Oates, Nathan. A Flaw in the Design. March, 2023. 304p. Random.
Gil and his wife are living their dream. He’s a writing professor at a small Vermont college, she’s an artist, their two daughters are as smart as they are well-behaved. Sure, money is tight, but life is rich. Until his sister and her husband die under distinctly odd circumstances and their only child, 17-year-old Matthew, comes to live with them. To say there’s history here is an understatement. Gil’s sister married way up, well into the realm of the one percenters. While the wealth disparity made for awkwardness, it’s Matthew’s crazy, violent behavior that sets everyone on edge. The last time the two families got together, seven years ago at the sister’s house in Montauk, Matthew tried to drown Gil’s youngest daughter. But Matthew 2.0 is completely different. He charms the daughters, ingratiates himself with Gil’s wife, and even signs up for Gil’s fiction-writing class. But while most of the world is taken in by this brilliant and handsome young man, Gil remains a suspicious outlier. Slowly Matthew begins to undermine Gil, submitting for class stories that fantasize about the death of Gil’s daughters and explain how Matthew’s own parents were killed. Eventually Gil is alone in believing that Matthew is a psychopath, creating a growing estrangement from his own family, who are convinced he’s fallen off the deep end. Yes, this is a thriller, but a deeply thoughtful one that skillfully plays at what is true, what is imagined, and how genius can be used in the evilest of ways.
Domestic
Alyssa, née Alice, Macallen, has changed her name and subjugated everything else about herself to please her unpleasable husband, Bill, who has left with no explanation. All Alyssa knows for sure is that he’s taking his wealth with him and she has no job and no prenup, which he insisted was unnecessary because he was going to love her forev—you know the rest. Anyway, Bill’s gone and Alyssa’s sitting in a hotel bar nursing her sorrows when she meets a woman who may be even worse off. Bree Lorrance is living at the hotel after getting away from an abusive boyfriend. She moves into Alyssa’s guest house, and soon readers and Alyssa are wondering how things have taken such a fast turn. Far from lonely and terrifying, Alyssa’s days are now taken up with helping her friend, who encounters a new tragedy that sets the women, and another player who becomes involved and moves in, on an exciting trajectory. We’re left wondering whom Alyssa can trust in her new life, if anyone. Are some of these strange new people part of Bill’s team or out to get her for some other reason? Or maybe Alyssa is making everything up and we’ve got an unreliable narrator on our hands…it’s impossible to know until Ryan brings all to a satisfying ending that readers will never see coming. The author’s fans will snap this up; it’s also a must for Liane Moriarty’s readers.
Jonah and Luke Blackwell are teen brothers-by-adoption who are close in age, and close generally. But they disagree on one big thing: whether to find out their origins. Adopting from foster care, Lena Blackwell was planning to take in one child, but on the big day found him holding hands with a smaller boy, and the rest is history. But it’s history that Jonah can’t leave alone. Lena is at first mildly dissuasive, saying only that the adoption was closed for a reason. As time goes on, however, she grows increasingly frightened that Jonah will uncover why she’s a virtual recluse at the Millinocket, Maine inn that she and Luke run while Jonah attends college. Curious too is why the inn is owned by Coop, the Native Penobscot man whom the boys thought was an employee. And why, when a guest arrives at the inn who seems to know Lena from the past, is she bundled off to stay with the competition? As flashbacks that are haunted with fear take readers back to Lena’s long-ago struggles and her arrival in Millinocket, present-day determination, exasperation, and love bring us closer to an unpredictable and scary finale. This fast read is for those who enjoy strong protagonists digging their way out of tough circumstances.
Isabelle Drake hasn’t been able to sleep for more than a few minutes at a time for the past year. Night and day, she’s obsessed with who stole her baby son, Mason, and where he is now. She’s barely functional, but pushes on with her investigation, hounding the police for news and harassing those she finds suspicious. Her husband has had enough and taken off, leaving Isabelle to ruminate on how their romance, which started when he was her married boss, had such promise but became “like peeling back expensive wallpaper and finding black mold underneath.” Attending a true-crime conference to find more suspects, she meets a podcaster who becomes pivotal to the case, investigating alongside the distraught mother as she spirals further down into sleeplessness and murky flashbacks to a childhood of sleepwalking and family dysfunction. Willingham (A Flicker in the Dark, 2022) draws readers through dark depths into what is much more than a kidnapping tale, with a love that can push its way through even the toughest barriers. Fans of the movie “Memento” will enjoy this unstable main character and her stubborn push for the truth.
Jewelann Jordan attends her high-school reunion to nonchalantly run into her former, sort-of-boyfriend, Christian Campbell, and dump him later that night as revenge for his behavior when they were teens. Christian, who reveals that he’s now a surgeon, and who takes more than one reunion attendee back to his hotel room, doesn’t take well to rejection. A few days later, Jewelann’s controlling husband, Ken, announces that he’s renting out their carriage house, has already found a tenant, and by the way he’s here already. You can guess who it is. Thus begins a fraught game. Jewelann believes Ken’s business trips are covering an affair, but she’s scared to confront him. And what if he knows about what Jewelann and Christian used to get up to in that carriage house, activities that Christian wants to continue and is threatening to reveal? The maelstrom of emotions and abuse boils over in the most shocking way, and readers will not be ready for the whoa-that’s-way-out-there ending. Hardy is a pseudonym for author Megan Hart, whose just released Coming Up for Air also opens with reunion shenanigans.[‘
Publishers: Wondering how to keep crime fiction relevant, cutting edge, and appealing to younger millennials and older Gen Z? Then take a page out of the impressive debut Someone Had to Do It. Brandi may have landed her dream job unpaid internship at the fashion house Simon Van Doren, but she wasn’t planning on the microaggressions and reminders that as a young, Black woman she doesn’t fit into the culture (“code for we-can’t-handle-your individuality but-since-we-don’t-want-to-seem-racist-we’ll-invent-this little loophole”). But Brandi’s tenacious—she’s also putting herself through fashion school—and with a little help from dreamboat boyfriend Nate, an up-and-coming football star, she manages to hang in there. When Nate offers to put in a good word with Taylor Van Doren, Simon’s daughter—they go back to prep school—Brandi can’t say no. Taylor’s an it-girl, a model and fashionista who has it all and then some. While Brandi hopes that friendship with Taylor will help launch her career, the opposite happens. Taylor—the absolute best villain I’ve read this year—sets Brandi up for a fall where she risks losing everything she’s worked so hard to achieve. This is one smart, hot, bingeable read that’s got Attn: Netflix stamped all over it.
Part police procedural, part domestic suspense, All the Dark Places provides mystery fans with the reading experience they crave. It’s psychologist Jay Bradley’s 40th birthday, and Molly, his wife, has planned a small get together in their suburban Boston home. By midnight, the other couples have left, Molly has teeter-totted off to bed, and Jay has checked into his stand-alone office in the backyard to work on his book. But when Molly wakes up, Jay isn’t in bed, the scent of coffee isn’t permeating the house, and the door to Jay’s office is wide open—with him dead on the floor, his neck horribly slashed. Enter Boston PD Detective Rita Myers, who leads the investigation and is convinced that Jay has been murdered by someone in their close circle. But why would one of their friends—affluent, happy, and seemingly complacent—murder everybody-loves-Jay? Parlato skillfully moves the story between Rita and the present day inquiry and Molly and what we discover is her horrible past. She also imbues the book with plenty of humanity—60-ish Rita has a bit of a love interest, Molly adopts a lovely dog to help keep her safe—and never once does the brisk narrative veer into the unbelievable. For fans of Shari Lapena and Mary Kubica.
Just take all those accolades used for thrillers—unputdownable, twisty, dark, chilling, vivid, explosive, intense—and heap them on. Because this book is that good. That credible. And that terrifying. Londoners Victoria and Jamie take a brief vacation in Cumbria. Victoria’s due to have a baby in a few weeks, and the trip is a last hurrah before parenthood consumes them. They’re booked into a remote guest house—what we’d call a B&B—and are absolutely charmed by the older couple that runs it. But when they wake up the next morning, the couple is missing, the doors and windows locked. Cell phones? Gone. Car keys? Ditto. Then Victoria realizes that the mild contractions she has been experiencing are becoming much more intense and that the baby is on its way. That’s all you’ll get out of me when it comes to plot, but be warned: as soon as you think you know what this story is about, Morgan-Bentley flips the narrative, providing an even scarier turn. Unusual for crime fiction, which rarely includes characters with disabilities, Jamie has cerebral palsy, and his challenges with movement and balance give the book an even greater realism. While this novel is perfect for fans of Ruth Ware, Emma Rowley, and Lisa Jewell, really, it’s in a class by itself.
Bath, England strangers Priyanka, Stephanie, and Jess each receive the same letter telling them that their husbands together raped a woman decades before, with the letter writer, Holly, claiming to be the daughter of one of the men. The women think that confronting their husbands will be the end of the story. (That’s if they decide it’s true and if they can bring themselves to tell the men that they know about the rape, neither of which they find a given at all.) The husbands, too, think their troubles are over. They’re still members of the same upmarket social club where Holly says the crime took place, and still lead fine lives, unlike the victim and her daughter, with the mother now dead and the daughter near death from alcoholism. As the women meet one another and move from emotional paralysis to action, we’re brought to what seems like a definitive showdown. But it’s not the end at all. Ray’s U.S. debut reminds readers, through her storytelling and her portrayal of the women’s undulating emotions, that sometimes what we think will be the end might not even be the most significant part of the story; these women make their own ending, and it includes a startling closing twist. The sadness of lives destroyed is palpable here, but so is the healing force of friendship, not to mention determination. Psychological thriller fans who enjoy strong women characters should add this to their reading plans.
I’m hard pressed to recall a crime novel with a more despicable group of characters yet a more compelling premise. Matthew and his husband, Charlie, lead the perfect life. Rich, well-connected, with a fabulous London flat, access to a wonderful country home, and an absolutely charming tween son, Titus, adopted by the couple after the death of Matthew’s sister. But slowly, things start to fray. Nearly always, the problems stem from Rachel, a stranger the couple met in a bookstore and whom Matthew befriended against Charlie’s instincts. Matthew invites Rachel to join their book group, giving her a wedge that she could drive into their personal life. So when the police are called and arrive to find Matthew at the dinner table stabbed to death, Charlie in shock, and Rachel holding the murder weapon—this isn’t a spoiler, trust me—we aren’t exactly surprised. What is shocking is the complex but gripping backstory that gets us to this point. This novel is very, very British. Class issues abound, class signifiers—schools, stores, real estate, and the like—are everywhere, and some things inevitably get lost in translation. But one thing remains certain: this plot will leave you twisted, and quite a bit disturbed.