What Cannot be Said

Atonement and The Secret Garden float to mind as children in an isolated English idyll come upon a frightening scene. Out for a walk, two young brothers find a mother and daughter dead, posed in a way that’s so peaceful it’s sinister. Magistrate Sir Henry Lovejoy, a friend of the series’ main character, Sebastian St. Cyr, is called, and the scene is all too familiar to him: it’s how his wife and daughter were found murdered years before. A man was hanged for that crime. As more killings occur with frightening speed over the coming days, others speculate that a “copyist” is at work while Lovejoy fears that the wrong man was executed. Lady McInnis, the current day’s victim, was politically active, lending an intriguing angle to the story. She lobbied the government to improve the conditions of working children, some of whose sad lives are featured here; a side plot regarding workhouse babies being unscrupulously fostered for pay paints a grim portrait of early 19th-century England. In the end, the social elements and the murder mysteries knit well together to create a satisfying whodunit with a dash of historical fact.