Have we been holding back on the raw carnage? If so, this book will more than make up for that. It’s winter, and Christa, our narrator, and her boyfriend, Kiernan, join a tour group of eight headed to a splendid lodge in the Rocky Mountains. But en route the weather turns nasty, a huge pine tree blocks their road, and they are forced to seek shelter in an abandoned hunting cabin as the snow piles up. Alarm bells ringing yet? The plot is squarely in the tradition of locked-room mysteries, more often locked mansions or islands these days, and we can expect our eight participants to slowly get bumped off thanks to poison, asphyxiation, or other genteel means. Well, that’s half correct. For most of the novel, the characters are locked in, thanks to the storm, unable to stray much beyond the cabin. But death in this novel is anything but genteel. In fact, it’s downright terrifying. But even more disturbing is Christa’s plight; obsessively assessing her peers to determine whom, if anyone, she can trust. Coates is also a horror author, and there’s a good dollop of that genre woven through this novel of high suspense. Keep a cat or two on your lap when reading this one.
Action & Adventure
A wonderfully constructed thriller with several narratives, ranging from the 1st century to the present, that eventually come together in the most satisfying of ways. At the outset we have a newly elected pope who has created havoc within the Church with his appointment of a nun, Elisabetta Celestino, as his secretary of state. At the same time, a strip of ancient papyrus that comes from the long-lost Gospel of Mary Magdalene is discovered in a Cairo museum; just a snippet, it still manages to contain shocking information about the role of women in the early Church. It’s stolen and sold to a powerful, conservative U.S. billionaire—and collector of early Christian writings—who wants nothing more than to suppress the content. Alternating with the present-day narratives is the story of Mary Magdalene herself as we follow her from Jerusalem to Egypt to Ancient Rome. At the book’s center is Harvard Divinity School professor Cal Donovan, the protagonist of several of Cooper’s novels, the lynch pin who connects all the narratives. Often thrillers with historical backgrounds like this get weighed down with too much information and overly elaborate plots. But readers will move through this book like a hot knife through butter. For fans of Dan Brown and Steve Berry.
Meredith Morris-Dale used to work with her husband, John. Now they’re divorced and moving on, their daughter grown and out on her own and John retired and pursing his passion as an artist. Meredith’s job needs John for one last gig, though. That wouldn’t be too unusual except that the task is for him to re-up in the CIA and re-establish contact with a scientist who’s sabotaging Iran’s effort to build a nuclear bomb. John was suspended from “the company” for an operation that went wrong, the traumatic details of which are slowly revealed; he also doesn’t want back in, but Cerberus, as the Iranian scientist is known to the CIA, won’t deal with anyone else. Soon John’s on a perilous journey to find Cerberus, a journey on which he’s pursued by other global bad guys who are using him to pin down details of the international spy network and move up in the superpower ranks. From the opening, this is like the best kind of action movie—fast moving, smart subplots, hair-raising escapes from death. Adding to the action is John’s decency toward the good people he meets and ruthlessness with all the rest. If you’ve ever wondered what a much scruffier James Bond would be like, this is the book for you.
There’s strange and then there’s this bizarre-in-the-best-way, thought-provoking debut. It opens with a missing-person case. The subject is artist Ula Frost, who’s known for A) being reclusive and B) painting portraits that allow another version of the subject to appear from another world. At least, that’s the rumor; there have long been investigations of whether the phenomenon is real, and stories of those who have been found dead with their portrait in tatters nearby, adding a tinge of horror to the rumors. Either way, Ula is now missing, which sets in motion legal proceedings she arranged to give her possessions, including her paintings, to a forensic anthropologist named Pepper Rafferty, who didn’t know Ula and wasn’t expecting this. Now Pepper is the focus of attention from both Ula’s cult-like following and the frightening Everett Group, quasi-corporate thugs who want a particular painting that’s very much not for sale. Pepper, who normally goes through her life quietly wondering if another Pepper in another world likes her husband better and is more satisfied overall, is thrust into danger and science-fiction-tinged partnerships in her quest for a way out of the predicament she’s been dropped into. By the end, readers will have been treated to both a quirky love story and a great philosophical debate (what if you could produce other yous?). In other worlds, there might be other Ettas who are reading longer versions of Pokwatka’s fascinating puzzle, but in this world, I’m so sad this book is over.
This startling work upends every stereotype of old ladies and killers. Known as Hornclaw, our protagonist is only 65 but welcomes the invisibleness of appearing elderly so as to better function as a disease control specialist: a hired killer. Under her baggy, mismatched clothes, Hornclaw has such a fearsome body that a TV producer at the gym asks her to be on a show about unusual people. But she fears being forced into retirement soon, a euphemism for being killed by the other specialists at the disease control agency. As we observe the abusive childhood that led Hornclaw to obsessively love her dog, Deadweight, but blithely kill strangers, we’re led toward a hairpin turn in her personality, when she finally cares for someone but it is part of a deadly trap. The story, which immerses readers into everyday life in Seoul, is made unforgettable by Gu’s language as she draws readers into the chilling, beautiful wanderings of Hornclaw’s mind, which flits from contemplating someone eating a peach (“she watches a perfect small world being smashed inside his mouth”) to considering the home of a newly butchered man (“the hallway to the living room seemed to loll like a dead person’s tongue”). For lovers of literary fiction and book clubs that will try something different.
Perhaps inspired by the real-life disappearance of Northern Ireland mother Jean McConville, Dempsey invites us inside two crimes. The first is a murderous attack on five roommates, and then there’s the cold case resurrected by the message scrawled on their wall: Who Took Eden Mulligan? Eden’s children, now adults, have been adamant in the decades since her disappearance that she wouldn’t leave them, but the woman was an enigmatic outsider in “a pit of savagery and subterfuge.” A Protestant living in a Catholic area of Belfast, she looked a mite too good for neighbors to care about her fate. Detective Danny Stowe has lots to lose in his inquiries—he’s on thin ice after smashing a perpetrator’s head against a wall and needs this win. For that, and more personal reasons, he persuades his best friend from college, a forensic psychologist who’s enduring her own issues, to join the investigation. The old and new cases, and the broken families involved, bring forth the weariness of living in sectarian strife, a mundanity that’s broken by moments of horror. Dempsey excels in portraying the anger that emerges when the dreamy veil of struggle lifts to reveal political violence as “a cover for psychopaths.” Read this for both a satisfying puzzle and an inside look at a culture turned sour.
Konkoly, Steven. Deep Sleep. January 2022. Thomas & Mercer.
Fans of espionage and breakneck action are the audience for this political thriller from Konkoly (Black Flagged series). Unusually, the catalyst for the action is a dead woman: former CIA agent Helen Grey meets her end early in the book on a mysterious solo mission to kidnap a man from a retirement home. Her son, Devin, is not surprised to hear that his mother is behind this bizarre crime; she’s been paranoid about a government conspiracy for years. But carefully coded messages she left in anticipation of her death lead Devin to the truth of the old saying that just because you’re paranoid doesn’t mean they’re not out to get you. Devin and his former-Marine friend Marnie (will they or won’t they get together by book’s end?) realize that long-swirling rumors about Russian agents infiltrating the U.S. government, working to sabotage the country from within, might be true. While the premise here is interesting, the action makes the book; it’s almost one long fight scene, and those who are nerdy for specs on drones, weapons, and surveillance tech will eat it up. A must for Tom Clancy devotees.
- 1
- 2