Readers last visited the remote Alaskan town of Point Mettier in Yamashita’s debut, City Under One Roof, (Please note-the link is to a prior firstCLUE review) a title that perfectly describes the town that consists of a single apartment building with 205 residents, stores, and even a bar inside. This time, we are reintroduced to Cara Kennedy, a former Anchorage PD detective, as she’s having her husband’s and son’s bodies exhumed. She can’t stop suspecting foul play even though everyone is fed up that she won’t accept that they died of a hiking accident—she’s even lost her job because of her suspicions. But she’s now found a photo of her dead loved ones on a gang member’s phone. There’s no explanation for it, and her investigation is forcing her to visit the remote village of Chugach, with a trip through Point Mettier the only way in. Other wronged women are simultaneously facing pain and their paths are destined to meet: Ellie, owner of the Cozy Condo Inn in Point Mettier, gets a devastating call just as Kennedy’s on her way. We also meet Mia, a former Chugach resident who’s trying the outside world for the first time, meeting fears yet forging her way. These are fascinating characters and circumstances, and the story that brings them together and sees them struggling against inner demons, and very real danger, is gripping. For readers who enjoy offbeat tales and wilderness thrillers as well as for fans of the author’s debut.
Suspense
When 19-year-old Smilla Holst, a member of a wealthy local family, and her ex-boyfriend Malik Mansour disappear without a trace, Detective Inspector Leonore Asker expects to lead the investigation as section head at Malmö’s Serious Crime Command. But she is unexpectedly replaced by Jonas Hellman, a rival detective from Stockholm with a personal score to settle, and relegated to the police headquarters’s basement as temporary chief of the Resources Unit. In this obscure department, nicknamed the Department of Lost Souls, odd, cold cases and odd employees linger in obscurity. But as Asker quickly discovers, her new colleagues display unusual talents that come in handy when she probes a strange case involving a model-railway club and the ominous placement of miniature figurines that represent missing people, including the latest two victims. While Hellman pursues a kidnapping angle, Asker becomes convinced that her Resources Unit predecessor, now hospitalized in a coma, was on the trail of a serial killer who preys on urban explorers who wander into abandoned structures like factories and underground military facilities. The best-selling author of “The Game” trilogy launches an exciting, atmospheric crime series that introduces an appealingly smart and tough female protagonist with a troubled backstory in the vein of Stieg Larsson’s Lisbeth Salander, although not quite as edgy. The twisty, spine-tingling mystery that unfolds is creepy and sinister, laced with a touch of dark Scandinavian folklore.
You know those cute programs where kids leave their teddy bear for a library sleepover? This is nothing like that. Instead, staying in the library overnight are student workers who have just completed a tough interview process for the one permanent job on offer in the university’s rare-books department (Jurczyk is mining a setting similar to her 2022 The Department of Rare Books and Special Collections), a toxic workplace if ever there was one. Also attending is non-student Ro, along because he can provide the drug, acid, that will kickstart a ceremony that student Davey has meticulously planned. Davey has invited Ro and five others to re-enact a Greek tradition around the Persephone myth, in which intoxicated pilgrims face either death or the thing they most fear, in order to conquer the fear. The tortured inner voice of narrator Faye, the shyest library employee, is used to wonderful effect by Jurczyk to chronicle a frenzied, terrifying night in a locked room—the library’s basement cage—that starts with a killing. The ending here is a shock, and along the way the author delivers chills that are packed with narcissistic venom and choking claustrophobia. This will be a hit with those who enjoyed Jurczyk’s previous work. If you like myth retellings, try one of the many versions of the Irish Tír na nÓg story, which mirrors elements of the tale of Persephone.
Subterfuge and supernatural elements infuse this dark, absorbing debut. Our protagonist is Midwestern police detective Anna Koray, who’s had a relatively staid career until she makes the mistake of confronting a violent perpetrator without backup. She kills him, but is shot herself in the process. When recovering, she’s required to undertake counseling; at the same time, she pushes herself into the investigation of a serial killer whose horrifying work resembles that of her father, who years ago was executed for his murder of multiple women as sacrifices to a forest god. Both Anna’s colleagues and the doctor she’s in a burgeoning relationship with have no idea that she spent her childhood in thrall to the Forest Strangler. Anna herself doesn’t even have all the details, which were sealed away in her subconscious by a manipulative therapist whom she now sees for the reverse process, setting in motion an emotional and dangerous roller coaster of unraveling secrets and treacherous confrontations. A cold-case podcaster adds a moral dilemma to the exciting tale—when is it better to leave the truth buried? Readers who enjoy a wilderness thriller, such as Elizabeth Hand’s Hokuloa Road or Paul Doiron’s Dead Man’s Wake, will appreciate this story.
This debut novel should come with blood-pressure pills. The tension at first comes from strangeness: Mother; Father; their daughter, Juno; and son, Boy live a harsh, homesteading life alone on an island. Is it the present day? What part of the world are they in? Is the mortal danger from outsiders that the parents warn about real? The timing element is all that’s clear for a good portion of the book: it’s the current day, but apart from visits from the mailman who comes from the mainland, during which Juno and Boy must hide from view, the rest is unknown. Bit by bit, teen Juno’s desire for freedom and her determination to find out more about their situation despite her sinister, violent parents’ “seven commandments” (including “We must always kill quickly and painlessly”) ramp up the fear to a terrifying do-or-die scene. Readers will be rapt as they race to the end to find out who survives this nightmare that’s effectively mixed with a fairytale motif echoing one of Juno’s favorite stories. Menger’s previous work is in film, TV, and audiobooks: try his Audible Originals Monster 1983 and Ghostbox while you wait for this gripping thriller.
“Where there’s pain, there’s blame,” which is why Syd Walker lives far from her Oklahoma roots and hasn’t seen her family in years. As a teen, Syd; her sister, Emma Lou; and her best friend, Luna, were attacked by a pair of masked Tsigilis, the Cherokee word for devils. Syd, who is Cherokee, shot one of them dead, but his gang killed Luna and her parents. She can’t forgive herself for not saving Luna, and the small town of Picher can’t decide, even all these years later, what she should have done that night. That past is now coming back with a vengeance as the epidemic of missing young Native women now seems to have swallowed Emma Lou, and the body of another young woman has been found, with Syd’s old work ID card in her mouth. Syd’s return home immerses the reader in the difficulty of returning to a place and people you’ve outgrown, the bitter choices we must sometimes make—Syd is now an archaeologist for the same Bureau of Indian Affairs that has cost her people so much—and the strength that love and loyalty bring. Lillie (an enrolled citizen of the Cherokee Nation of Oklahoma) adds to the story details of Native history and current day life, with sardonic wit both tempering and highlighting the pain that pierces both times. A dark and propulsive thriller for fans of Kelly J. Ford.
Noted for her historical and speculative fiction (The Spanish Bow; Annie and the Wolves), Romano-Lax ventures into suspense territory with this atmospheric, entertaining thriller about a grieving mother investigating her daughter’s mysterious death. Three months after her 23-year-old daughter was presumed to have drowned in Lake Atitlán, Central America’s deepest lake, Rose arrives in Guatemala. Although a six-week search failed to recover Jules’s body, Rose is unsatisfied with the official investigation’s conclusion. She wants to learn more about her daughter’s final hours and why Jules, who had a lifelong fear of water, was last seen swimming in the lake. A key but uncooperative witness is Eva Marshall, the best-selling memoirist and Jules’s literary idol, for whom the aspiring writer had just started working as a personal assistant before her disappearance. Frustrated with Eva’s refusal to schedule a visit or a phone call from Rose and her ex-husband Matt, a determined Rose signs up under her maiden name for an upcoming memoir-writing workshop taught by the charismatic Eva at her Guatemalan lakeside retreat. “Rose has no ambitions whatsoever as a memoirist, not even the tiniest desire to be published.…But you do what you must, after you’ve already tried everything else.” Despite the glamor and natural beauty of her surroundings, Rose senses something off both in Eva and in how she runs her workshop. Did Jules uncover a dark truth that led to her death? While crafting a taut tale of suspense, Romano-Lax also turns a gimlet eye on the sometimes-toxic writing-workshop industry and the social media demands that turn authors into marketers and branders. In spite of an epilogue that feels a bit forced, the author has written a satisfying tale about the sometimes-strained but always unbreakable bonds between mothers and daughters.
French made her name in crime fiction by exploring the underbelly of Irish life in her Dublin Murder Squad series, which blew the lid off any leprechauns in the mist-type views of Ireland. Here the little people are dragged back out, but for good reason: the locals in the west of Ireland mountain village of Ardnakelty lay the superstitions and rural naivete on thick when an Englishman comes to town and promises to make them rich. Meanwhile, their real game is, as the book says in a different context, “offensive and defensive weapons as well as broad-spectrum precautionary measures” (I’m from an Irish mountain area myself and French has us pinned to a board like a butterfly). Playing up the stereotypes is working great, with the Englishman, Mr. Rushborough, lapping up stories of his sainted ancestors while the locals plan to scam him. Come to find out, it’s not a one-sided game. There are three great characters here: Johnny Reddy, a local huckster who left his family for London and is now back expecting a hero’s welcome, with Rushborough in tow; Trey, his daughter, who has started to make an honest name for herself as a talented carpenter, and who is seething with rage against her father and the world; and Cal Hooper, a former Chicago cop who’s lived in Ardnakelty for a few years and is having none of Johnny’s bluster. French fans will love reacquainting themselves with these characters, whom they met in The Searcher (2020); newcomers to the author or this series will be glad they tried this emotional saga.
Poor Addie. Her relationship with a teacher last year—when nothing even happened!—has made her the most loathed student at Caseham High. Now it’s September, and not a day goes by that she isn’t bullied by one of her fellow classmates. Thank goodness for Nate Bennett, her uber-handsome English teacher, who acts like she’s the next Sylvia Plath and invites her to join the poetry club, offers her lifts home, and arranges mini-conferences with her after class. But shouldn’t Nate be a little more careful? Poor Eve, Nate’s wife and a mathematics teacher at Caseham. The Bennett’s marriage has pretty much disintegrated—lovemaking is scheduled monthly, although excuses are readily produced. Her one pleasure? Fondling the Louboutin pumps (she’s a full-on fetishist) at the local mall while rolling around in the shoe boxes with the salesman. Secrets are everywhere in this sparkling narrative that moves like a Japanese bullet train, offering plenty of surprises along the way. For fans of B.A. Paris and Shanora Williams.
Peikoff’s latest exploration into choice and free will takes the reader to a future in which families can choose their baby’s characteristics and genetic makeup before gestation and birth. It’s as simple as getting DNA, and clinics and pre-selection counseling have strict protocols to ensure the parents have the background necessary for a successful transaction. Celebrities need security to keep their DNA from inadvertently being left behind at places they frequent and then being stored in a black-market site called the Vault. For a fee, you can purchase a child that would be considered a legitimate son or daughter of that celebrity. A surrogate named Quinn starts to believe the source of the infant she’s carrying is not a widower’s dead husband’s DNA but a famous singer named Trace Thorne. A young journalist named Lily sees her older parents use unscrupulous methods to have another child. Peikoff does a terrific job of world-building a complex but realistic future full of jaw-dropping twists. Baby X is great sci-fi and reads like a terrifying episode of Black Mirror.