Amanda and Wendy meet on Manhattan’s west side at a bereavement group for parents. They’ve both lost young daughters to horrific deaths, and believe that the cops, who have identified the perpetrators but lack the evidence to arrest them, are moving way too slowly. Primed for revenge—no mother should go through what they’ve experienced—they’re ready to take matters into their own hands. But if they kill their perps, they know the cops will be all over them, viewing them as prime suspects. What if they help each other out and switch murderers—I’ll kill yours, you kill mine—a plan that will provide them with air-tight alibis? Just as I was ready to sit back and enjoy a new take on Patricia Highsmith’s Strangers on a Train (and the subsequent Hitchcock film), the narrative suddenly veers off-road—way off-road—introducing another character whose story helps catapult the novel into something even darker, more terrifying, and totally gripping. Thriller fans will absolutely love being taken on this wild ride, where nothing is what it seems and no one can be trusted. Brilliant and sharp, ingenious and disturbing. For fans of The Silent Patient and The Girl Who Was Taken.
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