Yes, her childhood was terrifying, with a mother who made Mommie Dearest seem like milquetoast. But, these days, Claire has really got it together. Now she’s 30, with a job in PR that she always wanted and a fiancé, Noah, who’s handsome and loving; life couldn’t be better. Even her horrible mother died a few months ago, freeing Claire, although leaving her nothing in her will. Until one day when she decides to drop off lunch for Noah at his office—it’s their anniversary—and the receptionist won’t let her in. In fact, she claims that Noah hasn’t worked there in three months. Whaaaat? That night, Noah doesn’t show up at the apartment they share. He’s not picking up her calls. Not answering her texts. In the days to come, and with the help of her friend Sukhi, Claire tracks Noah through every channel possible, getting repeatedly blocked along the way and transforming from a happy young woman to a stalker, obsessed with the beautiful blonde woman who keeps showing up in Noah’s socials. A psychological thriller that will delight readers who enjoy fiction that’s thoughtful but also reads like a rocket. If you appreciated Kimberly McCreight’s Like Mother, Like Daughter, you may well like this.
Psychological
Luke Conway and his wife, Carrie, are moving from LA back to Clear River, Texas, where they grew up, so they can help Carrie’s father, who is gravely ill. For police officer Luke, it is a chance to escape a shooting that has traumatized him, and he’s now a county deputy. Carrie has baggage as well, but she is heading towards it. When she was a high-school junior, she was the sole survivor of an incident that left two girls dead and her with a chip in her skull. She barely survived and can’t remember any details of that day. One evening, while off-duty, Luke appears to hit someone while driving home in the pouring rain. Inspecting the area provides no evidence of a body, so he leaves and doesn’t report it. Luke tells himself that he hit a tree branch, but deep down, he knows he hit someone and decides to keep it a secret. Carrie arrives in town to find a not-so-warm welcome and soon learns that some there believe she killed the two girls years ago and is faking amnesia. Luke and Carrie need each other’s support, but running from the truth only makes matters worse for their marriage and their lives. Mofina generates suspense in unexpected ways and crafts a compelling, genius story that ends in a manner not even savvy readers will see coming. His background as a newspaper reporter allows him to craft realistic characters who face overwhelming odds. Harlan Coben and Alex Finlay fans should already have Mofina on their to-read pile, and this one is another guaranteed bestseller.
Three women, who couldn’t be more different, come together over a man—known as Zander, Zachary, Xavier and more—whom they hate a great deal and love, perhaps, just a little. Marina is a former chef, now a full-time mom, who’s recently divorced and quite broke, but is enjoying rediscovering love with Xavier. Lilah is a withdrawn librarian who wins the lottery—literally. With funds pouring into her account, and falling in love with a man who is now her fiancé, Xavier, life couldn’t get any better. Then there’s Opal, the oldest of the trinity and a well-known health guru whose history with Xavier—confidence man, liar, thief, and lover—extends back the farthest. How the three women come together, and slowly learn to trust one another, is an absolute delight. But what to do with Xavier, currently a hostage in Marina’s basement, is even more of a laugh riot. Until it isn’t, and the book takes a very dark turn indeed. For all who loved Cohen’s Bad Men and Robert Thorogood’s The Marlow Club Murder.
And now for something completely different. Carlo Fruttero and Franco Lucentini were well-known Italian authors who co-authored several mysteries, throughout the 1980s and ‘90s, under their surnames of Fruttero & Lucentini. Their best-known works are The Lover of No Fixed Abode, set in Venice, and The Sunday Woman, which was made into a film starring Marcello Mastroianni and Jacqueline Bisset. Runaway Horses takes place in Siena during the Palio of Siena, the biannual horse race that the Sienese have been celebrating since the 13th century. It features lawyer Enzo Maggione and his wife, Valeria, who are traveling from their home in Milan to Siena, visiting Valeria’s brother along the way. But the two never make it to the farm; instead, they encounter a violent storm and take refuge in a nearby, sprawling estate. Here they find a most idiosyncratic group, including Puddu, the best known of the Palio’s jockeys. Fruttero and Lucentini take the reader deep into the arcane practices of the Palio, which are full of plots and counterplots, while Enzo and Valeria discover their attraction not only to each other but to other residents on the estate as well. Readers with an interest in Siena may enjoy the exhibit Siena: The Rise of Painting 1300-1350, which is currently on display at the Metropolitan Museum and will travel to Britain’s National Gallery in spring 2025.
A lean, wonderfully written story of a husband and wife, serial killers who target only bad men who deserve it: primarily rapists and sexual abusers. While the two couldn’t come from more dissimilar backgrounds—British Hazel has dragged herself out of a childhood of poverty and neglect and is now a successful painter, while American Fox, a finance guy, descends from one of the USA’s wealthiest, most prominent families. But it was their joint passion for murder that brought them—and keeps them—together. Until, that is, in this version of Mr. and Mrs. Smith, Hazel discovers she is pregnant, and off to the London suburbs they go. At Fox’s insistence, they agree to no more murders until baby Bibi is 21—how can they risk incarceration, which would leave Bibi an orphan? But Hazel can barely tolerate motherhood, never mind forgoing murders, and it’s thanks to her one “mom friend,” Jenny, that she is able to keep it together. Until she suspects Fox of harboring secrets, she develops a few herself, and Jenny turns out to be, of all things, a cop. The pace is just perfect, the characters alternately funny and dark, and the head-spins relentless.
Literary forger Henry Slader unexpectedly finds himself in an Edgar Allan Poe story when he, concussed and bruised, awakens in a shallow grave. Shakily digging himself out, Slader gradually remembers that Will, his old rival, and his daughter, Nicole, assaulted him with a shovel after a deal involving the forgery of a rare Poe book went bad. Determined to avenge himself on Will (20 years of bad blood between the two men includes a violent attack that landed Slader in prison) and needing to raise cash, Slader blackmails Nicole, a budding artist and a talented forger, threatening to expose her father’s role in the unsolved murder of her uncle. After forging inscriptions by such authors as Ernest Hemingway and Gertrude Stein, Nicole is tasked with creating a cache of letters by Frankenstein author Mary Shelley, a valuable trove that will enable Slader to retire permanently from the forgery business. But even the best-laid plans can go astray. A shocking climax at Mary Shelley’s grave in Bournemouth, England, leads a stunned Nicole to wonder what “drives people to such lunacy.” Toggling between Slader’s third-person perspective and Nicole’s first-person narrative, Morrow offers fascinating insights into the literary forger’s art. Although this is the concluding volume to the author’s trilogy (The Forgers, The Forger’s Daughter), it can be read as a dark, twisty standalone thanks to plenty of backstory.
Mailman Hank Davies lives in the small town of Bethlam, Nevada, and delivers to the same people every day. It’s predictable and consistent. One morning, he accidentally trips over a tree branch, and one of the envelopes opens, and he can see the letter inside. The page is blank. He secretly opens a couple more letters, which are also blank. When he talks to his wife, Iris, about the mystery, she shrugs it off and reminds him he needs to take better care of himself and not stress over trivial things. After Hank’s accident, his doctor warns him to take things easy. As Hank begins questioning his life and memories, a neighbor comes by in the middle of the night and says, “You can’t trust them. They mean you harm.” This cryptic message sends Hank on a perilous journey, questioning everything and everyone in his life. But if he learns the truth, it won’t set him free: It will destroy him. Bassoff weaves a tale that mixes Ira Levin with the best horror films, where you want to yell at the screen to warn a character of what is about to happen. This novel is an atypical chain, in which the more the story twists, the tighter the chain becomes instead of unwinding. Readers will not be able to put this book down until they learn the mystery behind the façade.
Julia Harte, retired from the Irish police, has effectively hidden herself away from her infamous past in a sleepy village. As a young Garda, she was instrumental in solving the most notorious serial-killer case of the day, with both emotional and physical scars to show for it. After her successful police career, she writes what is intended to be a textbook for police training, only to have it become a bestseller for true-crime aficionados. Thirty years later and days after Cox, the serial killer, dies of natural causes, there is another frighteningly identical killing, drawing Julia and her former mentor into the case as consultants. The author artfully intertwines the stories from the past and present, creating a palpable sense of dread and foreboding. While we know Julia solved the past crime, we don’t know how. The gradual revelation of the past informs the solutions of the present, and while the situation is similar, Julia is not the raw beginner she once was. The characters are well drawn, the landscape is integral to the telling, and while this is a debut novel, it doesn’t read like a practice run.
The world of amateur true-crime investigators—and what a populous world it seems to be!—is given its own investigation in Winstead’s (Midnight is the Darkest Hour, 2023) latest, with the author using murders at a sorority house to show who benefits from and who’s destroyed by the trend of podcasters as police. Readers enter through the screen of Janeway Sharp (Star Trek fandom plays a big role here), the youngest of a group that calls itself the Real Crime Network. She’s drawn to the work after the sudden death of her beloved father and grows an obsession with true crime even though she feels it is wrong. In the Network, she finds forgiving and encouraging brethren who are only too happy to accompany her into the frightening details surrounding the murder of three sorority sisters who were stabbed and left in a bloodbath. Jane, now called Searcher, and her companions can’t stay away from the college town in question, Delphine, Idaho. Readers are taken to new viewpoints along with them, meeting the families in question, the townspeople who are suddenly besieged by murder groupies, and the police and FBI, who are willing to take the help when the Network starts to be successful. Suspects, twists, and danger add to the media-cult side of the tale, adding up to a smart whodunit with a side of contemplation.
Though she works at her parent’s bridal shop, Rosie hasn’t floated down the aisle in a white dress herself. Not that she doesn’t own one: she’s recovering from the heartbreak of getting as far as buying her dream creation, only to be rejected. It’s been a tough time emotionally and physically since Brad became the latest man to find Rosie “just too much.” She’s even had a heart transplant, and joins DonorConnect, a service that allows her to write anonymously to Morgan, the husband of Daphne, the woman whose accidental death saved Rosie’s life. Their discussions quickly—alarmingly so—become deep and revealing, and confirming her “too much” reputation, we soon see Rosie bumping into famous-author Morgan oh-so-accidentally in a cafe. At the same time, readers are getting hints that Morgan might not be as wonderful as Rosie at first thought. Combine a possibly unreliable narrator with a wow twist and side characters with shady motivations and you’ve got Collins’s compelling latest. One for Gillian Flynn’s many fans.