Guest edited by S. A. Cosby, best known for Razorblade Tears, with series editor Steph Cha, author of the Juniper Song series, this weighty volume needs pride of place on every bedside table. For the insomniacs. For those who enjoy flipping between suspense and mystery genres. For those who like their crime fiction bite-sized. And for those who just love being terrified. Many of the stories rely on lying, creating falsehood, like Rebecca Turkewitz’s “Sarah Lane’s School for Girls,” in which a murder at a Vermont school provokes one lie after another. In Megan Abbott’s “Scarlet Ribbons,” a teen takes it upon herself to visit the Hoffman House one night, where a family was horribly murdered years ago. The results? Far worse than we could have dreamed. In Tananarive Due’s “Rumpus Room” a young mother in southern Florida does everything she can to keep her daughter, but the older gentleman she is meant to care for is so creepy she’s quickly packing. “These days the market for short stories is eroding like a thin strip of beach in a hurricane and I think that’s a shame,” writes Cosby in the introduction. He may be right, but until they completely disappear, we still have the Best American Mystery and Suspense series to enjoy.
Mystery & Detective
Queens native son and former high-powered Manhattan attorney Ted Molloy is rebuilding his once-stellar legal career. His fancy office is now Gallagher’s Pub, where he partners with LesterYoung McKinley on foreclosure investment deals and represents his activist girlfriend, Kenzie Zielenski’s, organization in its battle to stop the construction of “the Spike,” a mega-development project threatening Corona’s immigrant communities. As the campaign against billionaire real-estate developer Ron Reisner heats up, someone attempts to sabotage Ted’s legal efforts and undermine Kenzie’s reputation. At the same time, Kenzie worries that a shady immigration lawyer is cheating Mohammed, a recent Yemeni immigrant who chauffeurs Kenzie in his cab. Dropping by the lawyer’s office one morning, she stumbles upon his body and spots a shadowy figure fleeing the scene. Could it be Mohammed’s 14-year-old stepson, Haidir? In the entertaining follow-up to his 2022 Nero Award winner Tower of Babel, Sears vividly captures the corrupt seediness of local real estate development dominated by big money and embraces the “kaleidoscope of colors, classes, and ethnicities” that marks New York’s largest borough. Fans of Dennis Lehane’s Boston-based Patrick Kenzie and Angela Gennaro series will enjoy following the gritty adventures of a flawed but appealing sleuthing couple.
A classic “locked-mansion” mystery set on Michigan’s actual Mackinac Island, which in off-season has a population of a mere 500. And the only way to get on or off the island is by boat or chartered plane. Mimi—as curmudgeonly as she is humorous—is a well-established resident who’s invited to an opulent party cum auction by Jane Ireland, a super-rich neighbor (who’s dating her own son-in-law). Mimi decides to bring her granddaughter Addie, hoping to use the party as a way to mend their fractured relationship. Wouldn’t you know, a big storm blows in, effectively cutting off the partygoers from the rest of the population. Anxiety producing for sure, but when Jane is found dead—and she’s only the first victim—all hell breaks loose. Lots of the fun in this book is thanks to granddaughter Addie, a gamer who produced Murderscape, a hugely popular video game, while her fiancé claims to have done most of the work. See you in court, Mr. Wrong! Addie’s expertise helps solve many of the problems while moving the story along. Also, like a cloud hanging over the evening, is the blackmail threat that Jane sent to Mimi and that Mimi hasn’t shared with anyone. Does Jane’s murder invalidate the blackmail? Closed circles are hugely popular these days, but this title puts an unusual and playful spin on the proceedings.
Get ready to face big questions in Faber’s novel, one that uses a southern college’s philosophy department as a magnifying glass on relationships between haves and have nots; having power and not, that is. Decidedly a have not in this equation is Neil Weber, a professor whose chances at tenure are fading, a situation he’s desperate to change but too depressed to take real action over. Instead, he becomes enmeshed—his friends and the police say obsessed—with the disappearance of student Lucia Vanotti. This young woman, whose narration alternates with Neil’s, is technically a have not, the daughter of Italian immigrants who own a local restaurant. But a chance encounter has Neil placing her on a pedestal and desperate to find her. As he digs deeper into the student’s life and related goings on in the town, and before-disappearance Lucia brings us further into her trauma-ridden life, readers will ask, can love ever be enough? Who is a savior acting for? Humming in the background of the drama is the perplexing question of what happened to Lucia, the answer to which brings delicious twists. An absorbing debut.
It’s the marriage of the moguls, and a crew of celebrities and business titans have gathered at a super-posh resort in Cabos to celebrate the wedding of Radhika Singh and Raj Joshia. The week-long affair—which we see through the eyes of Shaylee “Shay” Kapoor—is just about to begin. But Shay is far from belonging to a wealthy Indian-American family; something she is reminded of regularly. She’s the “plus one,” the girlfriend of Raj’s best friend, preppy Caleb Prescott III. But on the morning that the wedding is set to begin, Daniela, the wedding coordinator, finds the bride and groom dead, gunshots to the head, drug-lord style. With knowledge that there is a killer in their midst, chaos takes over the resort and the guests start swarming to leave. But Shay stays on, as the reader begins to realize that Shay isn’t what we thought. In fact, many of the inner circle, including Caleb, have alternate personas. Shay’s still an outsider, but that’s just what might be necessary to uncover the truth. For those who enjoy closed circles, family drama, and sinister resorts.
It’s November 1940, and Evelyne Redfurn has returned to her London boarding house after six secretive, grueling weeks of training to be a Special Investigations Unit (SIU) agent for the British government’s Special Operations Executive (SOE). But before she can relax with her roommate and best friend, Moira, she’s called up for her first assignment. Hoping to be parachuted into occupied France (her mother was French), Evelyne is disappointed when she is sent instead to investigate the possibility of theft at a weapons research and development facility in rural Sussex. Worse, her handler is her old sparring partner, David Poole. On Evelyne’s first night, however, a routine probe becomes a murder case after she stumbles upon the body of Sir Nigel Balram, the leader of the engineering team at Blackthorn Park. His death appears to be an act of suicide, but drawing on the sleuthing skills she honed in A Traitor in Whitehall, Evelyne and David race to identify a killer before Prime Minister Winston Churchill’s impending visit. The clever and resourceful Evelyne is an appealing protagonist, who struggles to maintain her close friendships without revealing her double life as a spy. Her budding chemistry with David is obvious but doesn’t distract from the main plotline. Fans of Susan Elia MacNeal’s Maggie Hope series will delight in following the adventures of a promising new World War II spymaster.
Set in the rarefied atmosphere of a Cambridge college, this excellent mystery has Detective Chief Inspector Arthur St. Just interrogating a wide assortment of characters—from the college porters to art historians, from curators to super-rich American graduate students—all to discover who killed Sir Flyte Rascallian, the master of his college and a renowned art historian. Why kill Rascallian? Because, we are led to believe, he may have recently inherited a Rembrandt, unleashing no end of speculation. Excellent art mysteries are always rich in atmosphere and complex in plot, and Death and the Old Master does not disappoint, bringing the reader as far back as the Monument Men (and Women) who worked during World War II to recover and restore stolen cultural treasures. A sophisticated and effortless read that is one of Malliet’s very best.
Mysteries and the theater make for wonderful marriages—there are scores of examples—and this recent contribution from Colleen Cambridge is completely on point. Agatha Christie and household have temporarily moved from her country estate, Mallowan Hall, to London. The exiles include Phyllida Bright, Christie’s housekeeper (and so much more, including amateur sleuth). But Phyllida is a bit stressed out. She has a love/hate relationship with London—something is making her nervous—plus there is the staff to manage, including the temporary faux-French chef. But enough with the escargot, there’s a murder (Archibald Allston in the Adelphi Theater) followed by another (Benvolio at the Belmont Theater). See where this is headed? Death by alliteration, unless Phyllida gets there in time. This delightful mystery provides a fun look at London’s historic theaters, a glimpse at London’s LGBTQ nightlife, a splendid dénouement right out of a Christie novel, and most remarkably of all: a love interest for Phyllida. Lots of fun to be had here.
Thirty-two years ago, curmudgeonly, old-school Detective Superintendent Peter Diamond of the Bath CID made his literary debut in the Anthony Boucher Award-winning The Last Detective, exonerating a woman accused of murder. Three decades later, the seasoned cop, much to his dismay, is under pressure to retire. For Diamond, whose identity is tied to his job, “retirement is the waiting room for death.” But his partner, Paloma, convinces him to accept his former colleague Julie Hargreaves’s invitation to visit her in the quaint village of Baskerville. Leaving the mean streets of Georgian Bath for rural Somerset, Diamond soon learns that Julie has an ulterior motive for his visit; unable to proceed further in her inquiries due to a physical disability, she wants her old boss to reexamine (unofficially) the manslaughter conviction of farm owner Claudia Priest for the suffocation death of a man in a grain silo. Julie suspects that the fatal accident was murder and that someone other than Claudia was responsible. Embarking on a busman’s holiday as an undercover detective, Diamond aims to solve his first village mystery, even if it means mucking in real mud (including reluctantly helping a cow give birth). As he tries on different amateur sleuthing hats (bumbling Columbo, nosy Miss Marple), he begins to learn things about himself that reveal there might be a possibility of a good life after retirement. MWA Grand Master Lovesey bids a fond farewell to his protagonist with this bittersweet series finale that mixes a cozy Midsomer Murders setting with colorful characters, surprising twists, and plenty of heart and humor.
It’s hard to imagine, but one of the very best series has gotten even better. While the first three books were set around 2016, and featured Rozie Oshodi, Assistant Private Secretary (APS) to the Queen, here we jump back to 1957. The Queen is a young woman, still new to her role as monarch; the U.K. continues to recover from the Second World War; and a new APS emerges out of the typing pool: Joan McGraw, whose wartime work included decoding. This case is centered around a notorious murder: a young woman, a high-class escort, is found dead in a house in Chelsea that belongs to an elite men’s club. She is wearing only silk underwear and a diamond tiara. Nearby lies the body of an older man, garrotted. The double-murder grips Londoners, including the Queen, who has her own reasons for fearing that someone close to her could be implicated. Elizabeth doesn’t trust the old courtiers who surround her and turns to Joan for help in solving the case of the “tart in the tiara.” Besides a bang-up plot, this novel reaches brilliantly into Elizabeth’s life, from real-life state visits to Paris and North America, trying to bolster the U.K.’s relationships, to her tumultuous relationship with Philip, to her fear of a scandal that could take down the monarchy. This is deep, rich writing that should attract the millions who enjoyed The Crown, and want yet more.