Hazel Russon’s life in 1882 Utah territory is defined by three things: the Mormon church, polygamy, and the men, who call themselves priests and bishops, who control both. She knows she’s supposed to suppress her sinful dreams of a monogamous life with her sweetheart and her desire for the freedom to play her beloved piano. But she must, and becoming the fourth wife of Jacob Manwaring, she’s carted far away from her home, family, and civilization. Her new homestead is shared with strangers: Sister Prudence, the most recent; Sister Abby, first wife; and Sister Flora, second wife. Federal agents are pursuing polygamists, so the family must be careful how and where they are seen. When Hazel senses something shifting in the house—the actual building— her fears about being a sister wife ratchet up. Jacob, who promised her a piano, now says they don’t have one—but what about the box piano she finds in the attic? She sees apparitions, but the only one that acknowledges them is one of the children. And who is the seemingly cursed woman, and why will the others not speak of it? And is Hazel really only the fourth wife? Hamilton, a historian specializing in Mormon women in polygamy, drew inspiration from her polygamous ancestors to create this horror story grounded in historical reality. Mormon gothic at its finest.—Dodie Ownes
The Fourth Wife
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