There’s no horror here but plenty of scares as nine-year-old Effie must parent her siblings in her family’s freezing shack in the western New Zealand bush. With the nearest town, Koraha, six hours walk through dense forest, Mum with a new baby and Dad mostly off hunting and fishing, it’s all Effie can do to keep the little ones fed and warm. The new baby, the fourth child and named four, heralds a much harder chapter for the family, one that ultimately sees Effie living as an adult in Scotland. She’s compelled to return to New Zealand when reports reach her that a little girl—unknown to Effie but looking exactly like her—has shown up in the town, injured and starving. Who she is and what happened in the past is a twist-filled saga that drops readers right into the dangerous landscapes that are both the New Zealand wilderness (“an unforgiving thing that would eat them up”) and the off-off grid family. One to remember, and a must for fans of Barbara Kingsolver’s Poisonwood Bible and Alisa Alering’s Smothermoss.
Suspense
Bryden seems to have the perfect family. She has a loving husband, Sam, and an adorable three-year-old daughter named Clara. One night when he’s working late, Sam gets a call from Clara’s daycare. Bryden has not picked up their daughter and is not answering her phone or responding to texts. Sam picks Clara up and arrives home to find Bryden’s cell phone and purse in the apartment and her car parked in the garage. Where did she go, and what happened to her? Detective Jayne Salter of the Albany Police Department gets the case. From the moment she starts investigating, she finds Bryden’s family, friends, and neighbors all seem to be hiding something. But does that make one of them guilty? Lapena keeps the suspense and mystery going to the final page. Readers, at one point, will think everyone is responsible for Bryden’s disappearance, but the truth is shocking and surprising. Jayne will uncover more murder and chaos than she’s bargaining for, and Lapena could have a series character on her hands with this charismatic detective.
Hang on to your hat! This latest from Andrea Mara is one twisty terror ride that will have readers glued to the page. The premise starts out simple enough. Susan O’Donnell, a high-school math teacher, is a new mother, her daughter Bella having been born four months ago. Safe to say Susan is exhausted, sleep deprived, and anxious. So when she reads a snide WhatsApp message from the local neighborhood queen, clearly directed at Susan, she sends it on to her two sisters with her own remarks: “omg she’s such a smug wagon. I’d love to send her the pics of her husband wrapped around the PR girl at the opening party for Bar Four…” Bitchy? Totally. Funny? Yes, indeed. Except that Susan makes a dreadful mistake: she sends her post to not just her sisters, but to the 300 residents of her housing estate. Time to grovel and beg for forgiveness. Except things don’t work out quite that way. Instead, this one incident sets in motion a series of lies, violence, and murder that no one can stop. A knock-out.
Berry delivers a novel unlike anything he’s ever done before. Rather than exploring history, this one takes pieces of John Grisham’s The Firm and mixes them with the business aspects of a Joseph Finder novel and storytelling elements from David Baldacci. Brent Walker left his hometown and the woman he loved ten years ago, and now he’s come back to help his sick mom. He takes a job at the small-town paper mill in a legal role beneath his level of expertise to oversee their negotiations with the local union. The company’s management is not trustworthy, and more than doctoring the financials, they have created a list, and the purpose of the names on it is beyond reprehensible. Brent and his lifelong friend and co-worker, Hank, are given a series of what appear to be random numbers, but research reveals to them the horrendous nature of what the numbers mean. They are not random at all, but to say anything more would spoil the fun. Someone given the pages without knowing the author’s identity would never identify Berry as this book’s writer, and his going outside his comfort zone to resurrect one of his early, desk-drawer novels is beneficial to him, his fans, and thriller readers alike. The List would be a perfect story to be turned into an Alfred Hitchcock film, and this should only add to Berry’s fanbase.
A powerful, sophisticated novel of suspense that follows the life—and losses—of Chloe Harlow. A denizen of New York’s latest up-and-coming trendy enclave, Williamsburg, Chloe lives a boho-ish lifestyle while working in an art gallery. Having dropped out of several endeavors—such as college—Chloe finds herself fascinated by gallery work, despite the punitive salary and relentless snobbery. Then September 11, 2001 comes along. Chloe was delivering a drawing to the North Tower right when it was hit. Miraculously, she escapes, although she’s much changed: drinking to excess, always late for work, anxious. Until the night when she parties so hard, celebrating a new artist the gallery signed on, that the next day she can’t remember a thing. Then the NYPD stops by to interrogate her. From there, Chloe’s life begins to spin out of control: her best friend is missing, their apartment is broken into, her boss is fired and disappears, the cops won’t let up, she’s pursued by several thugs. Then she comes across information that, if all the pieces fall into the right place, could totally scandalize the art world. A fast narrative, this novel is as emotionally moving as it is incredibly suspenseful, and with one of the most sensitive depictions of New York during and after 9/11 I’ve ever read. For fans of Katy Hays and Elizabeth Kaufman.
A powerful novel that spans generations as it takes us deep into rural western Sweden. It’s the holidays in the winter of 1999, and most people are anxious about little more than where to hide their money before it disappears into Y2K, when the police discover a terrifying accident. A car is found smashed into a tree, leaving behind a bloody steering wheel and the body of a local teen in the trunk. With such a small community, you would think that the secrets would come tumbling out. But no. These people aren’t talkers. Terse and taciturn, both adults and teens remain reserved. Even the new young officer, Siri Bengtsson—who is closely watching two young men as suspects—can’t successfully crack either the families or the teens. Jump ahead 20 years, when there is a similar murder, strange enough to coax Siri out of retirement, and to finally get some of those teens—now adults—talking. Carlsson (Blaze Me a Sun, Under the Storm), who has a doctorate in criminology, is the recipient of several prizes in Scandinavian crime writing. Readers who enjoy his work will also appreciate Liza Marklund, Ragnar Jónasson, and Tana French.
Agatha Christie’s 1939 And There Were None set the template for the island mystery with its protagonists trapped on a remote isle and stalked by an unknown killer. The arrival of cell phone technology has forced writers to up their thriller game. As with the guests in Sean Doolittle’s Device Free Weekend, the five girlfriends who arrive at Baltic Vinyasa on Isle Blind off the Swedish coast for a four-day yoga-themed bachelorette party must give up their cell phones and other digital devices to the proprietor, Irene. “I wish I wasn’t so addicted to my devices,” confesses Lena. Her sister Tessa, the bride-to-be’s best friend, has another, more secret, motive for joining the party. A true-crime podcaster whose latest episode crashed and burned in the wake of a scandal, she hopes to redeem her career by solving the mystery of the Nacka Four. A decade earlier, four young women, who had traveled to the archipelago for their annual reunion, disappeared, presumed by police to have drowned when their boat was found floating. Tessa suspects they may have been murdered on Isle Blind and is determined to find evidence. But from the moment she steps on the island, her sense of dread grows. While elements of this twisty mystery require a suspension of disbelief (the luxurious hotel is built on a rocky island too barren to support crops yet has plenty of water for hot showers), Sten (The Resting Place) excels at building the creepy horror and chilling tension. Readers who like their thrillers bloody and gory will enjoy this dark Nordic take.
Immensely powerful. Expertly written. Shocking time and time again. This novel poses the question: what should a woman do if she loves her child, but regrets being a mother? Real-estate agent Lucy Mendoza disappears, her groceries and baby abandoned in a Rhode Island supermarket parking lot. Immediately the media is on the case, as is Michelle, Lucy’s very best friend, who is certain Lucy would never abandon her child, and leads a search to exonerate Lucy. In fact, there are a number of theories about Lucy’s absence swirling about town. Cops who can’t help but compare her case to that of the several moms who disappeared over the years in a similar fashion; likely all acts of violence. And then there are the many husbands who decide that Lucy was a home-wrecker, so desperate to leave behind her family she bolted without a trace. And the secret that Michelle carries around: that Lucy regrets being a mother, so much so that she fantasizes about leaving her world behind. But Michelle knows that if information like this ever becomes public, Lucy would emerge from it persona non grata, a monster. What happened to Lucy? Freitas delivers a finale that readers will ponder time and again. A great choice for book groups
June in New Zealand means a chilly winter. But it also marks the rising of the sacred stars known as the Matarike, launching the start of the Māori New Year. “When Matarike rises, it is a time for remembering the dead; a time for saying goodbye. And it is also a time for starting anew.” Like the sacred Matarike celebrations, Bennett’s emotionally charged third Hana Westerman mystery (after Better the Blood and Return to Blood) revolves around a series of transitions, in which beloved characters say goodbye to loved ones and embark on new directions in their lives. Returning from festivities in his ex-wife Hana’s hometown, Detective Inspector Jaye Hamilton stops at an Auckland convenience store to pick up champagne to celebrate his daughter’s engagement when he is shot and seriously wounded by a balaclava-wearing assailant. The getaway car is quickly found and a young Māori man, Toa Davis, is implicated in the crime. But Hana, who has asked to join the investigation as a temporary constable, soon suspects that this was no random assault but a targeted attack. Could it be connected to Jaye’s work as an undercover cop years ago? Māori author Bennett delves deeper into New Zealand’s aboriginal culture (with helpful footnotes translating Māori words) while exploring the deeply embedded racism that the country’s first peoples face. An open-ended conclusion will have fans eagerly awaiting the next installment.
Frankie Elkin, finder of missing people, goes to Tucson, Arizona, to search for a missing Afghan refugee in Gardner’s (Still See You Everywhere), latest thriller. Sabera’s a young mom who vanishes, leaving behind a frightened little girl and a husband who doesn’t seem all that concerned his wife is missing. The police don’t even bother opening a case into the matter. Sabera’s friend, Aliah, knows something has happened and hopes Frankie can uncover the truth, even if the answer is painful. Establishing a home base of operations, Frankie finds a place to live temporarily: housesitting for a rich gamer with exotic pets and a quirky staff, who quickly become her allies. The more Frankie digs, the more everyone seems to be hiding something, and when a breaking news segment on local television shows what appears to be Sabera in the background of a murder scene, Frankie starts to question if anyone is trustworthy. The past collides with the present, and Frankie will face the unfortunate reality that finding answers might not necessarily mean winning or justice. Gardner knows how to do a psychological deep dive into her characters, making readers feel that these people with traumatic pasts and secrets could easily be our next-door neighbors. She also provides insight into the plight of refugees while amping up the tension and twists. Another great entry from the always reliable Gardner.