Zorie and Kayla, best friends since third grade, work as house cleaners in a so-so hotel, a position that allows them to engage in a bit of light stealing but not enough to keep them afloat. Which is how the two get involved in crashing weddings where they can pick up some major hauls (steal the money and pawn the goods) while not knowing a soul. Until one weekend they head off to work a rural wedding that they promise each other will be their last gig (“best friend’s honor” is their motto), only to discover that they are the only two Black women at an antebellum-themed wedding. Heading out of town as fast as they can, they are involved in an accident that sends them into temporary hiding as the news blares forth the story of the “Wedding Crash Killers.” Without any support from family, and no friends that can help, things start to escalate and the two head to New Orleans, leaving a trail of blood and bodies in their wake. Zorie and Kayla are forced to make tough decisions about their future and their friendship in this brilliant depiction of two young women who can barely keep alive financially. Completely compelling, full of dark humor, and providing a deep investigation into the nature of friendship, this book is high on my list for book discussions.
Women
It’s loathing at first sight when trained opera singer Kit (stage name Katerina) Margolis meets her understudy, the sexually alluring Yolanda Archambeau, on the first day of rehearsals for Barbarella, a new opera based on the 1968 film. Kit, struggling to prove she is right for the titular role, her first leading part, is taken aback when her director introduces Yolanda to the cast, something not done until later in the rehearsal process. “I felt a flash of irritation, uncharitable yet valid. She didn’t need to be there. She shouldn’t be there.” Kit’s unease rises when Yolanda yawns during Kit’s big aria and later confesses her operatic ambitions, despite her lack of training. Regarding underhanded scheming, Eve Harrington (of the film All About Eve) has nothing on the ruthless Yolanda, whose weapons against Kit include poisoned tea and dead rats. But before her plotting can escalate to a deadlier level, Yolanda is fatally stabbed in her apartment. Kit, who briefly falls under suspicion because of a violent incident in her past, turns sleuth to uncover her late rival’s dark secrets and identify her killer. Offering an entertaining look at the backstage world of New York City opera, Richter’s second novel (after The Divide) skillfully mixes the tropes of a psychological thriller with the conventions of an amateur sleuth mystery. Especially compelling is Kit’s growing self-confidence as a singer and a woman as she pursues the truth.
Ruth has an unconventional way of making money, and her method of robbing banks through a code in a hacked chip has finally caught up with her in Kaufman’s debut thriller. Taking cash in small amounts from transactions has made her a very rich cybercriminal. When alarms signal she’s been discovered, she grabs her accomplice, and they take off. A government agent named Mike has been watching her for some time and knows everything about Ruth since he feels he launched her career. Mike has planted tracking devices in her home, car, and a bag that never leaves her side, so he knows her every move. When his superiors want her eliminated since her bug is inside the government’s network, Mike agrees to help. However, he seems to have feelings for the woman he considers his protégé, so what is his objective? When Ruth realizes that the authorities are close and her usual tricks won’t be enough, she must improvise. But even though she is elusive and clever, her methods might put her in even more danger than she’s in from the law. Kaufman has created a compelling and complex character in Ruth, and watching her outwit and coordinate her surroundings to stay alive while being in control will endear her to readers. The motivations behind the people after this protagonist, and her inability to trust those she enlists for help, keep the paranoia above a level ten. Hopefully this terrific debut will launch a series featuring Ruth and her adventures.
Sabine Kelly has been on the run for years. As a teen she was accused of arson that killed nine people, including her mother and sister. The Sabine whom readers meet seems hardened by her years on the road—or rather, on the river, hiding as she does in a houseboat on the same rural Australia waterway she grew up by, with her drug-addicted mother and a sister she had to parent. But she doesn’t seem capable of the crime she’s running from. Instead, she seems scarred by it and desperate for the truth to come out, but powerless to make that happen. Enter Rachel Weidermann, a journalist who lives next to Sabine’s grandfather, a complicated character called Pop. She’s been obsessed for years with getting Sabine’s story, and when she sees the fugitive visiting Pop, she is excited to both get answers and save her fading career. Following the women, as Sabine learns to trust someone and Rachel to let things unfold imprecisely, offers both an engrossing journalism procedural tale and a look at what can happen when goodness meets desperation. Setting is as prominent as characterization and plot here, with all combining to create a memorable tale of redemption.
They’re back! The trained assassins readers first met and loved in Killers of a Certain Age (2022) are on another mission, but things are odd this time. The group of women, which resembles nothing so much as a book club that’s enjoying itself a bit too much, is summoned to a new job, but given tickets for coach airfare…decidedly not the style they’re accustomed to. The usual impeccable preparedness is lacking in other ways, too—no backup murder weapon provided? What is this?—and things go completely off the rails—pun intended, as the worldwide escapades after looted art and to flee revenge end up with the women on a lethal train journey through Montenegro. The Bond-type exploits are exciting and the art-history details absorbing, but as in the previous book, it’s the realistic friendships and love—including same-sex romance—that will keep readers wanting more from Raybourn. An invigorating read that will lift readers’ spirits.
Elinor Hayward and her rich, widowed father, a textile millionaire known as the cotton king, are surprised and thrilled to be invited to a high-society ball. Mr. Hayward is a self-made man—the horror!—instead of having been born to wealth like those who usually snub him. At the ball, shy Elinor is rescued by Frederick Coombes, AKA Lord Storton, who seems interested. As is the way in 1910 upper-class London, a formal courtship is soon followed by marriage. Elinor expects a romantic whirlwind like in the Jane Austen novels she adores, but right from the lackluster proposal, things are off, and after they marry, things only get worse. Frederick has no interest in his wife, except as a vessel for the all-important heir. When the couple and Elinor’s father finally board the Titanic along with their baby, it seems like a welcome break from the rules, but we all know what happens. The characterization here is superb. Readers will root for Elinor before she ever arrives on board and will be rapt as she’s thrown into peril while the nightmare unfolds (Quinn offers a wealth of details about the disaster and its aftermath). What follows—Elinor taking the chance to remake herself, always struggling and waiting to be discovered—is also gripping, and this is one of those books that will leave readers bereft once it’s over. A triumph, and surely a movie must be in the works.
Yes, her childhood was terrifying, with a mother who made Mommie Dearest seem like milquetoast. But, these days, Claire has really got it together. Now she’s 30, with a job in PR that she always wanted and a fiancé, Noah, who’s handsome and loving; life couldn’t be better. Even her horrible mother died a few months ago, freeing Claire, although leaving her nothing in her will. Until one day when she decides to drop off lunch for Noah at his office—it’s their anniversary—and the receptionist won’t let her in. In fact, she claims that Noah hasn’t worked there in three months. Whaaaat? That night, Noah doesn’t show up at the apartment they share. He’s not picking up her calls. Not answering her texts. In the days to come, and with the help of her friend Sukhi, Claire tracks Noah through every channel possible, getting repeatedly blocked along the way and transforming from a happy young woman to a stalker, obsessed with the beautiful blonde woman who keeps showing up in Noah’s socials. A psychological thriller that will delight readers who enjoy fiction that’s thoughtful but also reads like a rocket. If you appreciated Kimberly McCreight’s Like Mother, Like Daughter, you may well like this.
Luke Conway and his wife, Carrie, are moving from LA back to Clear River, Texas, where they grew up, so they can help Carrie’s father, who is gravely ill. For police officer Luke, it is a chance to escape a shooting that has traumatized him, and he’s now a county deputy. Carrie has baggage as well, but she is heading towards it. When she was a high-school junior, she was the sole survivor of an incident that left two girls dead and her with a chip in her skull. She barely survived and can’t remember any details of that day. One evening, while off-duty, Luke appears to hit someone while driving home in the pouring rain. Inspecting the area provides no evidence of a body, so he leaves and doesn’t report it. Luke tells himself that he hit a tree branch, but deep down, he knows he hit someone and decides to keep it a secret. Carrie arrives in town to find a not-so-warm welcome and soon learns that some there believe she killed the two girls years ago and is faking amnesia. Luke and Carrie need each other’s support, but running from the truth only makes matters worse for their marriage and their lives. Mofina generates suspense in unexpected ways and crafts a compelling, genius story that ends in a manner not even savvy readers will see coming. His background as a newspaper reporter allows him to craft realistic characters who face overwhelming odds. Harlan Coben and Alex Finlay fans should already have Mofina on their to-read pile, and this one is another guaranteed bestseller.
Many readers will be delighted at the return of Vera Wong, a great cozy hero if there ever was one. In Vera’s first book, we saw her discovering the body of a dead man in her San Francisco tea house. A tragedy, yes, but one that led to quite a transformation for Vera, who discovered a whole new world thanks to that one death. She has a growing social life, her tea shop is burgeoning, and there are plenty of friends to enjoy her cooking. Except that life is growing a tad dull, compared to a murder investigation. But lucky for her, Vera comes across a young woman outside the police station who appears quite upset. It turns out that the woman’s boyfriend has recently died, possibly by suicide, and she fears that she may have had a role in his death. Well, did this young woman come across the right person. Through her own research, Vera discovers that Xander, the young man who died, was a well-known influencer, with an extravagant lifestyle. So how did he end up in Mission Bay? That question pushes Vera into a story that’s quite a bit darker than the first book. Vera is still a fun and lovable character, but here she takes on some challenging social issues. In other words, Vera grows. And readers will be happy to follow her.
There’s more medical follow up for a sprained wrist than for having a baby, Brynn Nelson notices. She tells everyone she’s fine after her son’s birth though she’s very far from it. Every other sleepless new mother does just fine, she thinks, so there must be something wrong with her. Her husband, Ross, loves the time he spends with his son but it’s a few moments here and there and he has no idea of the deep pit of fear his wife is in. Brynn has more or less lost touch with her own mother since staying on Martha’s Vineyard with her well-off new in-laws while her poorer parents moved off-island. She’s now firmly a Nelson, and when Ross tells her a family secret after a young woman’s body washes up on the beach, Brynn finds that she has much more facing her than the exhaustion and fear of new motherhood. This thriller excels in portraying the social dichotomy that is life in an expensive resort town, a split that’s echoed throughout the book in breaks between Brynn and her family of origin, the break between the life she could have had if she had chosen another boy and this one, and her life pre- and post-motherhood. Absorbing and satisfying.