We’re in New York’s beautiful Hudson Valley where Jess and her business partner, Kat, are opening the Pearl, a B&B in their hometown that they’ve been working on, and investing in, for months. Headlining the opening is Lars, an ex-boyfriend of Jess’s who went on to win an American Idol-like reality competition and has morphed into a full-blown celebrity (and a bit of a jerk). He’s back home to help kick the celebrations into high gear, and generate plenty of press. Except when Lars’ stepdad-now-manager is found drowned, Lars becomes the prime suspect, the press starts acting more like TMZ than E! News, and the guests quickly get sick of being under lockdown. To save the weekend, their reputation, and keep Lars out of jail, Jess goes into overdrive, investigating every possible lead. Featuring a whole lot of twenty-somethings, plenty of integration with technology, lots of lovemaking, and a very busy bartender, this is a cozy for and about a new generation of readers—but appealing to most everyone. A charming town, quirky friendships, and plenty of intrigue will keep readers on their toes.
Women Sleuths
Rural New Zealand police records clerk Lorraine (Lo) Henry isn’t supposed to get involved in cases. But when children in her town start to disappear, and it’s clear that she knows more than the officers about local families and goings on, and cares more than her colleagues do, the big-city cops who’ve been deployed ask her to step in. It’s not a popular move, but Lo is determined, especially after her nephew becomes one of the missing. Complicating the investigation is town politics that pits poorer Maori residents against white or “Pakeha” ones. Family histories, the drug trade, and gang activity also muddy the case and keep Lo busy (“everything feels pushed together like too much washing in the machine”) as she doggedly tries to find the children. Things move fast but reach calamitous speed in the last quarter of the book, a gripping showdown leading to a last line that won’t leave a dry eye. Baragwanath’s language throughout just won’t stop with a verisimilitude that deeply immerses readers in small-town life and this particular town’s warmth, sadness, and terror. Paper Cage won the Michael Gifkins Prize for best unpublished novel by a New Zealand author and has been shortlisted for both the Ned Kelly Award for Best International Crime Fiction and the New Zealand Ngaio Marsh Award for Best First Novel. It’s no wonder.
Thirty-something Winter Snow—yes, that’s her real name—is self-employed as an obituary writer, a pretty genius career for a cozy hero and a nice break from bakeries, cafes, and fromageries. Based in posh Ridgefield, Connecticut, Winter is no stranger to loss, and believes that her obituaries “facilitate acceptance for the grief-stricken.” But when Leocadia Arlington—one of Ridgefield’s grand dames, and very much alive—asks Winter to compose her obituary by the week’s end, Winter is surprised but agrees to take her on. But surprise turns to horror when Winter finds Mrs. Arlington dead, and Winter, naturally, is the prime suspect. When reading a new cozy, I’m on the lookout for two things: character and community. I’m happy to report that Winter is a wonderful leading character: quirky, disarmingly frank, with a touch of irony. The delightful community includes Winter’s foodie Uncle Richard; journalist Scoop; Officer Kip, “tall, good-looking in a brooding way, with dark wavy hair and a trim fit body”; Mrs. Arlington’s family members; a corrupt book club (it happens!); along with neighbors and friends. Lewis has created a fun, playful world—despite a murder—that many cozy readers will love to return to. And did I mention Diva, the Great Pyrenees puppy? Totally adorable.
In Blackburn’s latest cozy, Summer Merriweather, owner of the Beach Reads bookshop, has a special Valentine’s Day event lined up, and invites Lana Livingston, a famous author who has reimagined Romeo and Juliet with a happy ending, to lead the festivities. Summer doesn’t realize that Lana recently became a widow and is being investigated for the murder of her husband. Things worsen when Lana has tea during her bookstore appearance and is later found dead of poisoning in her hotel room. The main suspect is Glads, the woman who served the author tea during the event. A ruthless detective wants answers, and to save her friend from being railroaded, Summer gathers a group of amateur detectives, including her ex-boyfriend, to solve not only who killed Lana but maybe even who murdered the author’s husband. Fans of cozy mysteries will find everything they love here, and even though this is the third book in the series, both newcomers and readers of the previous entries will find it worthwhile.
This is Estes’s debut novel, but far from her first brush with the TV journalism world portrayed in the book. Like her main character, Jolene Garcia, the author is a reporter in Phoenix, an Emmy winning one at that. Readers will get the feeling that she’s all too familiar with the pressure that’s on Jolene to do it all—investigate, write, present—all while looking fabulous on TV, then rinse and repeat on social media. Jolene is tired of the fluffy stories that the station runs to please the manager’s wife, and when a death occurs at a local radio station, she’s all over it. The deceased might be Alex Jones-alike Larry Lemmon, a talk-show host who divides his time between hating facts and hating immigrants more, a story that’s bound to draw viewers in droves. Dare she hope? And better again, maybe he was murdered. Her TV-news sensation dreams are fulfilled, but many questions remain. Assisting Jolene in getting the scoop on those is a reluctantly helpful police officer whose portrayal of departmental politics and ethics add narrative tension. But best is Jolene’s relentlessness and endurance of whatever it takes to get the story. Estes says that “J.A. Jance’s Ali Reynolds series planted the seed for my writing while Hank Phillippi Ryan’s Jane Ryland series helped it grow,” so fans of those series are a natural fit for this gritty thriller.
This new title from Delia Pitts—author of the Ross Agency series—offers everything that fans of detective fiction are looking for. Vandy Myrick, a former cop—she joined the force to impress her cop dad—is now a detective in Queenstown, New Jersey, her hometown, where she sets up a firm with BFF and trial lawyer Elissa. They’re two Black women in a town where racism, “casual like flip flops down the Jersey shore,” is always bubbling right under the surface. Vandy’s work is mainly divorce cases, and when she gets a call from the Mayor’s nephew—Queenstown royalty—asking her to track his wife, she just assumes that one more “Q-Town” marriage has hit the rocks. Except this gig quickly spins out of control when Vandy walks in on a double homicide, one that the powers that be are all too eager to shut down. Pitts has written a strong narrative that ricochets from Vandy’s tragic past to her gutsy present, keeping readers totally engaged to the very last page…and eager for more. Fans of Robyn Gigl’s thrillers will enjoy visiting New Jersey with Vandy.
Well-known for her excellent historical crime fiction—including the Jane Prescott series and, more recently, The Lindbergh Nanny—Fredericks surpasses even those efforts with this dazzling, magical foray into the life of Edith Wharton. It’s 1911, we are in New York City, and Wharton, nearly 50, is down in the dumps. Yes, she’s the witty, acerbic, and a brilliant conversationalist we imagine her to be. But it’s been six years since the publication of her last bestseller. Husband Teddy is mentally ill. Buddy Henry James is aging quickly. Her affair with Morton Fullerton would seem to be over. And all she really wants is to get back to Paris. In short, things aren’t so gilded. When David Graham Phillips, a handsome young novelist, is shot and killed in front of the Princeton Club, it piques Wharton’s interest. She had just met him the day before at tea in the Palm Court, and while her immediate reaction was disdain, as a corpse, Phillips is far more interesting. Who would want to kill a novelist, and why? What is so very brilliant about this novel is that Wharton’s search for the truth—which takes her from the publishing industry (hilarious) to New York society (terrifying)—is skillfully enmeshed with the challenges she faces as a woman, a writer, and a wife. In a particularly poignant scene, Wharton is walking home and realizes she is being followed. She finally turns to confront the perpetrator, only to discover it’s her feeble, slipper-clad husband, following her for fear she’ll abandon him. Sure to be one of the best books of the year, and a perfect choice for book groups that appreciate a rich context.
Real life collides with reality television in a mega-rich section of Los Angeles in Goldberg’s latest thriller. Detective Eva Ronin investigates the discovery of bones found in a park outside a private and secure area called Hidden Hills. That cold case soon requires focusing on a current investigation when a reality star is murdered inside her home while her family sleeps nearby. Hooded thieves broke in and ran when the family awoke to the gunshots. The expected security of the community appears nonexistent. Eva knows about the world of Hollywood since her police role has become a TV series, so she’s used to what is factual being played up for entertainment value. But this case seems to defy logic as more deaths occur, and reality means nobody is safe. Goldberg has created a terrific character in Eva Ronin, and he knows how to write a fast-paced thriller mixed with humor and inside jokes with no fluff. Like Michael Connelly, Goldberg also utilizes the Los Angeles landscape effectively.
Lennon, who has always played with a range of genres in his literary fiction (Broken River, Familiar, Mailman) now dips his pen into more commercial waters with the same inventive, adventurous flair. His new thriller, first in a series, revolves around twins (fraternal, not identical) Jane and Lila Pool. Thirty-five-year-old Jane leads a quiet suburban life in upstate New York, working in a dead-end administrative job at the local college, checking on her absent-minded professor father, and trying to parent adolescent Chloe despite the obnoxious interference of her disapproving mother-in-law. But her comfortable, if boring and unsatisfying, existence is turned upside down when she receives an encrypted email in the guise of spam from her long-estranged sibling. Lila has found their mother, who abandoned the girls 20 years ago, and she wants Jane to come with her to track and confront the wayward Anabel, who may or may not be a CIA agent-turned-drug-queen-pin. As the sisters embark on a whirlwind journey that eventually takes them down to Central America, alternating chapters recount the twins’ lonely, isolated childhood and teenage years as they spy on their distant and remote mother, savoring the few moments of kindness she shows them (“the marvelous, elusive feeling of their mother’s attention”), until Anabel’s final disappearance and an unexpected act of violence propel the girls on a traumatic road trip of escalating bad decisions. Along the way, readers discover who the true hard girl is. Mixing elements of a chase novel with an espionage thriller, this is also a touching story of sisterhood and motherhood in all their complications. Despite a muddled climax, Lennon’s well-written mashup of Where’d You Go, Bernadette and Thelma and Louise, but with a happier ending, will appeal to his fans and attract new readers.
Very British, very country, and a whole lot of fun. Back in 1965, when she was 17, Frances was told by a fortune teller that her future “contains dry bones. Your slow demise begins when you hold the queen in the palm of one hand. Beware the bird…But daughters are the key to justice.” While most teens would shrug it off, Frances became obsessed with the prediction, and devoted much of her life to warding off the prophecy. Jump to today—the story flips back and forth—and meet 25-year-old Annie, an aspiring mystery writer and Frances’s great niece. She’s been summoned to the village of Castle Knoll for a meeting with Great Aunt Frances and a discussion about “the responsibilities that will come with being sole benefactor of her estate and assets.” So off Annie heads to Castle Knoll, meets up with a motley crew of relatives, and quickly manages to arm herself with Great Aunt Frances’s extensive diaries that she discovers in the library. This novel is marvelously well-balanced, humorous, and lighthearted while at the same time dark and macabre, with two great characters—Frances and Annie—who share the narrative from opposite ends. Fans of Anthony Horowitz and Richard Osman will find much to enjoy here