Traci Beller is a popular influencer with millions of followers inspired by watching her bake. It’s been ten years since her father, Tommy, never returned home, with the local police attributing it to him abandoning his family. Now, Traci wants answers. She reaches out to the best detective to learn the truth, Elvis Cole. Elvis has his work cut out for him trying to track down someone missing for a decade, but he’s willing to give it a shot, though he’s doubtful he will uncover anything more than what the police could find. But the detective stumbles upon a mystery involving the last person who saw Tommy alive and refuses to talk about it. He starts seeing the same dark-colored vehicle following him and soon learns that people don’t want him to discover the truth and are willing to kill anyone to keep everything secret. This case started as a simple missing person case for Elvis, but becomes the one that could be his last. Crais masters compelling crime fiction by blending humor, terrific main characters, and suspense into a phenomenal package. Empty might be in the title, but this story is far from it.
Suspense
Comics-creator Segura is back with another mystery that takes a penetrating look at the comics industry, particularly its treatment of women creators. In Secret Identity, the 1975-set prequel to Alter Ego, Carmen Valdez was a struggling artist at Triumph, a small comics publisher. She was promised by a male coworker that if she wrote a new female character, the Legendary Lynx, he would pretend he was the lone creator and reveal her work once the character was successful. You can imagine how that went, only add some murder to the shadiness to get the full picture. This book is set in the present and finds another Cuban American woman artist, Annie Bustamante, going through career struggles. She’s had some success, and she longs to bring back the Lynx, even drawing the character in her spare time. When she’s approached by the son of Triumph’s previous owner to bring the character to the big screen and more, she’s nervous that he’s clueless and she has a hard time getting real details on the project. But when, like Carmen before her, she encounters far more sinister elements of the business, including messages from someone only calling themselves Apparition, things turn very scary. There’s no need to read the previous book to enjoy this one, but readers should grab both for an immersive look at this industry, the muddled ego/fear feelings it engenders, and a great set of murder mysteries.
How do you represent a defendant in a court of law when that person is someone you have not trusted since you were a kid? That is Keera Duggan’s dilemma in this terrific follow-up to Her Deadly Game. Keera and Jenna Bernstein were rivals as children, and Keera never liked Jenna, though she tried several times. Jenna would always manipulate Keera and even get her in trouble merely to satisfy her ego. Later, Keera’s dad got Jenna cleared of a murder charge and now she is CEO of a biotech company. Circumstantial evidence has Jenna in hot water again, and only Keera can prove her innocence this time. Dugoni is one of the best in the legal-thriller world, and he finds compelling ways to tell stories that involve injustice. Keera has her work cut out for her because she might believe Jenna is innocent of this crime, but does that make her not guilty of others?
Most of this book takes place in the past, when Londoner Charlotte; her American husband, Pete; and their eight-year-old daughter, Stella, await the arrival of a new baby. Charlotte is mainly focused on Stella, but she resists a diagnosis for her while a mom friend with an autistic child urges her to confirm why their children are so alike. The only person Stella seems to get along with is her odd—bordering on sinister, if you ask Charlotte—babysitter, a young Armenian woman named Blanka. She’s not very attentive to Stella, plays odd games, and will only respond “oh, yes,” to every suggestion Charlotte makes, while never once following through. Things take a turn for the stranger after Blanka dies suddenly. Now Stella seems exactly like her former caregiver, craving her strong meat stew (though the family is vegetarian), speaking like her, and in all ways seeming to channel the strange young woman. Readers will be rapt as the family members each retreat to their different corners of the house, literally and mentally; Charlotte’s beliefs are torn apart; and terrible danger looms ever closer. An unusual debut; readers will certainly be on the lookout for more from Echlin and her brilliant portrayal of doubt, fear, and fractured families.
Yes, in nearly every way The Sequel is The Plot Redux, but don’t let that stop you for a minute. In most regards, The Sequel is more fun, more sardonic, and much darker—although this is one of the few series in which reading the first book before the second pays enormous dividends. We are back in the world of Anna Williams-Bonner, whose late husband, novelist Jacob, died by suicide. His novel The Plot found its way to the top of the Times bestseller list, leaving Anna doing everything she can to succeed as a literary widow—including touring across the country in Jacob’s stead. Anna gets so into the publishing groove that she actually authors her own debut novel. If only the story could end there. Anna undergoes harassment from someone who knows all too much about her life, her husband, and even her brother. But this anti-hero isn’t one to go down easily. I have no doubt Anna will be kicking her way into #3, to the delight of her many fans.
Talk about domestic suspense. Julia has moved back to Dublin from San Diego with her kids, who hate their new environment, and her ex-husband, Gabe, who trades time at home with her. Weekends she’s in the house with the children and he’s in a nearby apartment; weekdays the opposite. It’s all very pally, but there’s one big problem: their family seems to be a victim of a social media prank that involves people hiding in attics and jumping out to terrify the residents. Repeated Tik Tok videos, not made by the family, show views of their home as though made by someone inside. And wasn’t there that case, her kids insist, where someone lived in an attic and came out at night to wander the house? Her son is especially terrified—the depth of his fear is clear when his mom tells him not to be afraid to be alone, and he says his fear is that he isn’t alone—prompting Julia to investigate. Weird neighbors and the family’s recent and more distant past offer multiple possibilities for who’s terrorizing them, and readers will enjoy Mara’s taut plotting and believable family dynamics (especially the eye-rolliness of the teen daughter). Julia and her children’s fear comes through so palpably that you’ll be ready to help them move again while silently cursing the useless authorities and blithe Gabe. A gripping read.
The ultra-wealthy Wieland family seems determined to prove that money can’t buy happiness. Their pain-filled past has created a persistent myth that they’re cursed, with family members dying in spectacularly awful ways, including on the Titanic. The deaths all happen in April, and as this absorbing thriller opens, so does that terrible month. Orphaned by the curse, or so she believes, is Clara, who’s long suffered from bulimia and lives in a house on the grounds of her family’s compound in Maine. In the neighboring mansion, Vantage Point, live her brother, Teddy, and his wife, Jess, who’s Clara’s best friend and formerly a poor local. Teddy is running for the U.S. Senate and the stakes are high for the family to portray a happy, successful front, which means keeping the uninhibited Clara mostly hidden. But someone has other ideas, and a brutal sex video is released to the public featuring a much younger, drunk, emaciated Clara (details are very much on the page). It’s the first in a line of humiliating videos that Clara thinks are fake but can’t be sure, making technology an interesting plot point alongside the family turmoil. Sligar’s character creation and portrayal of family and class dynamics are superb, adding to a realistic and gripping tale with a satisfying ending.
The third in Moehling’s Ben Packard series is far and away the best. Deputy Packard is off work—he’s on leave, pending an investigation into a shooting—which gives him the time to investigate some new information about the disappearance of his older brother, Nick, who left their lakeshore family home when they were just kids, never to be seen again. The new information attracts his mother, Pam, to northern Minnesota, as much to check in on Ben as to explore where Nick may be buried. Pam—one of Moehling’s greatest creations—is a New Age, crystal wearing, sex-positive, Wiccan practitioner who would like nothing more than to see Ben find a boyfriend and does everything in her powers to hook him up. While the search for Nick takes a bit of a back seat, Ben can’t help but pursue a far more expansive and contemporary investigation that exposes corruption among County officials. See why so many people were happy to see Ben out of the picture? Add to this another story, brief but hugely meaningful, that provides yet more information about Nick. It’s amazing how Moehling keeps all these narrative balls in the air, but even more amazing is how they eventually come together. For those who love classic mysteries, police procedurals, and family drama.
Will Trent and Sara Linton’s honeymoon gets cut short in Slaughter’s latest page-turner. Will surprises his new bride with a trip to an idyllic lodge isolated from people and technology. At first, it’s lovely, and they tell the other guests that Will is a mechanic and Sara’s a teacher. That ruse dissipates quickly when the manager of the lodge, Mercy, is stabbed to death, and Will accidentally impales his hand on the knife. Everyone staying there is an immediate suspect, whether it’s the other guests with secrets or Mercy’s family, who all have a shady past. Verbal and physical abuse is as common as drinking water to these depraved individuals, and all of them had a motive to kill Mercy. Will finds a phone connection and gets his partner at the GBI, Faith, to help discover the true killer. The ABC show Will Trent was renewed for a third season, to premiere in January 2025. While fans wait for the show to start again, they can dive into this intense, disturbing, and fascinating story of depravity, betrayal, and hope. The surprise ending shocks and satisfies, and the next Will Trent novel cannot come fast enough.
I’m going to call it like it is: this is one of the best books of the year. Frank Szatowski—widower, UPS deliverer, and all-around good guy—gets a call from his daughter, mid-twenty-something Maggie, inviting him to her wedding in rural New Hampshire. The two have been estranged for several years, so this invite is a big deal for Frank, who brings along his sister (she’s practically Maggie’s mother). But from the moment they arrive at the incredibly lavish estate, nothing is what they expect. Maggie, it turns out, is marrying into a vastly rich tech family—think the Dells—and Frank’s attempts to connect to Maggie’s new family only succeed in making both him and the family members increasingly suspicious. Son-in-law Aidan Gardner is a recluse, accused by the locals of murder; Mom is hiding up in the main house, a drink- and drug-addled shadow of a woman; Dad is a complete control freak who enforces his own time system (seriously); and Maggie is the cheerleader, backing the families’ crazy decisions. Frank’s dialog—both internal and external—is one of the joys of the book, and Frank keeps discovering new forms of evil, like so many nesting Babushka dolls, as he investigates the Gardners. But will he be able to convince his daughter to leave? Strong characterization, a fascinating environment, and a good wallop of suspense makes for one compelling read. Relish it.