And he’s a brainiac—with so much trivial knowledge that his partner, detective Oscar Morales, calls him Rain Man. But he’s perfectly suited to investigate the death of Dean Burken, who was violently murdered in his own home. Burken, it turns out, was a registrar at The Huntington, a museum, library, and garden. Registrars can be powerful people, and Tully is quick to realize that Burken was abusing his position—in a big way. From deep inside The Huntington to Catalina Island, off the coast of Los Angeles, Tully and Jarsdel pursue a narrative of fraud, corruption, and greed. Fortunately, the detective work is offset with family issues, as one of Tully’s parents has a serious health crisis and the other struggles to deal with his past in the Iranian revolution. Throughout, Tully remains introspective, elusive, and unsettled—making the prospect of a fourth book all the more compelling.
Perhaps inspired by the real-life disappearance of Northern Ireland mother Jean McConville, Dempsey invites us inside two crimes. The first is a murderous attack on five roommates, and then there’s the cold case resurrected by the message scrawled on their wall: Who Took Eden Mulligan? Eden’s children, now adults, have been adamant in the decades since her disappearance that she wouldn’t leave them, but the woman was an enigmatic outsider in “a pit of savagery and subterfuge.” A Protestant living in a Catholic area of Belfast, she looked a mite too good for neighbors to care about her fate. Detective Danny Stowe has lots to lose in his inquiries—he’s on thin ice after smashing a perpetrator’s head against a wall and needs this win. For that, and more personal reasons, he persuades his best friend from college, a forensic psychologist who’s enduring her own issues, to join the investigation. The old and new cases, and the broken families involved, bring forth the weariness of living in sectarian strife, a mundanity that’s broken by moments of horror. Dempsey excels in portraying the anger that emerges when the dreamy veil of struggle lifts to reveal political violence as “a cover for psychopaths.” Read this for both a satisfying puzzle and an inside look at a culture turned sour.
When young Swedish woman Eleanor finds her manipulative, angry grandmother Vivianne dying of a stab wound, she’s more depressed and bewildered than sad. Vivianne raised Eleanor on a steady diet of scorching belittlement after the girl was left an orphan. Eleanor’s now working to overcome the hurt while learning to cope with prosopagnosia, or face blindness (she can’t recognize faces, even her own in the mirror). The story quickly moves to Solhöga, Vivianne’s country mansion, where Eleanor, her boyfriend and aunt, and Vivianne’s lawyer aim to inventory the contents. The chore becomes a terrifying ordeal when various members of the party come to mysterious harm; the somber house and sad diary entries detailing the lonely days of a long-ago maid at Solhöga add to the forbidding atmosphere. Sten’s character-driven, psychologically immersive puzzle will keep readers guessing until the end about who killed Vivianne and what’s behind the mysteries at the house. Eleanor’s face blindness adds an interesting and thankfully not overused element to the tale; an apt complement to this is Sarah Strohmeyer’s Do I Know You? (Harper, November), which features a “super-recognizer” who remembers for years the faces of people she sees even once in a crowd.
Ten years ago, Lydia was kidnapped, then spent the subsequent decade locked in a hunting cabin, subjected to torture and abuse. Miraculously, she managed to escape—feigning death—and after several months of homelessness made it to the coastal town where her husband, Luca, and Merritt, his second wife, live. At first glance, Luca and Merritt, who married a couple of years after Lydia disappeared and was declared dead, have it all: homes, cars, several restaurants that they own, a beautiful child, another on its way. How will Lydia’s resurrection rock Luca and Merritt’s world? With chapters alternating between Lydia and Merritt’s points of view, we watch the tentative relationship between the two women grow. Merritt tries to help Lydia while Lydia charts her own course, deciding how she wants to be helped. Kent does a terrific job of creating suspense—we know a bomb is about to go off, just not which one—and when it does, we’re totally spun about. But the book doesn’t end there, as two more revelations upturn everything we know. Credible? You’ll be too terrified to care.
Simon, prolific author of the Witch Cats of Cambridge series, here mines her past as a rock critic. The tale looks at former rockers visiting their own past when they reunite for a benefit after former bandmate Aimee dies. During the concert, Gal Raver, frontwoman of the band and of the book, sees a familiar face in the crowd. It’s TK, the band’s old roadie, who’s later found dead in an alleyway behind the club. Walter, Aimee’s husband, is charged with murdering TK and seems curiously apathetic when Gal tries to help him fight the accusation. Finding out what happened involves numerous murky flashbacks to Gal’s past as a messy, angry drug and alcohol addict, and her behavior and the battle for fleeting success give the book a feeling of darkness. Simon’s evocative writing puts readers inside sweaty clubs that stink of beer and vomit (so much vomit!), and reaches its first height when describing the moment the fledgling band finally gels onstage. The music fades in the last part of the novel, which explores hard truths and the differing ways they can be remembered, with Simon’s depiction of Gal’s slowly unfurling memories a second high point. Note that rape is described here in some detail. For readers who enjoy dark stories and fans of music-themed mysteries.