Agatha Christie’s 1939 And There Were None set the template for the island mystery with its protagonists trapped on a remote isle and stalked by an unknown killer. The arrival of cell phone technology has forced writers to up their thriller game. As with the guests in Sean Doolittle’s Device Free Weekend, the five girlfriends who arrive at Baltic Vinyasa on Isle Blind off the Swedish coast for a four-day yoga-themed bachelorette party must give up their cell phones and other digital devices to the proprietor, Irene. “I wish I wasn’t so addicted to my devices,” confesses Lena. Her sister Tessa, the bride-to-be’s best friend, has another, more secret, motive for joining the party. A true-crime podcaster whose latest episode crashed and burned in the wake of a scandal, she hopes to redeem her career by solving the mystery of the Nacka Four. A decade earlier, four young women, who had traveled to the archipelago for their annual reunion, disappeared, presumed by police to have drowned when their boat was found floating. Tessa suspects they may have been murdered on Isle Blind and is determined to find evidence. But from the moment she steps on the island, her sense of dread grows. While elements of this twisty mystery require a suspension of disbelief (the luxurious hotel is built on a rocky island too barren to support crops yet has plenty of water for hot showers), Sten (The Resting Place) excels at building the creepy horror and chilling tension. Readers who like their thrillers bloody and gory will enjoy this dark Nordic take.
Suspense
Immensely powerful. Expertly written. Shocking time and time again. This novel poses the question: what should a woman do if she loves her child, but regrets being a mother? Real-estate agent Lucy Mendoza disappears, her groceries and baby abandoned in a Rhode Island supermarket parking lot. Immediately the media is on the case, as is Michelle, Lucy’s very best friend, who is certain Lucy would never abandon her child, and leads a search to exonerate Lucy. In fact, there are a number of theories about Lucy’s absence swirling about town. Cops who can’t help but compare her case to that of the several moms who disappeared over the years in a similar fashion; likely all acts of violence. And then there are the many husbands who decide that Lucy was a home-wrecker, so desperate to leave behind her family she bolted without a trace. And the secret that Michelle carries around: that Lucy regrets being a mother, so much so that she fantasizes about leaving her world behind. But Michelle knows that if information like this ever becomes public, Lucy would emerge from it persona non grata, a monster. What happened to Lucy? Freitas delivers a finale that readers will ponder time and again. A great choice for book groups
June in New Zealand means a chilly winter. But it also marks the rising of the sacred stars known as the Matarike, launching the start of the Māori New Year. “When Matarike rises, it is a time for remembering the dead; a time for saying goodbye. And it is also a time for starting anew.” Like the sacred Matarike celebrations, Bennett’s emotionally charged third Hana Westerman mystery (after Better the Blood and Return to Blood) revolves around a series of transitions, in which beloved characters say goodbye to loved ones and embark on new directions in their lives. Returning from festivities in his ex-wife Hana’s hometown, Detective Inspector Jaye Hamilton stops at an Auckland convenience store to pick up champagne to celebrate his daughter’s engagement when he is shot and seriously wounded by a balaclava-wearing assailant. The getaway car is quickly found and a young Māori man, Toa Davis, is implicated in the crime. But Hana, who has asked to join the investigation as a temporary constable, soon suspects that this was no random assault but a targeted attack. Could it be connected to Jaye’s work as an undercover cop years ago? Māori author Bennett delves deeper into New Zealand’s aboriginal culture (with helpful footnotes translating Māori words) while exploring the deeply embedded racism that the country’s first peoples face. An open-ended conclusion will have fans eagerly awaiting the next installment.
Frankie Elkin, finder of missing people, goes to Tucson, Arizona, to search for a missing Afghan refugee in Gardner’s (Still See You Everywhere), latest thriller. Sabera’s a young mom who vanishes, leaving behind a frightened little girl and a husband who doesn’t seem all that concerned his wife is missing. The police don’t even bother opening a case into the matter. Sabera’s friend, Aliah, knows something has happened and hopes Frankie can uncover the truth, even if the answer is painful. Establishing a home base of operations, Frankie finds a place to live temporarily: housesitting for a rich gamer with exotic pets and a quirky staff, who quickly become her allies. The more Frankie digs, the more everyone seems to be hiding something, and when a breaking news segment on local television shows what appears to be Sabera in the background of a murder scene, Frankie starts to question if anyone is trustworthy. The past collides with the present, and Frankie will face the unfortunate reality that finding answers might not necessarily mean winning or justice. Gardner knows how to do a psychological deep dive into her characters, making readers feel that these people with traumatic pasts and secrets could easily be our next-door neighbors. She also provides insight into the plight of refugees while amping up the tension and twists. Another great entry from the always reliable Gardner.
An annual tradition goes horribly wrong at a lake retreat in Vermont in Day’s latest thriller. Three families have grown up, and lifelong friendships have developed from Julia’s, David’s, and Erika’s families spending time every summer together. So much so that when their children become adults, they continue meeting every year and bring their kids. The area gives off a Jason/Friday the 13th vibe, since a local legend has a young woman disappear every 30 years, and this reunion marks the 30th anniversary of the last disappearance. Tensions explode from the moment they arrive, and everyone appears to have secrets and hidden motives. Day takes characters who initially seem to dislike one another and slowly reveals the bonds and reasons for them to stay as close as siblings forever. When David’s new girlfriend disappears, and his new nanny seems to have ulterior motives for taking the job, the group’s bonds begin to fray. The revelations pile up, and by the end, the reader will be surprised and a bit overwhelmed, which is a good thing. Day perfectly delivers the awkwardness and obligation of family reunions while spotlighting the comfortability and love that makes it all worthwhile.
Zorie and Kayla, best friends since third grade, work as house cleaners in a so-so hotel, a position that allows them to engage in a bit of light stealing but not enough to keep them afloat. Which is how the two get involved in crashing weddings where they can pick up some major hauls (steal the money and pawn the goods) while not knowing a soul. Until one weekend they head off to work a rural wedding that they promise each other will be their last gig (“best friend’s honor” is their motto), only to discover that they are the only two Black women at an antebellum-themed wedding. Heading out of town as fast as they can, they are involved in an accident that sends them into temporary hiding as the news blares forth the story of the “Wedding Crash Killers.” Without any support from family, and no friends that can help, things start to escalate and the two head to New Orleans, leaving a trail of blood and bodies in their wake. Zorie and Kayla are forced to make tough decisions about their future and their friendship in this brilliant depiction of two young women who can barely keep alive financially. Completely compelling, full of dark humor, and providing a deep investigation into the nature of friendship, this book is high on my list for book discussions.
It’s loathing at first sight when trained opera singer Kit (stage name Katerina) Margolis meets her understudy, the sexually alluring Yolanda Archambeau, on the first day of rehearsals for Barbarella, a new opera based on the 1968 film. Kit, struggling to prove she is right for the titular role, her first leading part, is taken aback when her director introduces Yolanda to the cast, something not done until later in the rehearsal process. “I felt a flash of irritation, uncharitable yet valid. She didn’t need to be there. She shouldn’t be there.” Kit’s unease rises when Yolanda yawns during Kit’s big aria and later confesses her operatic ambitions, despite her lack of training. Regarding underhanded scheming, Eve Harrington (of the film All About Eve) has nothing on the ruthless Yolanda, whose weapons against Kit include poisoned tea and dead rats. But before her plotting can escalate to a deadlier level, Yolanda is fatally stabbed in her apartment. Kit, who briefly falls under suspicion because of a violent incident in her past, turns sleuth to uncover her late rival’s dark secrets and identify her killer. Offering an entertaining look at the backstage world of New York City opera, Richter’s second novel (after The Divide) skillfully mixes the tropes of a psychological thriller with the conventions of an amateur sleuth mystery. Especially compelling is Kit’s growing self-confidence as a singer and a woman as she pursues the truth.
Coben (Think Twice) brings back former Detective Sami Kierce from Fool Me Once (the book and the NetFlix series) as his past crashes into his simple life. Sami works as a private investigator, doing jobs that embarrass him. He teaches a true-crime class at night school and lives with his wife and year-old son. Sami might want answers from past events in his life, but thinks he will never learn the truth until a woman he recognizes arrives in his class. When Sami graduated from college, he met Anna on a trip to Spain, and for days their lives were bliss until she ended up dead. But the woman Sami sees in his class is Anna, and Sami stumbles into a larger mystery that seems unrelated to his time overseas. To add to the investigator’s increasing stress, the person responsible for killing his partner when he worked in law enforcement is released from prison and asks Sami to reinvestigate the case to prove his innocence. Then Sami’s wife, Molly, thinks she is being stalked, and the lurid texts proving she’s right begin popping up on Sami’s phone. Coben juggles several complex stories, each one of which would be compelling by itself but that together create a page-turning experience that will leave fans and newcomers to Coben enthralled. The twists are shocking, and Sami; his wife, Molly; and the supporting cast are so much fun. Coben would be foolish not to bring them back for another story.
Kudos to Jurczyk (The Department of Rare Books and Special Collections, That Night in the Library) for providing a closed circle mystery that avoids the tropes of the subgenre while still offering some charming nods to closed trains of the past. Here, bestselling author Agatha (albeit suffering a bit from writer’s block) is sent off by her husband on a roundtrip from Toronto to Montreal for the sole purpose of finishing her new novel. With a first class ticket in hand, and only a few residents in her car, Agatha is slightly optimistic, imagining the train as a writers’ retreat and with the hope of turning out a few pages. But then she discovers a woman lurking about the train—someone, it turns out, whom she knows all too well—who believes that Agatha stole her success. As the snow thickens, the train slides to a halt somewhere in the Canadian wilderness, and then the passengers discover the horrifying news: one of their own has died. It’s brilliant how much Jurczyk packs into the book, moving back and forth between the present and Agatha’s personal history, while always sustaining a steady pace. But by the time the 6:40 makes it to the Montreal area hours later, it’s pure carnage.
Here are two people I certainly will never invite to Thanksgiving. Thom and Wendy Graves have been married for over 25 years. Academics, they’ve long been settled in Updike territory along the North Shore of Boston with a cat and a nearly full-grown kid. She’s barely published as a poet while he is an English professor and full-on drunkard. The two might seem a bit dull were it not for how sinister we slowly come to realize they actually are. Swanson (The Kind Worth Saving, Nine Lives) gradually unveils their marriage by going backwards, all the way back to the tragic incident the two plotted and committed in their early twenties. But years of secrecy have taken their toll, and not everyone is willing to keep up the original bargain. Swanson can always be trusted to deliver novels that are rich in intellectual suspense and provide a narrative that is refreshingly new. Here he delivers on both.