Swedish author Bivald gives readers another delightful twisty tale (following The Murders in Great Diddling) with well-known mystery author Berit Gardner in the lead role, along with a diverse and quirky cast of characters, most of whom are writers, agents, and publishers attending a retreat outside Lyon, France. Against the backdrop of the somewhat dilapidated yet beautiful Chateau des Livres, the envy and adoration amongst the attendees begins to merge, even as they continue to workshop “Dramatic Plot Twists” and “Portrait of a Writer on Fire.” When John Wright, headliner and bestselling author, dies in the front row during Berit’s welcoming address, nearly everyone is a suspect. A series of reveals follows, including two Mrs. Wrights, a partial manuscript, and a kitchen crush. When another particularly annoying attendee is found stabbed, the stakes are raised. With the help of sharp-eyed observers and a DCI Ahmed, a friend from England, Berit and her rep Sarah, who happens to be the daughter of John Wright’s agent, start to work out whom the murderer might be, much to the chagrin of local authority Commissaire Roche. Fans of Kemper Donovan’s Ghostwriter series will eat this up. A fun romp through the publishing industry is icing on the cake!
Traditional
Stewart brings us back to a time of tumult: mid-1960s rural Vermont. In this sequel to Agony Hill, we are reintroduced to Detective Frank Warren, a good guy whose efforts at law enforcement—assisted by Trooper “Pinky” Goodrichsend—see the two of them traipsing up and down the county at all hours. This book opens as one of the visitors to the Ridge Club, a hunting and fishing lodge exclusively for rich and distinguished men, is found dead, on the same day that deer season opens. A mere coincidence, right? But Frank suspects that there may be more than someone accidentally shooting themselves while cleaning their rifle. So he and Pinky launch an investigation that tangles them up in the Ridge Club members when a violent snowstorm comes along to isolate them even further. This closed-circle narrative is wonderfully well-done, deeply satisfying, and a compelling portrait of a community undergoing change. Readers who enjoy these books will also appreciate Julia Spencer-Fleming, William Kent Krueger, and Ausma Zehanat Khan.
Twists within deceptions are at the heart of O’Connor’s story of insanity, confusion, and murder. Some readers, in fact, may need to take notes to keep straight the murder of Annabelle a year ago from what is happening in the present day. Veterinarian Dimpna Wilde is once again at the center of events that involve her assistant, Niamh, with a dead body found in her apartment. Cormac, Dimpna’s love interest, is investigating and is tricked by a fake crime-scene photographer who cleans the scene of evidence and disappears, just one of the outlandish events that occurs. The confusion about who is who and what is what is eventually explained, but hardly makes the situation clearer. There is even a bizarre Irish pun of a name that somehow brings the murderer into focus. This series, while offering much in the way of Irish local color, is far from cozy, and offers a lot of satisfaction for readers willing to untangle all the complicated knots.
Considering the title, you could be forgiven for thinking this is a frothy, fun-filled mystery akin to Only Murders in the Building. And while there is some droll humor here, this book also tackles serious social issues, including domestic violence and a murder that reverberates through the decades. The plot is both simple (Elín S. Jónsdóttir, a famous, older, mystery writer disappears) and complex (she has many friends who would be willing to help her vanish). But what’s the motive? That question lies in the hands of young detective Helgi Reykdal, who should be familiar to many readers from Jónasson’s Death at the Sanatorium. The two books share much in common, including multiple timelines and a rapid pace that keeps the readers on their toes. As the onion gets peeled, and the pieces start to fall apart, the book becomes increasingly transparent. Exhilarating and gripping; fans of Agatha Christie and Nordic Noir will find much to enjoy here.
A homeless man is discovered dead in Bristol’s park-like Clifton Downs. End of the story, right? Not if you are DS Cross, who “was always drawn to cases like this. Cases of the dispossessed. The outsider. He related to them because in many ways he was one himself.” Cross has Asperger’s syndrome, and unlike his peers, he is slow to write off the victim. Indeed, his persistence, his dogged examination of all the details, and his reexamination of the evidence manage to keep the case alive—traits that serve the victim but set his fellow officers on edge, ready to wrap up the case. Say what they want, Cross has the best conviction rate of his precinct by a long shot. In seeking to resolve the murder of the homeless man, Cross realizes he needs to go back to a cold case from 15 years ago, despite the scorn he receives from his boss and peers. Socially awkward detectives are nothing new, but Sullivan goes deep into Cross’s self and his struggle to identify the personalities of others: he combines physical expressions with tone to make inferences. The publishing history of this series is extraordinarily confusing, but we know for certain that Grove is publishing the first three books in the series, as well as The Tailor, the eighth, in October. Order multiple copies, there should be a big audience for Cross, both those with Aspergers who rarely see themselves depicted with any accuracy and fans of police dramas like Tana French, Donna Leon, and Louise Penny.
A likable duo is at the center of Broadchurch-creator Chibnall’s debut: detectives Nicola Bridge and her newbie partner, Harry Ward, dubbed Westlife for his boy-band looks and first name. Small-town Fleetcombe, on England’s Dorset coast, is the setting; it’s Nicola’s hometown, and she’s back to separate her husband from an affair, a plot line that creates a realistic undercurrent of desperation that matches the bizarre crime facing the new partners. The naked body of a man is found tied to a chair on a road near town. That’s odd enough in Fleetcombe, where sharp words at the local pubs—one of them the White Hart of the book’s title—are about as violent as it gets. But there’s more: the body has a stag’s antlers affixed to its head, a sinister touch that eager Harry tries to tie to mythology and local history, only to be brought back to earth by his more practical and seasoned colleague. Work the evidence, she says, setting the two on a winding path that creates a solid procedural enjoyably filled with oddball townspeople, personal travails, the inevitable local criminal element, and one very savvy little girl, a character whom readers will want to swoop in and save. This absorbing thriller shows all the hallmarks of having been written by a master of TV drama.
Characters of all sorts and types, many unpleasant at best, fill the pages of this, the 22nd Inspector Lynley novel. There is a complicated scheme to buy the land or mineral rights in an area of Cornwall to mine lithium. The sleazy agent of the mining company finds the murdered body of Michael Lobb, tin craftsman and major holdout to the plan, and thus begins the search…for the weapon, for the motive, for the truth of the matter that forms the rest of the skillfully built puzzle that makes up the book. Bea Hannaford is in charge of the case (old friend Lynley doesn’t show up until much later) and focuses on Kayla, the the very much younger wife of Michael; his ex-wife; and his grown children as suspects. The story is eerily filled in by Michael himself in chapters interspersed with those on on the investigation. Even though all the alleys, many blind, are followed, it is the tiny pieces and astonishing happenstance that bring everything to a factual, reasonable end, with Lindley of course providing wisdom. After all this time, it’s gratifying to see how the author can take this tangled skein of a story and piece it out to a smooth conclusion.
Charles Lenox, detective in Victorian London, has been with readers now through 15 adventures, starting as a rank beginner but gaining a stable family life and a thriving agency with a range of detectives covering all sorts of cases. He is set to meet his cousin’s daughter, who’s arriving from India after her father’s death, as he has been named her guardian. He is drawn out of recovery from his last perilous case by his old housekeeper and a strange connection to an unsolved murder from years ago, with the “why” far more important than the “who.” As in the previous novels, the mystery is important, but it is the setting of Victorian society and mores that makes it all come alive. Times are changing though: Charles’s wife, Lady Jane, is demonstrating in public for women’s suffrage and his niece wants to study economics, but as yet class and status rule over all. Traveling through London with Charles and his cohorts is a treat, and the next excursion is likely to be as well.
Jolene finds herself in the lobby of city hall when the mayor of Phoenix, Arizona, gets stuck in an elevator. With a job as a TV reporter, she gets the exclusive on the mayor’s rescue. But her instincts go into high gear when she talks to a small-business owner who believes some shady deals are happening in the city government. When he later dies in a car crash, and the family doesn’t want to talk to her or anyone, she begins to question if lucrative government contracts and the people responsible for them are to blame. It doesn’t help that Jolene’s editor wants her to cover a cupcake story and drop the city-hall case. When she begins to receive death threats, she’s torn between wanting to stay alive and not letting injustice slide. Estes has a background in television reporting, and she nails how to tell a story with strong characters whom readers can relate to. The compelling mystery and pursuit of answers make Jolene a fun and engaging amateur detective. The next entry in the series (the previous is Off the Air) cannot come fast enough
Oak Hill, NC is a town where nothing much in the way of crime happens. Then, in the space of a few days, there is murder, robbery, and arson. Jacob Sawyer, someone who hasn’t been seen for 15 years, is back in town, though no one thinks he is the cause. Grace Bingham, local police detective and Jacob’s abandoned love interest from before, is under time pressure to solve the crimes without offending anyone important. Jacob’s back because his mother, beloved in the town, is dying of cancer; Calvin Dockery, an extremely wealthy local who pulls all the strings, is also dying. The current crimes harken to unexplained events of the past that caused Jacob to leave. The story moves from the present to the past and back again, gradually revealing what happened. Grace and Jacob are undeterred in their search to connect what is happening now with what happened in the past regardless of who is involved. Money is power, and power is very dangerous here, and those with it are willing to spare no one. Resolution is not easy, but very satisfying in a book with a great deal of atmosphere and local resonance.