Fortunately for M.C. Beaton (aka Marian Chesney) fans, this sixth Agatha Raisin novel created since Beaton’s demise, and written by R. W. Greenby, provides all the fun they are looking for. Mrs. Bloxby, the Vicar’s wife, convinces Agatha to attend a lecture by the Carsely Ladies Society to be delivered by three bird watchers (they call themselves twitchers). Agatha expects a dull evening but it turns out to be quite the opposite as a local farmer breaks up the lecture and threatens the women for trespassing on his land, and then the trio of twitchers ends up having a full-on war among one another. The next day, Agatha learns that one of the women has been discovered dead, and the rather dumb police chief insists it isn’t murder. So off we go, as Agatha takes up the search for the murderer, using the staff of her detective agency, friends, and inside knowledge from the police themselves. A pleasure, but brace yourself for a very surprising ending.
Mystery & Detective
Considering the title, you could be forgiven for thinking this is a frothy, fun-filled mystery akin to Only Murders in the Building. And while there is some droll humor here, this book also tackles serious social issues, including domestic violence and a murder that reverberates through the decades. The plot is both simple (Elín S. Jónsdóttir, a famous, older, mystery writer disappears) and complex (she has many friends who would be willing to help her vanish). But what’s the motive? That question lies in the hands of young detective Helgi Reykdal, who should be familiar to many readers from Jónasson’s Death at the Sanatorium. The two books share much in common, including multiple timelines and a rapid pace that keeps the readers on their toes. As the onion gets peeled, and the pieces start to fall apart, the book becomes increasingly transparent. Exhilarating and gripping; fans of Agatha Christie and Nordic Noir will find much to enjoy here.
Virginia Abrams lives in Washington, D.C., in 1943, and her husband has died overseas in the Pacific. The son of a prominent Senator attacks her, resulting in an unwanted pregnancy. When the son dies, his powerful parents decide to keep Virginia quiet by arranging to have her killed. Barely escaping, Virginia hops on a train and ends up on the other side of the country in Seattle. Under the identity of Ginny Moore, she rents an apartment and secures a job as a personal secretary to a well-established mystery author. But she can’t escape the feeling that the senator’s henchman will find her. When a young mom who looks almost identical to Ginny dies in what seems like an accidental fall, she starts to question everyone around her. Can anyone be trusted? At the height of WWII, when spies and traitors lurk around every corner, the paranoia escalates above a 10 in O’Brien’s latest thriller. In a story that feels like O’Brien traveled back in time and stole the manuscript straight from Alfred Hitchcock’s desk, Ginny’s struggle to find solace will have readers keeping their lights on while reaching for tissues. Everyone a Stranger is arguably the author’s best novel to date.
Margaret, large, 50ish, probably neurodivergent, is a remarkably good assistant in a university lab doing botanical research into possible cancer cures. The bottom drops out of her world when she discovers the body of her beloved boss, Dr. Deaver, in his office, quite dead. In true scientific fashion, she notices the small details that no one else, especially the bumbling campus police, takes account of. Her comments are quickly dismissed and she is pressed into rewriting an important grant application to credit someone who deserves no credit at all. There are deans grasping for academic glory, scientists looking to make big bucks, and only Margaret who wants to know the truth. She finds a friend in Joe, a new custodian whose personality seems out of keeping with his job. Together they work to discover what is truly going on, and not only find a murderer, but also save the cutting-edge research study. Margaret is a delight, and the situation requires her to open herself to friends and new possibilities. The ending leaves the possibility for more from Margaret and Joe, which would be a fine addition to the genre.
Tiny Dickens Island, located in the sound between Connecticut and Long Island, has a small permanent population composed of families in the midst of some sort of feud or another. Delia has come back after years of living in Manhattan to take up her role as mother to teenage Connor and part manager of the family’s general store. She’s inherited her grandmother’s house and for now is loving being back, though is unsure of her maternal success. Connor finds a secret room in grandma’s house with old books and what may be a pirate map. Delia encounters grandma’s ghost, who visits the room occasionally and offers a unique perspective on island history. The map is stolen by local miscreants and doesn’t lead to treasure but rather to a long-buried body that brings old scandals to the present. With logic, the help of an old love, and grandma’s ghost, Delia puts much of the puzzle together, leading to a solution to the murders and to some of the family feuds. An enjoyable, sandy cozy with the author’s promise of more to come from Dickens Island.
Kipness compellingly combines her background as a sports reporter with her love of crime fiction, and her latest Kate Green thriller is her best yet. Kate is a sports reporter with a recent Emmy win, and she’s asked to cover the U.S. Open and specifically to interview two tennis stars: Brynn, an arrogant but talented up-and-comer, and Lucy, a veteran facing her last event. Brynn does not trust Kate at all, while Lucy is nicer but also hesitant. As Kate continues her coverage, she begins to uncover details that seem straight out of a soap opera rather than the tennis circuit. When Lucy forfeits a match the day after Kate interviews her, the reporter knows that something happened to Lucy and then receives a photo of the bound and gagged player. Kate can’t help but investigate, an effort that will uncover secrets about Lucy and Brynn and reveal personal elements of Kate’s life. There are many suspects here and it is so much fun from the first page to the last. Kipness’s engaging novel is perfect for newcomers to and fans of the series and is a blend of Hank Phillippi Ryan’s work and the Myron Bolitar novels by Harlan Coben. With a recently announced TV deal with Universal Television, picking this up should not be a close call.
A homeless man is discovered dead in Bristol’s park-like Clifton Downs. End of the story, right? Not if you are DS Cross, who “was always drawn to cases like this. Cases of the dispossessed. The outsider. He related to them because in many ways he was one himself.” Cross has Asperger’s syndrome, and unlike his peers, he is slow to write off the victim. Indeed, his persistence, his dogged examination of all the details, and his reexamination of the evidence manage to keep the case alive—traits that serve the victim but set his fellow officers on edge, ready to wrap up the case. Say what they want, Cross has the best conviction rate of his precinct by a long shot. In seeking to resolve the murder of the homeless man, Cross realizes he needs to go back to a cold case from 15 years ago, despite the scorn he receives from his boss and peers. Socially awkward detectives are nothing new, but Sullivan goes deep into Cross’s self and his struggle to identify the personalities of others: he combines physical expressions with tone to make inferences. The publishing history of this series is extraordinarily confusing, but we know for certain that Grove is publishing the first three books in the series, as well as The Tailor, the eighth, in October. Order multiple copies, there should be a big audience for Cross, both those with Aspergers who rarely see themselves depicted with any accuracy and fans of police dramas like Tana French, Donna Leon, and Louise Penny.
A new installment in Trincheri’s mystery series is a call for nothing less than celebration. Retired NYPD detective Nico Doyle, now living in Tuscany, takes it upon himself to investigate a murder that has torn a family apart. A message discreetly deposited in the collar of Nico’s dog (“Please help my babbo”) by Cilia, a seven-year-old girl, piques Nico’s interest. Enough that he decides to take up the investigation and locate Saverio, Cilia’s father, who disappeared after his partner in an electronics store was killed, with Saverio the carabinieri’s number one suspect. Nico starts by questioning some of the local folk and friends in Gravigna, his hometown, but eventually he heads off to the larger, beautiful town of Pitigliano, where the murder took place. Rich in culture, food, wine and—above all else—friendship, this is sure to be loved by fans of cozyish series, gentle police procedurals, and Italia!
The title is a hint to a major plot element in this somewhat tangled, dangerous, multi-crime story with an intrepid reporter at the center. Rita Locke, crime reporter for a major Pittsburgh paper, is awakened early on a Sunday, her day off, by one of her police sources alerting her to a grisly murder in a funeral home. It’s the last straw for her boyfriend, and as she leaves for the crime scene, he ends their relationship. The body was found by a local beautician, and she is mighty nervous when interviewed by Rita. There are dead witnesses, anonymous clues, stolen jewelry, fake medical practitioners, and medical schools, nearly deadly foreign travel, returning boyfriends, and of course, the empty coffins referred to in the title. Yes, the story is crowded, but it is refreshing to have a reporter at the head rather than a cop or a PI, and readers will not be able to put this down towards the end. Here’s hoping for more about Rita Locke.
A likable duo is at the center of Broadchurch-creator Chibnall’s debut: detectives Nicola Bridge and her newbie partner, Harry Ward, dubbed Westlife for his boy-band looks and first name. Small-town Fleetcombe, on England’s Dorset coast, is the setting; it’s Nicola’s hometown, and she’s back to separate her husband from an affair, a plot line that creates a realistic undercurrent of desperation that matches the bizarre crime facing the new partners. The naked body of a man is found tied to a chair on a road near town. That’s odd enough in Fleetcombe, where sharp words at the local pubs—one of them the White Hart of the book’s title—are about as violent as it gets. But there’s more: the body has a stag’s antlers affixed to its head, a sinister touch that eager Harry tries to tie to mythology and local history, only to be brought back to earth by his more practical and seasoned colleague. Work the evidence, she says, setting the two on a winding path that creates a solid procedural enjoyably filled with oddball townspeople, personal travails, the inevitable local criminal element, and one very savvy little girl, a character whom readers will want to swoop in and save. This absorbing thriller shows all the hallmarks of having been written by a master of TV drama.