A powerful novel that spans generations as it takes us deep into rural western Sweden. It’s the holidays in the winter of 1999, and most people are anxious about little more than where to hide their money before it disappears into Y2K, when the police discover a terrifying accident. A car is found smashed into a tree, leaving behind a bloody steering wheel and the body of a local teen in the trunk. With such a small community, you would think that the secrets would come tumbling out. But no. These people aren’t talkers. Terse and taciturn, both adults and teens remain reserved. Even the new young officer, Siri Bengtsson—who is closely watching two young men as suspects—can’t successfully crack either the families or the teens. Jump ahead 20 years, when there is a similar murder, strange enough to coax Siri out of retirement, and to finally get some of those teens—now adults—talking. Carlsson (Blaze Me a Sun, Under the Storm), who has a doctorate in criminology, is the recipient of several prizes in Scandinavian crime writing. Readers who enjoy his work will also appreciate Liza Marklund, Ragnar Jónasson, and Tana French.
International
It’s hard to believe that Dr. Emilia (Em) McRoy has been in Sea Isle, Scotland for a year. She moved from Seattle to the village to take over as doctor and, to her surprise, as the local coroner as well. In this fourth outing (previous titles include Death at a Scottish Christmas) in the series, she and her family of friends become involved in the death of a local accountant and train fancier on the opening night of a restored historic train ride. Ewan, local Laird, constable, and her sometime nemesis, has decided it’s easier to include her in the investigation than to rescue her from the scrapes she gets herself into when she goes off by herself. With suspicion of financial skullduggery, there are plenty of suspects, but no one stands out; we have anaphylaxis, cheating spouses, and estranged siblings. The charming customs and landscape enhance the story as Em continues to settle into the folklife and tempo of the village and, of course, solves the crime. The engaging characters and tightly worked plot will leave readers eager for the next installment.
As a former first lady of Iceland, Reid has plenty to draw on when it comes to this tale of a far-too-eventful diplomatic trip to Iceland’s remote Vestmannaeyjar, or Westman islands, by a Canadian delegation that might result in the island’s main employer expanding to Canada. The visitors’ carefully managed tour brings them to Skell, a gourmet restaurant that uses local herbs in its food and in its dramatic, served-on-fire Flaming Viking cocktail, a ritual that sees one of the delegation drop dead on the floor. And that’s not even the only mysterious death in the town lately: before the big visit, the town’s mayor found his husband dead; the devastated widower insists it’s murder, but the police ruled it a death by natural causes. The Canadian ambassador’s wife, Jane, takes up an investigation of the restaurant death but is soon drawn into fast-moving undercurrents: politics in the town, diplomatic tendencies to overlook problems that won’t go away, and, as always, tensions in personal relationships, including in her own marriage. There are many threads to pull at here, plus the rich details of diplomatic and Icelandic life, add to an engrossing whodunit that offers a delicious ending twist.
Might this book be a cozy mystery? Let’s run it through my cozy-meter and find out. One, do we have much empathy for the lead character? Absolutely. Daphne Brewster, a Black woman—in fact, the only person of color as far as the eye can see—has moved her husband and family out of south London to a Norfolk town called Pudding Corner to escape urban woes. She’s become so successful at selling antiques that she’s now known as the vintage lady. Still, it turns out that things are as complex in Pudding as they are in London. Two, isn’t the book too slow? No. If you want faster, go find James Patterson. The characters in this town are so absolutely delightful as they roam about the town that I would happily spend another day or two with them. Again, the name: Pudding Corner. Might that be a hint as to what we can expect? Three, is it sexy and violent? Much more yearning than sexy. And if there had been any sex, it was years ago. As to the violence, it is offstage, involving a corpse that keels over in his allotment patch—a little garden the size of a postage stamp where Brits go and plant rutabaga on the weekends. Four, is this book a stand-alone? We hope that the publisher is sensible and Ms. Sutton will be back to delight us again with Daphne and Book Two.
Expat Tabitha King—formerly of suburban Detroit—is living, as the kids would say, her best life. She’s upped and moved to post-war Paris—she’s bilingual thanks to her mother and French grandmother—and this third, and best, in the mesmerizing “American in Paris” series finds Tabitha hanging out with her chum Julia Child, from whom she picks up some much-needed cooking tips. She’s also settling disputes between her Grand-père and his partner, Oncle Rafe (they are reopening a restaurant, thus the agida) and dipping her toe in the heady world of haute couture, with Christian Dior, who makes a cameo appearance, leading the way with his “New Look.” But when Tabitha discovers a body in one of the exclusive fashion ateliers, all the frothy fun comes to a halt, or at least a sputter, as Tabitha, with the sometime help of the all-too-handsome Inspecteur Merveille, throws herself into the search for the murderer. It’s a search that takes Tabitha back to Paris during the Occupation and the work of the Resistance against the Nazis and the French Vichy government, as well as those whose role was less clearly defined. Rich in history, full of the value of friendship and family, and with a very, very slow-growing romance (we want more, Colleen!) this is certain to be one of the best mysteries of 2025.
O’Connor’s latest Ireland-set novel is darker than her previous titles, but will still work for her many fans. Steadfast, kind veterinarian Dr. Dimpna Wilde is back, and this time life in her hometown, tourist hot-spot Dingle, Co. Kerry, is repeating itself in a macabre way. Only locals remember that 29 years ago, a cult centered around two men’s obsession with pregnant women ended in death and the men being sent to prison. They’re out now, and horrifyingly seem to be at it again, as a pregnant woman is found dead in a bog near the town and another is missing. A local child has been snatched, too, and Dimpna’s love interest, Detective Inspector Cormac O’Brien, is on the case, desperate to find the missing locals. An officer who worked the previous case threatens to destroy this one with her fixation on the just-released men. The best and the worst of small-town life come together here to great effect, and the nail-biting chronicle of the missing duo’s ordeal, with the pregnancy clock ticking, makes for an engrossing read that’s topped off by an exciting, satisfying ending. A realistically portrayed deaf protagonist adds texture to the story. While you’re waiting for this terrific read, watch a documentary with elements of similarity: Gloriavale: New Zealand’s Secret Cult.
And now for something completely different. Carlo Fruttero and Franco Lucentini were well-known Italian authors who co-authored several mysteries, throughout the 1980s and ‘90s, under their surnames of Fruttero & Lucentini. Their best-known works are The Lover of No Fixed Abode, set in Venice, and The Sunday Woman, which was made into a film starring Marcello Mastroianni and Jacqueline Bisset. Runaway Horses takes place in Siena during the Palio of Siena, the biannual horse race that the Sienese have been celebrating since the 13th century. It features lawyer Enzo Maggione and his wife, Valeria, who are traveling from their home in Milan to Siena, visiting Valeria’s brother along the way. But the two never make it to the farm; instead, they encounter a violent storm and take refuge in a nearby, sprawling estate. Here they find a most idiosyncratic group, including Puddu, the best known of the Palio’s jockeys. Fruttero and Lucentini take the reader deep into the arcane practices of the Palio, which are full of plots and counterplots, while Enzo and Valeria discover their attraction not only to each other but to other residents on the estate as well. Readers with an interest in Siena may enjoy the exhibit Siena: The Rise of Painting 1300-1350, which is currently on display at the Metropolitan Museum and will travel to Britain’s National Gallery in spring 2025.
The city of Zurich, surrounded by water, offers scenery, culture, scientific innovation, and activism to its citizenry. Rosa, a member of the maritime police, usually swims or rows daily, but takes a morning off to have her eggs harvested and frozen. The body found in a fisherman’s net days later turns out to be that of the doctor who performed the procedure. Despite her personal involvement, Rosa is assigned to work the case with the regular police department, awkwardly partnering with a former love interest. Multiple crimes, seemingly unconnected, ultimately come together. Cutting-edge genetics, not usually mystery fodder, is the key. Rosa and her friends and colleagues are engaging, and unlike her American counterparts, Rosa has time for an active social life. The translation is smooth but still carries a cadence and flavor that keeps its context. Intrigue, corporate greed, runaway science, and sexual infidelity come together in a complicated story that may send readers to a map of Zurich for the bigger picture.
A wonderfully compelling crime thriller that takes the reader deep into Pakistan in pursuit of a newly discovered mummy, known as the Persian Princess, and based on a real-life scandal that rocked the antiquities world back in 2000. Dr. Gul Delani, archaeologist and expert in ancient art, is woken in the middle of the night and hustled off to a remote part of the country to inspect a recently discovered mummy that came to light as part of a drug bust. Initially, the mummy appears to be authentic, although some of the iconography is unusual, and Gul is eager to bring the discovery back to Karachi and begin to analyze it. But quickly the mummy is claimed by different forces within the country and attracts corruption like bees to honey. The Museum Detective pulls into the broader narrative the story of Gul’s niece, a teenage girl committed to feminism who disappeared several years ago; Gul’s brother, a financial investor who succumbs to corruption; other scholars who have their own agendas; and the wonderful Mrs. Fernandes, who cares for Gul along with scores of children and teens who live on the street. All these characters and subplots come together brilliantly, creating an outcome that is nothing less than shocking. In Gul, Maha Khan Phillips has created an amateur sleuth whom readers will be all too happy to meet again and again.
Mysteries and the theater make for wonderful marriages—there are scores of examples—and this recent contribution from Colleen Cambridge is completely on point. Agatha Christie and household have temporarily moved from her country estate, Mallowan Hall, to London. The exiles include Phyllida Bright, Christie’s housekeeper (and so much more, including amateur sleuth). But Phyllida is a bit stressed out. She has a love/hate relationship with London—something is making her nervous—plus there is the staff to manage, including the temporary faux-French chef. But enough with the escargot, there’s a murder (Archibald Allston in the Adelphi Theater) followed by another (Benvolio at the Belmont Theater). See where this is headed? Death by alliteration, unless Phyllida gets there in time. This delightful mystery provides a fun look at London’s historic theaters, a glimpse at London’s LGBTQ nightlife, a splendid dénouement right out of a Christie novel, and most remarkably of all: a love interest for Phyllida. Lots of fun to be had here.